Entertainment
Teddy Osei of Osibisa fame dead

Veteran Ghanaian Musician, Teddy Osei of Osibisa fame is reported dead
Ghanaian musician and saxophonist Teddy Osei, a founding member of the Afro-rock band Osibisa, has died at 88 in London on January 14, 2025.
Bessa Simons, President of the Musicians Union of Ghana (MUSIGA), who at a point played alongside the band disclosed that the legendary musician breathed his last on Tuesday morning, January 14, 2025.


Born in December 1937 in Kumasi, Osei was pivotal in the band’s formation in 1969 after studying music in London. His impact on music is celebrated.
He is one of the founding members of this Afro-Caribbean band that rocked the world with their amazing quality.
Through their ingenuity, they projected Ghana’s name through music and their awe-inspiring performances across the world.
In 1969, he founded Osibisa along with several other musicians. The band remained popular through the 1970s, before experiencing a decline, although it continues to perform today.
While at college, he attempted to put together a band along with some of his friends. According to Osei, he only began to play the saxophone because the person who had volunteered for that instrument did not attend the practices. He continued to teach himself the saxophone, listening to records of jazz musicians and playing along with the music.
After beginning work as an inspector, he created a semi-professional band along with his brother and some friends.
The band was known as the Comets, and became successful in Ghana, recording with Philips West Africa and playing for a radio show. Their music was inspired by ‘Highlife’, a genre derived from a fusion of European and African influences.
In 1962 Osei travelled to London, leaving the Comets behind. Having spent his money on travel, he lived with some friends in London, and worked as a dish-washer for a year.
He then applied for and received a grant from the Ghanaian government, which allowed him to attend a private music and drama school for three years.
However, his grant was terminated after Nkrumah was deposed in 1966. Osei teamed up with several other students who had also lost their positions and began to play soul music at various venues across Europe.
The group acquired a following in Switzerland, and named themselves Cat’s Paw. At this stage its members included Sol Amarfio and Osei’s brother Mac Tontoh, both future members of Osibisa. However, the group eventually returned to the UK, looking for a more permanent financial situation.
Entertainment
Okyeame Kwame launches “Clap Challenge” for teachers and students

Veteran Ghanaian musician Okyeame Kwame has announced a new initiative aimed at engaging teachers and students through music and creativity.
The award winning artiste in a social media post revealed that the “Clap Challenge” will begin this week, starting with schools across the country.
He explained that the challenge will require a teacher together with students to record a video of themselves singing his “Clap” song.
According to him, the video must be lively and engaging to stand a chance of winning.
He stated that participants must also post their videos on social media with permission from their school authorities.
They are expected to use the hashtag #clap4others and tag him on any social media platform.
He added that one teacher will be selected as a winner every week and will receive a cash prize of GH¢1,000.
He noted that the final decision on winners will be made by him.
The musician encouraged teachers and students to take part in the challenge, stressing that it is designed to promote creativity, unity and positive expression among young people in schools.
This follows a GHC100,000 support from businessman, Richard Nii Armah Quaye, who lauded the musician for composing a song which has the tendency to change society and help eschew jealousy.
By: Jacob Aggrey
Entertainment
Ghanaian actor Fred Amugi to feature in Pan-African series Kismet

Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA








