Entertainment
Burna Boy makes history with sold-out London Stadium gig

Burna Boy made history over the weekend when he became the first African artist to headline a stadium show in the UK.
A sold-out crowd of 60,000 fans screamed the Grammy award-winner’s Afrobeats lyrics back to him at the London Stadium.
And he didn’t disappoint with his two-hour set – bringing out famous friends like Stormzy and Dave on a giant merry-go-round to perform alongside him.
Afrobeats – a mix of African and Western influences – has seen a massive rise in popularity over recent years thanks to the likes of Burna Boy and Wizkid.
The pair, two of Nigeria’s biggest stars, have headlined some of the world’s major music festivals but it was Burna Boy who took it to another level on Saturday night.
Fans danced in the aisles, creating a carnival-like atmosphere as he bounced around the stage in a bright orange jumpsuit.
One of them was Kojo Amankwah, 27, who says he travelled 3,000 miles from Ghana to be at the historic gig.
“I loved seeing how multi-racial the crowd was, united by the power of Burna Boy’s music. It was unlike anything I’ve ever seen,” he tells Newsbeat.
“It’s something the greatest performers of all time like Beyoncé and Michael Jackson have been able to achieve. And now Burna Boy’s done it.”
As well as Stormzy and Dave, Burna Boy also brought out big names like J Hus and Jamaican vocalist Popcaan as part of the star-studded gig.
But Kojo says the fact he had no warm-up acts shows how far Afrobeats has come.
“When you go for concerts, usually there’s a co-headliner, Burna Boy and his band didn’t need any of that,” he says.
“To know he has that much star power is something we’ve never seen before in African music.”
‘It’s for the people’
Someone else who was at the gig was Cata Hopkins – who was so excited that she was at the stadium for 10:00 GMT.
“It’s so hard to even put it into words, the energy was just wild the whole day,” she says.
“I met so many friends and other people that were there to have a good time and I think the best thing about the atmosphere was just how positive it was.
“Everyone was just happy and everybody was there feeding off the amazing energy that Burna and his band bring to the performance.”
Selling out a UK stadium has been hailed as a massive moment for the genre, which has been appearing on charts across the world and taking over TikTok dance challenges.
It’s also been embraced by some of the world’s biggest stars – with Beyoncé and Drake featuring Afrobeats artists on their albums.
The Official Charts Company has told Newsbeat that Afrobeats songs are now spending nearly 10 times as many weeks in the top 40 than they did two years ago.
Burna Boy’s hit Last Last peaked at number four in the Official Singles Chart Top 40, while Rema’s Calm Down – which features Selena Gomez – is currently number three.
Burna Boy’s also dominated the Official UK Afrobeats Chart, which launched on BBC Radio 1Xtra in 2020.
And he’s also taking Afrobeats to the football this weekend when he performs at the Champions League final in Istanbul.
TBaze is an Afrobeats musician in the UK who feels inspired by Burna Boy’s success and the rise of his sound.
“It’s not even just about the artist, musicians or fans. It’s for the people,” he says.
“The crowd represents a diverse community and it’s cross-cultural. We’re learning about different cultures through this experience.”
Looking ahead to the future of the genre, TBaze says the genre is growing because of social media.
“A lot of artists have to think about how the music relates to things like TikTok dance challenges. It could be Instagram reels or freestyle challenges.
“That accessibility is essential and I think about that when I’m writing a song.
“In future, I’d imagine people will be fusing Afrobeats into their genres even more.”
Credit:BBC Newsbeat
Entertainment
TGMA introduces ‘Swing Period’ policy to recognise late-year releases

The Board of the Telecel Ghana Music Awards (TGMA) has introduced a new “Swing Period” policy aimed at ensuring songs released late in the year receive fair consideration for nominations.
The new policy, introduced in the 27th edition of the awards, allows songs released in December to be considered in the following awards year if they meet specific eligibility requirements.
According to the organizers, a song must have been released in December of the eligibility year, must have demonstrated measurable impact within the year under review, and must not have received a nomination in the previous edition of the awards.
The Head of Public Events and Communications at Charterhouse Productions, Robert Klah, explained in a statement that the decision followed three years of consultations with stakeholders in the music industry.
He said the policy reflects the scheme’s commitment to ensuring that songs with strong impact are not disadvantaged simply because they were released late in the year.
Under the newly introduced policy, two songs have received nominations in the 27th edition of the awards.
They are “Messiah” by Sarkodie featuring Kweku Flick, and “Excellent” by Kojo Blak featuring Kelvyn Boy.
The board said both songs gained significant attention and audience engagement after their release, making them suitable examples of the situation the Swing Period policy seeks to address.
According to the organizers, the new approach is part of efforts to ensure the awards continue to recognize excellence in Ghanaian music while adapting to changes in the industry.
They noted that with evolving music release patterns, digital consumption trends and global audience dynamics, the awards scheme will continue to refine its processes to maintain credibility while ensuring deserving works receive recognition.
By: Jacob Aggrey
Entertainment
All set for TGMA nomination unveiling today

The time has come for musicians who were outstanding in the year under review in 2025 to earn nomination at Ghana’s prestigious music awards.
The much-awaited nomination for the 27th Telecel Ghana Music Awards (TGMA) is slated for today, March 14, 2026.
As part of measures to build up anticipation, the announcement will commenced with an hourly unveiling of nominees across all official TGMA social media platforms and partner channels from 11:00 AM to 4:00 PM.
Everything would be wrapped up in the evening with a special ceremony to officially kick off the 27th TGMA season, featuring the unveiling of the Big Five categories alongside key remarks from industry stakeholders at the Palms Convention Centre.
At the ceremony, the TGMA Calendar Indicating official schedule of activities leading up to the main awards ceremony will be unveiled.

Following the close of the submission window, the Board and the Selection Committee spent weeks reviewing works released during the year under review.
Each entry was carefully evaluated for artistic merit, technical excellence, and cultural impact to ensure that the final nominee list reflects the very best of Ghanaian music.
The 27th Telecel Ghana Music Awards is produced by Charterhouse in partnership with TV3, Closeup, British Council, refreshed by Guinness and powered by Telecel .
By Edem Mensah-Tsotorme
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