Entertainment
Crying More Than The Bereaved; Baba Spirit Death Which Resulted In The Exchange Of Blows
The death can’t talk. Yes! Indeed the late Francis Yaw Ofori affectionately called, Baba Spirit untimely death, is causing disaffection amongst some “loyal” friends, “avowed sympathisers” and “lovely”family members. He was such a handsome black guy with white eyes
I can bet my last pesewa that, some of the family members and sympathizers shedding crocodile 🐊 tears, never paid attention to him while he was alive likewise, some industry friends. 
I have known Baba Spirit for almost 24 years when he decided to do music after school. He will come to my studio crack jokes and begin to talk like a person from the northern part of the country trying to speak the Akan language. I encouraged him to develop that talent and the rest is history.
Prior to his demise, he granted various interviews and confided in some of us about, his health condition attributing some to spiritual forces in the creative industry trying to eliminate him. He had complained to me about his constant anemic condition and the bodily pains he encounters. Was he taking his medications regularly? There is juju but, it has its limitations.
Personally, I am not of the view that, someone used juju to kill him but, have the deepest conviction about certain medical history he revealed to me personally based on our relationship which I will never put out in the public domain. Waiting for the autopsy report if any. Hmmm.
Let’s put aside the bickering going on between the family, Big Akwess, Quappiah Quappiah and others and give our brother a befitting funeral observation and burial. Indeed, dead men don’t talk. Kudos to those who were with him on the last days of his journey on this earth.
Written by Fred Kyei Mensah, Opera News
Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA
The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.
This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.
Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.
Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.
Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.
The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.
Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.
By Edem Mensah-Tsotorme
