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Damba: The festival that unites Northern Ghana
Few festivals in Ghana carry the weight of history, colour, and unity like the Damba festival.
What began centuries ago as a religious commemoration has today blossomed into the largest cultural festival in Northern Ghana, celebrated across the Northern, Savannah, North East, Upper East, and Upper West regions.
From the palaces of Dagbon, Mamprugu, and Nanumba, Damba resonates with the sound of drums, praise-singers, and the spectacle of tradition.
Its significance has even transcended borders, drawing Ghanaians and foreign admirers to international editions held in Germany, the United States, and the United Kingdom.
The name Damba is rooted in the Dagbani language, though it appears in other tongues, Damma in Mampruli.
Observed in the third month of the Dagomba calendar, which coincides with Rabia al-Awwal in the Islamic calendar, Damba was originally celebrated to mark the birth and naming of Prophet Muhammad.
Over time, it has evolved into a grand festival celebrating chieftaincy, kinship, and the resilience of Ghana’s northern kingdoms.
The festival unfolds in three major stages that is Somo Damba, Naa Damba, and the grand Belkulsi or farewell procession. In the early days, the Yila Bohambu, or nightly musical rehearsals, fill the palaces with song.
Women of the royal courts lead these performances, keeping alive the traditional chants and rhythms that set the tone for the celebrations. The Somo Damba is a solemn time of prayer, drumming, and dignified dancing.
It is followed by the youthful exuberance of the Binchera Damba, where young men and women take to palace grounds in worn yet stylish smocks, showcasing creativity and spirit in a torn couture display.
Another revered rite, the Shinkaafa Gahimbu (picking of rice), sees clerics, led by the Yidan Moli at the Gbewaa Palace, offering symbolic rituals of blessing and prosperity.
The Nahu Glibu, or rounding of the cow, performed by chiefs, demonstrates wealth, unity, and the continuity of life. But it is the Naa Damba, the King’s Damba that truly crowns the festival.
Here, the atmosphere reaches its peak: chiefs ride majestically on horseback, praise-singers proclaim ancestral glories, and the air explodes with musketry from warriors, signalling strength, protection, and bravery.
One of the most breathtaking spectacles of Damba is the procession of the queens. Adorned in regal cloths and glittering ornaments, they gracefully carry golden-coloured bowls, abolition cans, utensils, sandals, and animal skins, the very seat and symbols of authority for the chiefs.
Each item tells a story, each step a reminder of the sacred duty queens play in preserving heritage and continuity.
Their slow, elegant movement is met with admiration from the gathered crowds, reinforcing the balance between royalty and community. No Damba is complete without the vibrant dances that fill the courtyards.
The housing dance, performed with synchronised grace, captures the essence of belonging, while the warriors’ displays, accompanied by fierce drumming and bursts of musketry in the skies is to celebrate resilience and courage.
These performances not only entertain but also remind communities of their history, values, and collective identity.
The festival’s climax, Belkulsi, bids farewell in a grand procession. Families exchange visits, gifts are shared, and friendships renewed.
Streets and palace grounds explode with colour, sound, and movement, leaving behind memories that last until the next Damba.
From Gonja, Dagbon, Mamprugu, Wali and Nanumba, Damba has remained a symbol of identity and unity.
Its international editions in Cologne, New York, and London highlight the festival’s growing role as a cultural ambassador, projecting Ghana’s northern traditions to the world stage.
Damba is a living archive of history, an affirmation of heritage, and a celebration of the bond between people and tradition.
In its rhythm, regalia, and rituals, one sees not only the past but also the promise of continuity for generations to come.
From Geoffrey Buta, Yendi
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A woman who is accused of bolting with ‘susu’ money totaling GH₵156,445 has appeared before an Accra Circuit Court.
Martha Nana Esi Afful was alleged to have collected the money from 35 complainants.
Charged with 35 counts of fraudulent breach of trust, Martha, who was earlier remanded, pleaded not guilty.
The court, presided over by Mr Joseph Y. Kuunsong on Wednesday, admitted the accused person to a GH₵200,000 bail with two sureties.
One of the sureties, the court said, must be a public servant earning not less than GH₵5,000.
She is expected to reappear on August 12, 2026.
The Prosecution’s case before the court is that the complainants are traders and residents at La in Accra.
Prosecution described Martha as a ‘Susu’ collector, who resided at Burma Camp.
