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TGMA fashion falls short of expectations  — Fashion PR

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• Faith Ocloo
• Faith Ocloo

 The 2025 Telecel Ghana Music Awards (TGMA) may have delivered on its promise to celebrate musical excellence, but when it came to fashion, the red carpet left much to be desired, according to fashion publicist Faith Senam Ocloo.

In a candid review of the eve­ning’s fashion, Ocloo expressed disappointment at the overall styling and presentation of many of the night’s attendees, noting that only a handful truly em­braced the glamour and creativity expected on such a major plat­form.

Ms Ocloo said this in an inter­view with The Spectator Agoro in Accra last week.

“The overall fashion at this year’s TGMA was a little disap­pointing, honestly, we had very few great looks on the night com­pared to the number that didn’t look red carpet-worthy.”

While acknowledging the efforts of some talents who exhibit­ed thoughtful styling and clear fashion direction, Ocloo criticised the majority for playing it safe or failing to deliver cohesive, well-executed outfits.

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She pointed out that despite years of public scrutiny, many industry players still fall short in their red carpet presentation.

“This is the biggest night for Ghana’s music industry, and I would expect people to show up really fashionable,” she said.

According to Ms Ocloo, although there is growing interest in bold fashion statements, the local industry still lacks the robust styling, grooming, and creative direction needed to elevate fash­ion standards at such high-profile events.

She highlighted Empress Gifty, Fella Makafui, and Piesie Esther as among the few who stood out with polished yet safe looks, add­ing that while they were not “out of this world,” they managed to pull off strong fashion moments.

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Ms Ocloo also drew comparisons with other continental events, particularly the Africa Magic Viewers’ Choice Awards (AMVCA), which she praised for building a strong fashion ecosystem involv­ing stylists, designers, glam teams, and the media.

“What the TGMA is currently lacking is that sense of intentionality and coordination,” she said. “We need to treat our award shows as platforms for creative storytelling, not just appearances.”

She further empha­sised the need for deeper investments in fashion education, bet­ter collaboration with local designers, and a red carpet culture that prioritises individual­ity and excellence.

Reflecting on the night, Ocloo acknowledged the significance of the awards in spotlighting musical talent but noted that the event’s production and fashion execution still have room for improvement.

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“It’s a reflection of the broad­er creative economy – we’re still on the path. But with more collaboration between music, fashion, and media, the TGMA can become a truly iconic night for Ghanaian pop culture,” she con­cluded.

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Sparqlyn’s ‘Rosina’ ft. Teeno takes over airwaves

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Sparqlyn
Sparqlyn

Ghanaian musician Sparqlyn is set to release another big hit.

His latest release, ‘Rosina,’ features Germany-based Ghanaian musician, video director, and sound engineer TEENO (known privately as Eric Kwame Tamakloe).

TEENO’s project ‘Signs’ was recently accepted by the Grammys for official consideration in the ‘Album of the Year’ category. Now, ‘Rosina’ is making serious waves across the airwaves.

Coming shortly after the impressive reception to his previous single ‘Fameko,’ ‘Rosina’ is already receiving strong attention from music lovers and radio listeners.

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This new song carries an infectious Afrobeats and Hiplife feel while maintaining the romantic direction that characterised ‘Fameko,’ Sparqlyn’s 2026 Highlife collaboration with Ziya.

‘Fameko’ marked an important moment in Sparqlyn’s musical journey, with the love-themed highlife record receiving positive reactions from music lovers and media platforms following its June 2026 release.

The song became one of the highlights of his 2026 output, ranking high on multiple charts. 

‘Fameko’ has also bagged Sparqlyn two top nominations: “Highlife Song of the Year” and “Artist of the Year” at the 2026 Stars Awards.

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The combination of a romantic storyline, Afrobeats rhythm, and Hiplife influence give the song a sound that fits comfortably into the current Ghanaian music landscape.

The timing of the song’s release could also prove significant for the award-winning artiste. Sparqlyn recently secured two nominations at the 2026 Ghana Youth Empowerment Awards, where he is in contention for Youth Empowerment Advocate of the Year and Outstanding Youth Personality of the Year.

With ‘Fameko’ having established strong momentum earlier in the year and ‘Rosina’ now beginning to enjoy significant airplay, Sparqlyn appears to be ending another eventful chapter of his musical career on a high note.

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Use social media platforms to enforce social change  –Kwame Eugene 

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Kwami Eugene

Ghanaian highlife and Afrobeats singer Kuami Eugene Marfo known in showbiz circles as Kuami Eugene  has urged fellow musicians and entertainers to use their influence on social media and other platforms to champion causes that positively impact society.

The award-winning artiste made the call during a UNICEF Ghana birth registration advocacy campaign in Bepoase in the Ayensuano District of the Eastern Region, where he joined officials from UNICEF Ghana and the Births and Deaths Registry to raise awareness about the importance of registering children at birth.

He explained that artistes wield significant influence and should leverage platforms such as TikTok, Facebook and Instagram to amplify important social initiatives and encourage behavioural change.

The musician, who has partnered UNICEF Ghana on several child-focused campaigns, said he had a special interest in issues affecting children and was committed to supporting efforts that improved their welfare and future opportunities.

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He noted that birth registration was critical because it established a child’s legal identity and ensured recognition as a Ghanaian citizen.

The advocacy drive forms part of UNICEF Ghana’s efforts to improve birth registration rates across the country through community engagements, public education and collaboration with traditional authorities.

The musician said he remained focused on creating quality music while continuing to support social causes that contribute to national development, particularly initiatives aimed at improving the lives of children. –GNA

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