Entertainment
Minister for Tourism, Culture and Creative Arts launches the ‘Ananse Heritage Project’
The Minister for Tourism, Culture and Creative Arts, Abla Dzifa Gomashie, on Tuesday officially launched the Ananse Heritage Project at Solaris Luxury Heights, Ridge.
Themed “Reviving Ghana’s Timeless Folklore Legend Kweku Ananse as a Catalyst for Cultural and Educational Transformation,” the initiative aims to breathe new life into Ghana’s folklore legend, Kweku Ananse, through animation, digital storytelling, and modern creative education.
The launch drew government officials, creative industry stakeholders, educators, and development partners, all united in the mission to preserve and promote Ghana’s cultural heritage.
Hon. Gomashie commended Parables Animation Studio for spearheading the initiative, noting that their vision to modernize folklore through animation aligns perfectly with the Ministry’s mission to promote Ghana’s identity and creative economy. She emphasized that the project bridges the gap between tradition and technology, showing how cultural preservation can coexist with innovation to engage today’s youth.
Divine Owusu-Ansah, Director of Culture and Creative Arts at the Ministry, described the project as a major step toward reconnecting Ghanaian youth with the nation’s folklore traditions through innovative and accessible mediums.
The Minister also paid tribute to the late Former First Lady, Nana Konadu Agyeman-Rawlings, for her pioneering work in promoting folklore through the “By the Fireside” series, which preserved Ghanaian storytelling traditions for decades.
Cycil Jones Abban, Founder and CEO of Parables Animation Studio, outlined the project’s components, including public education, content creation, digital distribution, and capacity-building workshops. He noted that the initiative seeks to preserve Ghana’s storytelling traditions while equipping young creators with the skills to tell local stories for global audiences.
The ceremony concluded with an exhibition of animated folklore visuals, symbolizing the fusion of heritage and innovation that defines the Ananse Heritage Project.
By Spectator Reporter
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Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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