The court heard that the accused person run a business with the name ‘ZOE’ and she deceived the 35 complainants into believing that she collected ‘Susu’ daily, which was kept for a period of one-three years, and paid interest on the money invested.
The complainants contributed in 2023 for a three-year period, prosecution said.
In December 2025, when the complainants went to take their money with interest, Martha went into hiding and only took phone calls from a few complainants.
Prosecution said the accused provided a MTN Momo number through which a few of the complainants still paid monies.
It said all efforts made to collect the money, totaling GH₵156,445 from her, proved futile.
On June 14, 2026, a report was made to the police and Martha was picked up at a washing bay at Tse Addo.
During interrogation, she admitted the offence in her caution statement, saying she lost her husband and relocated to Swedru in the Central Region, hence the complainants were unable to reach her from December 2025 till date.
Prosecution said Martha further stated that she had invested the monies into refuse collection business and she needed time to pay the amount.
Police are investigating the claims. –GNA
A Public Health Nurse at the Roman Ridge Sub-Municipal of the Ayawaso West Health Directorate, Ms Patience Adoli Kporxah, has cautioned the public against coming into contact with floodwaters, warning that exposure can lead to serious diseases, infections and injuries.
Floodwater, she said, should always be treated as contaminated, regardless of how clean it appears, because it may contain sewage, human and animal waste, chemicals, fuel, sharp objects and disease-causing micro-organisms.
In an interview with The Spectator in Accra on Thursday, Ms Kporxah explained that contact with contaminated floodwater exposes people to bacteria, viruses, parasites, hazardous chemicals and other physical hazards that can result in illness or injury.
Her advice came in the wake of recent exposure to floodwater following Monday’s torrential rains that left vast areas of the capital flooded.
As a result, a lot of people were seen either ‘swimming’ in the floodwater to rescue people or retrieving items being washed away.
According to her, exposure to floodwater could cause skin infections, particularly where there are cuts or open wounds, as well as diarrhoea diseases such as cholera, typhoid fever, dysentery and other forms of gastroenteritis if contaminated water was swallowed.
Other health risks, she said include hepatitis A, eye and ear infections, tetanus in people with untreated wounds or incomplete vaccination, and injuries from submerged sharp objects, debris or electrical hazards.
Ms Kporxah advised anyone who had contact with floodwater to monitor their health closely and seek immediate medical attention if they develop symptoms such as fever, diarrhoea, vomiting, abdominal pain, severe headache, muscle aches, skin rash, difficulty breathing, or yellowing of the eyes or skin.
She also urged people whose wounds became red, swollen, painful or begin to discharge pus, as well as those who accidentally swallow floodwater, to report to the nearest health facility without delay.
Although not everyone exposed to floodwater requires immediate treatment, she stressed that pregnant women, people with weakened immune systems, individuals living with chronic illnesses and those with significant wounds should seek prompt medical evaluation.
On water safety, Ms Kporxah cautioned that rainwater was not automatically safe for drinking or cooking, especially during or after flooding. She explained that rainwater collected from roofs, gutters or open containers could be contaminated by bird and animal droppings, dust, leaves, bacteria, viruses, parasites and chemical pollutants.
She advised that rainwater intended for drinking should first be treated by boiling, chlorination or another approved water purification method before use.
Touching on food safety, Ms Kporxah said factory-sealed bottled drinks and canned foods with intact packaging might still be safe after flooding.
However, she stressed that any containers submerged in floodwater should be thoroughly cleaned and disinfected before handling. Foods in paper packaging, damaged containers or products with broken seals should be discarded because contaminated water may have seeped into them.
She further warned that flooding increases the risk of outbreaks of cholera, typhoid fever and other waterborne diseases through contaminated water sources.
In addition, she said flooding could contribute to respiratory illnesses in overcrowded shelters and mould-infested buildings, foodborne illnesses from spoiled or contaminated food, and mental health conditions such as anxiety, stress, depression and trauma.
It could also disrupt access to medicines and healthcare for people living with chronic conditions, including diabetes, hypertension, asthma and kidney disease.
Ms Kporxah therefore urged the public to practice good hygiene, avoid unnecessary contact with floodwater, consume only safe food and drinking water, and seek medical attention promptly whenever symptoms develop.
She said observing these preventive measures would help minimise the risk of disease outbreaks and protect lives as the country continues to experience heavy rains and flooding in some communities.
By Esinam Jemima Kuatsinu
