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USAID, MoE, support visually impaired students with Braille learning materials
The United States Agency for International Development (USAID) in collaboration with the Ministry of Education (MoE) has presented 1,400 Braille Teaching and Learning Materials to nine Special Education Schools that support visually impaired learners.
USAID Education Office Director, Rasheena Reid, joined the Deputy Minister of Education, Reverend John N. Fordjour last Wednesday at the Akropong School to handover the materials which were developed in collaboration with the Ministry of Education’s Special Education Division.
The “Partnership for Education: Learning” programme, partnered with the Ministry to create the materials to help improve the reading performance of visually impaired learners in the country.
“Education opens doors for professional, economic, and cultural opportunities. Visually impaired students deserve those same opportunities.
“We congratulate the Ministry of Education and Ghana Education Service on their commitment to inclusive education, especially as the Government of Ghana supports the Global Disability Summit,” USAID’s Rasheena Reid said while Rev. Fordjour stressed the importance of inclusive education for all learners.
The collaboration with the Ministry of Education focuses on promoting quality education for children. Sixty-five teachers from nine special education schools for the blind and selected District Special Education Coordinators would receive training on the use of the materials.
The schools include: Wa Methodist School For The Blind, Bechem School For The Deaf/Blind, Cape Coast School For The Deaf/Blind, Demonstration School For The Deaf/Blind, Volta School For The Deaf/Blind, Ashanti School For The Deaf/Blind, Three Kings Special School, Ghana National Basic Inclusive, Akropong School For The Blind.
The activity was part of the ‘Learning T2E Plus programme’, which supports the MoE and the GES to improve early grade reading of learners in Ghana. The programme has trained over 20,000 teachers and reached over 750,000 pupils from over 5,000 schools across the country.
By Spectator Reporter
The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.
At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.
The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.
The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.
By Edem Mensah-Tsotorme
The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.
At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.
Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.
Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.
Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.
Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.
Each artwork responded directly to Ghana’s pressing aquatic realities.
Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.
Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.
Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.
Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.
Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.
Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.
The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.
Diplomatic delegates, collectors, artists and cultural leaders filled the room.
The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.
It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.
By Edem Mensah-Tsotorme
