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Damba: The festival that unites Northern Ghana

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Few festivals in Ghana carry the weight of history, colour, and unity like the Damba festival.
What began centuries ago as a religious commemoration has today blossomed into the largest cultural festival in Northern Ghana, celebrated across the Northern, Savannah, North East, Upper East, and Upper West regions.
From the palaces of Dagbon, Mamprugu, and Nanumba, Damba resonates with the sound of drums, praise-singers, and the spectacle of tradition.
Its significance has even transcended borders, drawing Ghanaians and foreign admirers to international editions held in Germany, the United States, and the United Kingdom.
The name Damba is rooted in the Dagbani language, though it appears in other tongues, Damma in Mampruli.
Observed in the third month of the Dagomba calendar, which coincides with Rabia al-Awwal in the Islamic calendar, Damba was originally celebrated to mark the birth and naming of Prophet Muhammad.
Over time, it has evolved into a grand festival celebrating chieftaincy, kinship, and the resilience of Ghana’s northern kingdoms.
The festival unfolds in three major stages that is Somo Damba, Naa Damba, and the grand Belkulsi or farewell procession. In the early days, the Yila Bohambu, or nightly musical rehearsals, fill the palaces with song.
Women of the royal courts lead these performances, keeping alive the traditional chants and rhythms that set the tone for the celebrations. The Somo Damba is a solemn time of prayer, drumming, and dignified dancing.
It is followed by the youthful exuberance of the Binchera Damba, where young men and women take to palace grounds in worn yet stylish smocks, showcasing creativity and spirit in a torn couture display.
Another revered rite, the Shinkaafa Gahimbu (picking of rice), sees clerics, led by the Yidan Moli at the Gbewaa Palace, offering symbolic rituals of blessing and prosperity.
The Nahu Glibu, or rounding of the cow, performed by chiefs, demonstrates wealth, unity, and the continuity of life. But it is the Naa Damba, the King’s Damba that truly crowns the festival.
Here, the atmosphere reaches its peak: chiefs ride majestically on horseback, praise-singers proclaim ancestral glories, and the air explodes with musketry from warriors, signalling strength, protection, and bravery.
One of the most breathtaking spectacles of Damba is the procession of the queens. Adorned in regal cloths and glittering ornaments, they gracefully carry golden-coloured bowls, abolition cans, utensils, sandals, and animal skins, the very seat and symbols of authority for the chiefs.
Each item tells a story, each step a reminder of the sacred duty queens play in preserving heritage and continuity.
Their slow, elegant movement is met with admiration from the gathered crowds, reinforcing the balance between royalty and community. No Damba is complete without the vibrant dances that fill the courtyards.
The housing dance, performed with synchronised grace, captures the essence of belonging, while the warriors’ displays, accompanied by fierce drumming and bursts of musketry in the skies is to celebrate resilience and courage.
These performances not only entertain but also remind communities of their history, values, and collective identity.
The festival’s climax, Belkulsi, bids farewell in a grand procession. Families exchange visits, gifts are shared, and friendships renewed.
Streets and palace grounds explode with colour, sound, and movement, leaving behind memories that last until the next Damba.
From Gonja, Dagbon, Mamprugu, Wali and Nanumba, Damba has remained a symbol of identity and unity.
Its international editions in Cologne, New York, and London highlight the festival’s growing role as a cultural ambassador, projecting Ghana’s northern traditions to the world stage.
Damba is a living archive of history, an affirmation of heritage, and a celebration of the bond between people and tradition.
In its rhythm, regalia, and rituals, one sees not only the past but also the promise of continuity for generations to come.
From Geoffrey Buta, Yendi
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AHISCOSA 1993-year group pays courtesy call on MD of NTC

The 1993 Class of Accra High School Old Students Association (AHISCOSA) on Tuesday paid a courtesy call on the Managing Director (MD) of New Times Corporation (NTC), Dr Isaac Okpoti Nai to congratulate him on his appointment as MD and assure him of the association’s support.
The delegation of the year group also known as Onukpai 1993, was led by the President of the association, Mr Robert Amissah Eshun, lecturer at the Accra Technical University (ATU). Others were Mrs Elizabeth Sonia Tetteh, Senior Assistant Registrar at ATU and Rev. Canon Dr Lt. Col. Francis Obodai Lokko, Southern Command Chaplain of the Ghana Armed Forces (GAF).
The President congratulated Dr Nai, who is also a member of the 1993-year group describing his appointment as a source of pride for the year group and the entire school.
“Your appointment as Managing Director is not only your personal achievement, it is a win for Accra High School and for the Class of 1993,” the President said.
According to Mr Eshun the group is proud to see one of its own rise from the classrooms, dormitories and assembly grounds of AHISCO to lead one of Ghana’s major media organisations.


