Entertainment
Habiba Sinare’s Kadara movie records massive patronage
Ghanaian actress and movie producer, Habiba Sinare’s recent movie, Kadara, received massive patronage at the premiere on Saturday, May 7, 2022.
The premiere, which took place at the Silverbird Cinemas in both West Hills and the Accra Mall, recorded 12 shows, each filling the cinema to capacity.
The Kadara movie, produced by Yassen Film, had to break the rules of the Silverbird cinemas by letting the audience use the emergency exit meant for official and emergency use only.
The movie tells a true love story threatened by tradition. In the movie, a mother has to make decisions for her son because of tradition. The lovers come up with a plan that may be too risky for them and their lovers.
Kadara showcases the exciting tourist and historical sites in the northern part, of Ghana like the Larabanga Mosque, Mole-National Park and The Larabanga Mistic stone
The use of Hausa language by some of the cast including Anthony Woode, Irene Opare, Fred Amugi, Kofi Adjorlolo who are not Muslims or Hausa people but able to speak the language, is impressive in the movie.
In an interview Miss Sinare, and expressed her gratitude to her crew for their hard work and commitmentpromised to give movie lovers great stories from Yaseen films.
She said, “The love from the Zongo community is always genuine and only God knows how much time and energy those human resources put into this great movie carried weight.”
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
