News
The desire to know the future

One of the most common complaints of mankind is that we know so little about the future. To most of us the future is closed, except as it may be predicted in general terms by the experience of the past, and except as it has been broadly outlined in scripture. But so anxious are some to pry into the secrets of specific things to come in their own lives, that they will go to great lengths to consult almost anyone within reach who professes powers beyond the perception of ordinary men. Before Saul ever consulted the Witch of Endor, and perhaps until the last scene of time shall have been enacted, men have tried and will continue to try to wrest from the great unknown, some inkling of what is yet to transpire.

Accordingly, the soothsayer, the fortune teller, the clairvoyant, the crystal-gazer, the reader of the tea-cup, the diviner of cards, have all sold information they do not know; or, if they have such information the source of it will not bear scrutiny. It is true that the scriptures testify: “Surely the Lord God will do nothing but he revealeth his secret unto his servants the prophets.” (Amos 3:7) and it is also true that down through the centuries divinely appointed prophets of the living God have been privileged by the Almighty to foresee events that were yet to transpire, but these prophetic utterances have been proclaimed and recorded by men of God for the knowledge and comfort and warning of all the children of our Father, and have not been sold for silver, nor bartered for gold.
It is natural that men should desire to know something of what lies before them, but if it were good that each of us should have specific fore-knowledge of events to come in our lives, the wisdom of an all knowing Creator would have made such prescience possible, without our resorting to dark places among those who, for a price, conjure up specters and mumble incantations.
In some respects, and to some extent the future may and should be known, For example, science helps us to forecast something as to the future of weather conditions, which is of much value to all of us. To know something concerning the future of private wants and needs, helps the manufacturer and the merchant to avoid some of the hazards of chance, and to this end we have our business forecasts.
The broad lines of the future, so far as the plan and purpose of life are concerned, as well as specific forthcoming events, have often been foretold by the prophets, when the purposes of God were served thereby. But the desire to know the future may become an inordinate desire—so much so that there are some who feel they cannot rest unless they can know the unknowable and see the unseeable, and who, to this end, place their confidence in those who profess, for a price, to tell what irrevocable events the fates have decreed, as revealed in the stars, the tea leaves, in the cutting of the cards, in the crystal, or by some other occult means.
In this twenty-first century we have sometimes given ourselves to believe that we have left witchcraft and mummery and superstition behind, and then we cling to much of it. In the wisdom of God it has not been given to us to pry the lid off the future at our indiscriminate discretion. It has been so ordered that in many things we shall live by faith, and meet the events of life as they come. If the stars were fixed and the pattern of our lives were fixed with them; if the future were already set in its mold, then the next logical conclusion would be that it doesn’t matter how we live or what we do with our livesthe result would be the same anyway. But such philosophy is false and untenable.
If a man cannot be happy and live well with such knowledge as God has chosen to reveal concerning things to come, it would be left to conclude that, among other things, such a man lacks understanding, and also faith, which is a fundamental element in an acceptable life.
By Samuel Enos Eghan
News
Korea supports preservation of Ghana’s forts and castles

The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.
At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.
The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.
The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.
By Edem Mensah-Tsotorme
News
ASOHOM hosts “Woven Currents” charity art gala for sustainable Water Futures

The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.
At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.
Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.
Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.
Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.
Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.
Each artwork responded directly to Ghana’s pressing aquatic realities.
Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.
Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.
Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.
Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.
Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.
Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.
The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.
Diplomatic delegates, collectors, artists and cultural leaders filled the room.
The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.
It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.
By Edem Mensah-Tsotorme




