Entertainment
Joe Mettle teams up with Dunsin Oyekan, others for Praise Reloaded on June 25
Joe Mettle Dunsin Oyekan
Worshippers will have an unforgettable encounter with God as multiple award-winning Ghanaian musician Joe Mettle teams up with Nigeria’s gospel heavyweight, Dunsin Oyeka, and some top musicians for Praise Reloaded.
This year’s event marks the 11th edition of Praise Reloaded, and it is slated to take place at the Royal House Chapel Oil Dome in Accra on June 25, 2023.
Other musicians who will be a blessing for patrons at the programme which will start at 5 pm are, ever powerful Ceccy Twum, Pastor Edwin Dadson, and Bethel Revival Choir.
The programme aims to resound and create an atmosphere of worship to celebrate the goodness of God for successful years of Praise Reloaded.
According to the brain behind the event, Joe Mettle, patrons will experience a transforming night of worship and praise.
The people of Kumasi had their share on Sunday, June 11, when Prospa Ochimana, Efe Grace, Piesie Esther, Luigi Maclean, and Kweku Teye blessed them with their amazing voices and anointed music.
It is expected that the patrons in Accra will also have an awesome time of pure worship and praise on June 25.
BY EDEM MENSAH-TSOTORME
The Christmas festivities were nothing short of fun and excitement, especially for patrons of Dodi World in Akosombo in the Eastern Region.
A major highlight was a memorable voyage aboard the famous MV Dodi Princess II, a 150-capacity pleasure boat, which sailed to the scenic Dodi Island, an 84-hectare natural haven.
Among the patrons was a vibrant social group known as ‘Weekend Day Out’, which brings together individuals from diverse backgrounds and workplaces to interact, share ideas and enjoy memorable leisure experiences.
On December 26, the group joined hundreds of other fun lovers to fill the vessel to capacity for what many described as an experience of a lifetime.
The over five-hour journey from Dodi World through to Dodi Island was electrifying. Patrons enjoyed breath-taking rare views of the island’s rich natural scenery and wildlife before returning onboard for the cruise back to the starting point.
The atmosphere was further enlivened by music from DJs and a live band, complemented by an array of drinks and grilled meals, ensuring both young and old had something to cheer about throughout the voyage.
For members of the Weekend Day Out group, the trip served as a joyful reunion with friends after a year of professional commitments, while also providing an opportunity to plan future adventures in the coming year.
Speaking after the event, one of the patrons, Ms Gloria Yaa Baby, said although she had embarked on the voyage several times, the most recent experience was particularly breathtaking and memorable.
“This one was different, with more people and interactive sessions. It gave me many reasons to return and experience the fun again with the Weekend Day Out group,” she stated.
With another exciting adventure scheduled for March this year, she encouraged Ghanaians to make time out of their busy schedules to relax, unwind and enjoy life.
By Spectator Reporter
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Joshua Kojo Ampah, a member of the Keche group has stated that the attitude of Nigerian audience during the performance of Ghanaian artiste Stonebwoy and Wendy Shay at the All Africa Music Awards (AFRIMA) held in Lagos, Nigeria was intentional.
The hiplife artiste shared his sentiments on social media over the cold reception given to the Ghanaian performers.
“They know Stonebwoy’s songs, they know Wendy Shay’s songs, but they will not get up to hail you. They know what they were doing,” he stated.
He added that performances by Stonebwoy and Wendy Shay were top notch but most audience did not want to relate to the song.
“Is there was any rapper in Africa bigger than Sarkodie? Are there any dancehall artistes in Africa bigger than Shatta Wale and Stonebwoy” he quizzed.
He contrasted this with the energetic reception given to Nigerian legend P Square, who performed at the same event.
Joshua blamed this on the Ghanaian attitude towards its own artistes within the Ghanaian music industry itself.
He argued that the lack of respect for local talents in Ghana was responsible for their reception abroad.
“But do you know why we are not respected out there? We do not see ourselves as such. “Until we in Ghana start respecting our own, the people out there will not respect them,” he concluded.
By Linda Abrefi Wadie
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