Entertainment
Sarkodie left me to my fate in the most difficult period, he did not call to check up on me- Yvonne Nelson
Ghanaian actress, Yvonne Nelson has revealed that, Sarkodie left her to her fate in the most difficult period of her life.
Recounting this in her memoir, she revealed that “I was given an injection that was supposed to numb the pain, but I could still feel it. I could feel the screwing inside me. I even thought my entire womb was being removed. Whatever it was, my only prayer was for a successful outcome.”
According to Yvonne Nelson in her book, from the health facility, she went back to her friend’s hostel.
“As had happened with my Nov-Dec exams after school, I hoped and prayed that I would be lucky with this second attempt. The pain, again, was intense and I bled profusely. I felt worse because Sarkodie left me to my fate in the most difficult period. He did not call to check up on me or find out how the procedure had gone,” she revealed.
She noted that having an abortion is one of the most regrettable mistakes in her life.
” If the clock of life could be rewound to my younger self, I would keep it. But the benefit of hindsight is sometimes not useful because the lessons learned cannot be applied retrospectively,” she emotionally revealed.
She went futher to reveal that “I don’t know how others who have been through it feel, but my abortion haunted me for years. For instance, whenever I visited the gynaecologist and had to fill out a form, there was a place on the form that asked whether I had had an abortion before.”
“Knowing that it was important to be truthful in my disclosure to health professionals, I had to tick the abortion box. It was not just a tick, but the disclosure of my moment of shame in a judgmental society, sharing a dreaded piece of secret with people whose perception of me might never be the same,” she noted in the chapter eight of her book, I AM NOT YVONNE NELSON.
To be continued
By Edem Mensah-Tsotorme
Veteran Ghanaian musician Okyeame Kwame has announced a new initiative aimed at engaging teachers and students through music and creativity.
The award winning artiste in a social media post revealed that the “Clap Challenge” will begin this week, starting with schools across the country.
He explained that the challenge will require a teacher together with students to record a video of themselves singing his “Clap” song.
According to him, the video must be lively and engaging to stand a chance of winning.
He stated that participants must also post their videos on social media with permission from their school authorities.
They are expected to use the hashtag #clap4others and tag him on any social media platform.
He added that one teacher will be selected as a winner every week and will receive a cash prize of GH¢1,000.
He noted that the final decision on winners will be made by him.
The musician encouraged teachers and students to take part in the challenge, stressing that it is designed to promote creativity, unity and positive expression among young people in schools.
This follows a GHC100,000 support from businessman, Richard Nii Armah Quaye, who lauded the musician for composing a song which has the tendency to change society and help eschew jealousy.
By: Jacob Aggrey
Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA
