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Chiefs of Aowin petition President to sack Western North Regional Minister

President Nana Addo Dankwa Akufo-Addo

President Nana Addo Dankwa Akufo-Addo

Chiefs of Aowin in the Western North Region have petitioned President Nana Addo Dankwa Akufo-Addo to remove Mr Richard Ebbah Obeng from office as the Western North Regional Minister.

The petition, signed by 16 chiefs, asked the President to sack the Minister over allegations that he was in support of perpetrators who had allegedly assaulted Beyeeman Tano Kwaw Benbuin III, Omanhene of Aowin Traditional Area.

“There have been countless and constant plots and schemes against the Omanhene, Beyeeman Tano Kwaw Benbuin III, including assaults with offensive weapons.

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“We would like to bring to your notice that it is alleged that the Western North Regional Minister, Hon. Richard Ebbah Obeng, supports the perpetrators’ assaults on the Omanhene and his palace.”

The 16 chiefs are: Nana Ebbah Kojo II, Chief of Abokyia; Nana Ofori Osipim II, Chief of Agyeikrom; Nana Konadu Yiadom II, Chief of Amanhyia; Nana Nsiah, Kyeamehene of Enchi; Nana Enoku Annor II, Chief of Jema; Nana Yaw Anini II, Chief of Disueano; Nana Tano Kabaah, Chief of Kwawu; Nana Payin II, Tufuhene of Enchi.

Others are: Nana Enoku Payin III, Chief of New Yakasi; Nana Kojo Ntow III, Chief of Nkwanta; Nana Meisu Payin IV, Chief of Sewum; Nana Oppong Payin II, Chief of Achimfo; Nana Adu Kwame III, Chief of Nyankomam; Nana Kojo Miah III, Chief of Boinso; Nana Bullu Tano II
Chief of Amonie and Nana Oppong Payin III, Chief of Omanpe.

The chiefs said they had reported the offensive and criminal conducts to the Police but had not had the requisite Police action.

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The petition said the alleged involvement of the Western North Regional Minister in the on-going attack on the palace was now an open secret in Enchi.

It said it was difficult to believe that the Regional Minister who was an indigene of Aowin and the Head of the Regional Security Council (REGSEC), to date, had been silent and “unconcerned” about the unrest and insecurity in Enchi and Aowin in general.

The chiefs also alleged that the Minister had failed to solve the Aowin, Suaman-Dadieso and the Sefwi Wiawso Traditional land boundary issues.

The petition said the unresolved issues had contributed to border conflicts between Aowin and the Sefwi Wiawso Traditional Areas.

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The chiefs appealed to the President’s Office to launch a thorough investigation into the various assassination attacks on the Omanhene and death of four people, and provide adequate security for the Omanhene.

“Respectfully, we would like that all matters pertaining to the insecurity of Aowin Traditional Area occasioned by the various plots to murder the Omanhene of Aowin Traditional Area and all linked cases transferred to the National Police Headquarters for full and impartial investigation to be conducted and all the perpetrators brought to book irrespective of their political affiliations,” the petition said. -GNA

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Breaking News: Daddy Lumba is dead – Family announces

Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.

His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.

“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.

Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.

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He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.

“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.

The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.

The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.

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Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.

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Edem’s debut album gets praise from Sarkodie

Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.

In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.

He said he was instantly impressed and knew Edem would have a serious impact on the music scene.

“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”

“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.

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Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.

Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.

Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.

At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.

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His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.

Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.

Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.

Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.

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