“We remember you not just as our classmate, but as one of us who carried the Accra High School values with you: discipline, excellence and service,” he noted and added that “Dr Okpoti Nai demonstrated discipline, tenacity and excellence during his school days, qualities which, had prepared him for the leadership responsibility he now occupies.”
The delegation assured Dr Nai of their support through prayer, goodwill and other forms of assistance as he carried the name, values and reputation of AHISCO into his new role.
They further urged the MD to lead with wisdom, integrity and strength, while expressing the hope that his tenure would bring growth and development to NTC and create opportunities for others to rise.
The Class of 1993 also presented a gift to Dr Okpoti Nai as a symbol of their appreciation and continued support.
In response, Dr Nai thanked the delegation for the visit and said he was grateful for the gesture and the confidence they had reposed in him.
He encouraged them to subscribe to the Corporation’s e-newspapers, www.timesnewsplus.com, to support its growth.
The Editor of The Spectator, Mrs Georgina Naa-Maku Quaittoo, who is also an old student of AHISCO, of the Onukpai 1989-year group expressed appreciation to the delegation for their visit and encouraged them to support the Corporation by buying and reading its newspapers, The Spectator (TS) and The Ghanaian Times (GT).
Rev. Canon Dr Lt. Col. Lokko, prayed for God to grant the MD wisdom, strength, good health and integrity as he leads the corporation.
“May your tenure bring growth to the corporation and may it also open doors for others to excel,” he prayed.
By Linda Abrefi Wadie
News
Police to prosecute commercial drivers for overcharging passengers

Commercial vehicle operators who charge above approved fares will be prosecuted, the Police have warned.
The Police said drivers who deliberately charged passengers fares above the approved rates gazetted by the Ministry of Transport and other relevant stakeholders risked legal action, particularly where there was evidence of repeated violations.
In an interview with the Ghana News Agency (GNA), Assistant Commissioner of Police (ACP) Alexander Kweku Obeng, Director of the Motor Traffic and Transport Department (MTTD), said commercial drivers were required to adhere to the approved fares and should not exploit commuters for personal gain.
He said the prosecution formed part of measures to strengthen compliance with road traffic regulations and protect passengers from unfair practices in the commercial transport sector.
The warning comes amid recurring complaints from commuters about arbitrary fare increases, particularly during periods of fuel price adjustments, vehicle shortages, heavy traffic and increased demand for public transport.
In some instances, passengers have complained of being charged fares different from the officially approved rates or being asked to pay additional amounts after boarding vehicles.
ACP Obeng cautioned commercial drivers against such practices, saying approved fares were not optional and must be respected by operators.
He urged drivers to see compliance not merely as a legal obligation but as part of their responsibility to the travelling public.
“Don’t cheat commuters and passengers. Accept the right, agreed fare as gazetted,” he said.
He said enforcement of road traffic regulations would not only focus on conventional road offences but would also address conduct that affected the rights and safety of commuters.
The MTTD Director urged drivers to desist from exploiting passengers and operate strictly within the fares agreed upon by the relevant authorities.
“Don’t come on the road and do short-short, and then start putting unfair fares on potential passengers,” he cautioned.
ACP Obeng said drivers who repeatedly violated the approved fare regime could be taken to court.
He also urged passengers to familiarise themselves with the approved fares and report suspected cases of overcharging to the appropriate authorities.
He said public cooperation was essential to effective enforcement because passengers were often the first to identify cases where drivers charged fares outside the approved rates.
ACP Obeng said the broader objective was to promote fairness and discipline within the commercial transport sector while protecting commuters from practices that placed an unnecessary financial burden on them.
He said the Police would continue to collaborate with relevant institutions to enforce road traffic regulations and ensure that commercial transport operators operated within the law. –GNA








