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An expedition through Prince Kojo-Hilton’s world of art
Prince Kojo-Hilton is not new to the art industry. He has over 18 years experience as an innovative Art Director, producing dynamic visuals for both theatre and film projects.
He is an expert in graphic design, art direction and project management with his works gaining local and international recognition.
Today, The Spectator delves into his artistic background while focusing on one of his works known as the ‘Amanua’, produced in May 2020, to celebrate the hard work of health workers in Africa for their dedication to the fight against COVID-19.
Artwork
The piece of art gives a summary of the genesis and exodus of the corona virus in Africa and is described as “a historical piece that must be well secured while taking a tour around the world.”
The name AMANUA, according to the artist is of Ga origin and an acronym for “Art Movement Against Novel-coronavirus Upon Africa.”
He believes the “true duty” of an artist is to solve problems hence the decision to initiate the project as a contribution towards combating the deadly disease. Mr Hilton said he intended to auction the piece of art and donate the funds to health workers.
Elements of the colourful painting, he explained, include “a graveyard with dead creepy trees, representing the millions of lives lost or otherwise impacted by the pandemic, and the overall decimation of economies worldwide.”
‘Amanua’ depicts a nurse armed with a sword and shield as she cuts a virus particle behind her into two. With a stethoscope around her neck, a breast watch, and her name tag, ‘AMANUA’, the nurse stands on a rock with cracks on the surface.
The rock, he says, signifies the government, World Health Organisation and the many institutions working to combat the disease while the cracks refer to challenges the government and organisations face.
Among several other relatable ideas, the art again has the Adinkra Symbol, “Gye Nyame”, meaning “Except God” symbolising the gravity of the pandemic and the content or orgin of the Art piece.
Apart from the attractive concepts, the Afrocentric ‘Amanua’ masterpiece, according to the designer, represents courage and sacrifice.
Background
Prince Kojo-Hilton is a product of the National Film and Television Institute (NAFTI) with a major in Art Direction and Production Design (2014).
Due to his hard work, passion and creativity, he had the opportunity to understudy his uncle, Dr. Johnson Edu, at the Technical Department of the National Theatre, Accra. From this point, he took his career to another level.
He studied scenic design, props design, make-up and special effects, set design and construction, among others. He had, over the years, applied his skills on a number of projects and has gained recognition as the first artist to create “the first ever man-made Volcano in Africa” for the Guinness’ Big Eruption Concert in Accra.
He has worked on a number of films, TV commercials, TV studio sets, music videos, theatre productions and many live stage events.
Describing himself as “a hard worker with great time management skills and the ability to meet deadlines,” he says he enjoys working within organisations with opportunities for professional development and job satisfaction.
Experience
Adding to his repertoire, he has worked as a Scenic Artist with Hollywood Directors of The Matrix Trilogy (the Wachowskis) on the science fiction series ‘Sense 8’ which was shot in Nairobi, Kenya, in 2014.
As an art advocate, he has trained and mentored many young talents in Ghana, Nigeria, Gambia, Kenya, and South Africa.
In August 2021, he was sworn in as a Special Envoy by the United Nations Youth Association of Ghana (UNYA-GH) at the International Youth Day Celebration held at the Accra International Conference Centre.
In 2020, he was awarded an Honorary Doctorate by the International Forum for Creativity and Humanity, Morocco and again received the ‘2020 Extraordinary People Award’ by La Expose Productions, USA.
He was adjudged Production Designer of the Year in 2016 at the Osagyefo Pan Africa Eminence Awards, and in 2017, he received an Honorary Award from the School of Performing Arts, University of Ghana, Legon.
Recognition
He is the Pan African Art Ambassador – Pan African Republic Honorary Awards, a Lifetime achievement Award he received from The Confederation of Governance Assessment Institute since 2019.
He was nominated for Gold Coast Excellence Awards in 2019, and received also the 40 Under 40 Award for the Theatre and Arts category in 2019.
University of Yale awarded him a Citation of Inspiration in 2018. Same year, two of his best stage design works were selected and displayed at the Prague Quadrennial of Performance Design and Space in Czech Republic.
As African Section for Set Design and Costume, 2019, in Nigeria, he was celebrated as a Living Legend by the World Institute of Peace and became the recipient of the World Icon of Peace Award.
Other events and Projects initiated by Kojo-Hilton include: Supports Arts Foundation (SAF), The Arts Legendary Wall of Fame Honours, The CombArt Show, Hilton Honorary Art Awards, Pan African States University of Art (PASUA) and The Community Art Festival (TCAF), among others.
He is the Founder of Visual Art Students Empowerment Project (VASEP) and former Greater Accra Regional Chairman of Ghana Association of Visual Artists (GAVA).
By Spectator Reporter
The Inspector-General of Police (IGP), Mr. Christian Tetteh Yohuno, together with members of the Police Management Board (POMAB), on April 17, 2026, decorated nineteen (19) senior officers who have been promoted to their next ranks based on the recommendations of the Police Council and approval of the President, John Dramani Mahama.
The ceremony, held at the National Police Headquarters in Accra, forms part of efforts to recognise merit, dedication, and long-standing service within the Ghana Police Service, while strengthening leadership across key operational and administrative levels.
The officers promoted from Deputy Commissioner of Police (DCOP) to Commissioner of Police (COP) are Dr. Luke Asue-In-Yeng Zakpaa, Mr. Frederick Agyei, Mr. Duuti Tuaruka, Mr. Arthur Osei-Akoto, Mr. Darko Offei Lomotey, Mr. Eric Ken Winful, Mr. Barnabas Nambont Nasumong, and Mr. Desmond Owusu Boampong.
The IGP and members of POMAB congratulated the officers and urged them to uphold the highest standards of professionalism and integrity in the discharge of their duties.
The Global Network of Export-Import Banks and Development Finance Institutions (G-NEXID) successfully held its sixth (6th) Exchange Programme, hosted by the Ghana Export – Import Bank (GEXIM) Bank in Accra from March 22 to 23 March.
The event brought together member institutions, partner organisations and Ghanaian public entities to advance dialogue on South-South trade, investment and development finance, while also creating opportunities for knowledge-sharing and institutional cooperation.
Organised as a capacity-building and networking platform, the 2026 edition of the G-NEXID Exchange focused on GEXIM’s experience in developing innovative solutions to promote intra-African and extra-African trade.
It also highlighted trade and investment opportunities in Ghana, particularly in the context of the African Continental Free Trade Area (AfCFTA) and broader national development initiatives.
The Exchange Programme forms part of G-NEXID’s mandate to foster cooperation among export-import banks and development finance institutions in support of South-South trade and investment.
This 6th edition follows earlier successful programmes hosted by India Exim Bank (2016), BNDES (2017), Indonesia Eximbank (2018), Afreximbank (2019) and Saudi EXIM Bank (2025).
On the first day, participants were presented with G-NEXID institutional information and received an update on the Network’s 2026 work programme.
There were a series of substantive presentations, including an overview of the Ghanaian economy by the Ministry of Finance, with particular attention to debt-related challenges; a presentation by the Ghana Investment Promotion Centre (GIPC), on investment opportunities in the country; and institutional presentations by GEXIM and Development Bank Ghana (DBG) on their respective mandates, initiatives, products and services.
Discussions during the sessions underscored strong interest in sector-focused webinars and business dialogues, particularly in agribusiness value chains such as poultry and rice.
Participants also emphasized the importance of continued information exchange and the sharing of best practices, especially in the area of guarantees.
The second day opened with a presentation on the 24-Hour Economy and Accelerated Export Development Programme, a national economic transformation strategy launched by President John Dramani Mahama in July 2025.
The initiative aims to enhance economic productivity through continuous industrial activity, accelerated export development and strategic import substitution.
As the programme is expected to mobilise both private and development capital, it presents concrete opportunities for G-NEXID members in areas such as co-financing, guarantees, trade finance and technical cooperation.
The programme also featured institutional presentations by guest organisations, namely the African Guarantee and Economic Cooperation Fund (FAGACE) and the West African Development Bank (BOAD), which shared their mandates, initiatives, products and services.
Following these exchanges, the G-NEXID Secretariat held bilateral discussions with both institutions as part of the Network’s ongoing membership drive.
Participants further benefited from a presentation by the Eastern and Southern African Trade and Development Bank (TDB), as well as a showcase of GEXIM’s key pipeline projects.
On the margins of the Exchange Programme, G-NEXID members also held their 20th Annual General Assembly Meeting to review progress and discuss strategic priorities.
Following the event, participants joined the GEXIM@10 International Conference, held from March 24-25, 2026 under the theme, “A Decade of Enabling Export Trade and Industrial Transformation: Resetting GEXIM for the Next Frontier.”
The conference provided an important platform for exploring how Ghana can strengthen its transition from a primary commodity exporter to a more competitive player in value-added trade and industrial development.
Source – G-NEXID
