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Centre for National Culture launches StuDraFest 2026

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The Centre for National Culture (CNC) in the Eastern Region has launched the maiden StuDraFest, an annual drama festival aimed at nurturing creativity, confidence and advocacy skills among Senior High School students through the performing arts.
The initiative sought to provide students with a platform to showcase their talents and craftsmanship while using drama as a tool to address critical social issues affecting communities.
Launching the festival in Koforidua, the Eastern Regional Director of the CNC, Dr Dorcas Salamatu Alhassan, said drama offers students opportunities to explore their abilities in many ways, including developing companionship, building confidence and learning to advocate for positive social change.
“Drama is a powerful tool that can be used to solve social problems. Through this festival, we want students to appreciate our culture and norms and positively influence their communities,” she said.
According to Dr Alhassan, the festival was a revival of an initiative that began in the 1990s and brought teachers and students together under one umbrella to use drama and theatre to address community problems and promote culture.
She noted that reviving the event would help the country reflect on areas that require improvement while nurturing students into future advocates and leaders.
“When it comes to advocacy, students often do it better than adults. We want to train them to become actors of future advocacy who will in turn nurture others from generation to generation and preserve our values and cultural norms,” she said.
She said StuDraFest forms part of students’ extra-curricular activities and would expose them to drama, visual arts and other performing arts disciplines.
Dr Alhassan added that there was ample evidence that children thrive in vast learning environments and that participation in drama helps overcome timidity, opens their minds and improves their confidence.
She noted that initiatives such as StuDraFest could have been effectively used during the COVID-19 pandemic to educate communities and promote behavioural change.
The Regional Director urged patrons to dedicate themselves to training their students adequately to ensure impressive performances during the competition.
StuDraFest is designed to enable students to write, direct and perform original plays aimed at preserving, developing, promoting and disseminating Ghana’s cultural heritage, fostering national unity, shaping the identity and future of the youth, creating wealth and projecting Ghana’s identity globally.
The Head of Performing and Literary Arts at the CNC, Mr Emmanuel Nyarko, took patrons through the competition guidelines, requirements and awards to be presented based on the performances of participating schools.
A workshop was also organised for participating schools to equip them with the necessary information on the competition.
A total of 11 Senior High Schools are expected to participate in the Eastern regional contest. They include Pope John’s Senior High School, Oti Boateng Senior High School, Oyoko Senior High School and Koforidua Senior High Technical School, among others.
The competition is scheduled to take place on July 23 at the main auditorium of the Centre for National Culture in Koforidua.
From Ama Tekyiwaa Ampadu Agyeman, Koforidua
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Mimi Duah declares support for Hawa Koomson as next NPP National Women’s Organiser

Deputy National Women Organiser of the New Patriotic Party (NPP), Mimi Duah, has openly declared her support for Mavis Hawa Koomson as the next National Women’s Organiser of the party.
In a statement endorsing Hawa Koomson’s candidature, Ms Duah outlined four key reasons why she believes the former MP and Minister of State is best placed to lead the party’s women’s wing.
According to her, Hawa Koomson is a motherly figure who rose from the grassroots and is widely noted for her forgiving nature and ability to foster unity.
“She is a true grassroots mother who easily forgives, fosters unity, provides guidance and arbitrates to ensure all aggrieved party women are brought on board to ensure a unified women’s wing,” she stated.
Ms Duah also pointed to Hawa Koomson’s vast experience, having served as a Constituency Women’s Organiser, Member of Parliament and Minister of State, noting that the experience positions her to provide effective leadership as National Women’s Organiser.
She further described Hawa Koomson as capable of making the women’s wing resourceful, through her extensive network and business contacts, to lobby for logistics, training and financial support for women organisers at all levels.
Lastly, she said the NPP as an opposition party needs fearless, bold and assertive leadership at the women’s front to inspire regional, constituency and polling station women organisers as the party reorganises towards the 2028 elections.
“We need a Women’s Organiser who has been tested, who is bold, who understands grassroots women, and who can lead us to victory in 2028. Hon. Mavis Hawa Koomson is that leader,” she stressed.
By Edem Mensah-Tsotorme
News
Tourism, Culture and Creative Arts Minister inaugurates Ghana-Korea Heritage Project Steering Committee

Tourism, Culture and Creative Arts Minister, Abla Dzifa Gomashie, has inaugurated the Ghana-Korea Heritage Project Steering Committee to provide strategic oversight for a five-year programme focused on preserving Ghana’s heritage sites and strengthening their resilience to climate change.
The project will support climate-risk mapping, digital surveying and 3D modelling, joint research, capacity building, community engagement and modern monitoring technologies.
Korea is also providing specialised equipment, including drones, 3D scanners, digital microscopes, thermal imaging cameras and GPS survey instruments, to enhance Ghana’s capacity to scientifically assess, document and conserve heritage structures.
The partnership, which will run through 2030 and beyond, is expected to deepen Ghana-Korea cultural ties while promoting sustainable, technology-driven and climate-adaptive heritage management for future generations.
By Edem Mensah-Tsotorme




