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An expedition through Prince Kojo-Hilton’s world of art
Prince Kojo-Hilton is not new to the art industry. He has over 18 years experience as an innovative Art Director, producing dynamic visuals for both theatre and film projects.
He is an expert in graphic design, art direction and project management with his works gaining local and international recognition.
Today, The Spectator delves into his artistic background while focusing on one of his works known as the ‘Amanua’, produced in May 2020, to celebrate the hard work of health workers in Africa for their dedication to the fight against COVID-19.
Artwork
The piece of art gives a summary of the genesis and exodus of the corona virus in Africa and is described as “a historical piece that must be well secured while taking a tour around the world.”
The name AMANUA, according to the artist is of Ga origin and an acronym for “Art Movement Against Novel-coronavirus Upon Africa.”
He believes the “true duty” of an artist is to solve problems hence the decision to initiate the project as a contribution towards combating the deadly disease. Mr Hilton said he intended to auction the piece of art and donate the funds to health workers.
Elements of the colourful painting, he explained, include “a graveyard with dead creepy trees, representing the millions of lives lost or otherwise impacted by the pandemic, and the overall decimation of economies worldwide.”
‘Amanua’ depicts a nurse armed with a sword and shield as she cuts a virus particle behind her into two. With a stethoscope around her neck, a breast watch, and her name tag, ‘AMANUA’, the nurse stands on a rock with cracks on the surface.
The rock, he says, signifies the government, World Health Organisation and the many institutions working to combat the disease while the cracks refer to challenges the government and organisations face.
Among several other relatable ideas, the art again has the Adinkra Symbol, “Gye Nyame”, meaning “Except God” symbolising the gravity of the pandemic and the content or orgin of the Art piece.
Apart from the attractive concepts, the Afrocentric ‘Amanua’ masterpiece, according to the designer, represents courage and sacrifice.
Background
Prince Kojo-Hilton is a product of the National Film and Television Institute (NAFTI) with a major in Art Direction and Production Design (2014).
Due to his hard work, passion and creativity, he had the opportunity to understudy his uncle, Dr. Johnson Edu, at the Technical Department of the National Theatre, Accra. From this point, he took his career to another level.
He studied scenic design, props design, make-up and special effects, set design and construction, among others. He had, over the years, applied his skills on a number of projects and has gained recognition as the first artist to create “the first ever man-made Volcano in Africa” for the Guinness’ Big Eruption Concert in Accra.
He has worked on a number of films, TV commercials, TV studio sets, music videos, theatre productions and many live stage events.
Describing himself as “a hard worker with great time management skills and the ability to meet deadlines,” he says he enjoys working within organisations with opportunities for professional development and job satisfaction.
Experience
Adding to his repertoire, he has worked as a Scenic Artist with Hollywood Directors of The Matrix Trilogy (the Wachowskis) on the science fiction series ‘Sense 8’ which was shot in Nairobi, Kenya, in 2014.
As an art advocate, he has trained and mentored many young talents in Ghana, Nigeria, Gambia, Kenya, and South Africa.
In August 2021, he was sworn in as a Special Envoy by the United Nations Youth Association of Ghana (UNYA-GH) at the International Youth Day Celebration held at the Accra International Conference Centre.
In 2020, he was awarded an Honorary Doctorate by the International Forum for Creativity and Humanity, Morocco and again received the ‘2020 Extraordinary People Award’ by La Expose Productions, USA.
He was adjudged Production Designer of the Year in 2016 at the Osagyefo Pan Africa Eminence Awards, and in 2017, he received an Honorary Award from the School of Performing Arts, University of Ghana, Legon.
Recognition
He is the Pan African Art Ambassador – Pan African Republic Honorary Awards, a Lifetime achievement Award he received from The Confederation of Governance Assessment Institute since 2019.
He was nominated for Gold Coast Excellence Awards in 2019, and received also the 40 Under 40 Award for the Theatre and Arts category in 2019.
University of Yale awarded him a Citation of Inspiration in 2018. Same year, two of his best stage design works were selected and displayed at the Prague Quadrennial of Performance Design and Space in Czech Republic.
As African Section for Set Design and Costume, 2019, in Nigeria, he was celebrated as a Living Legend by the World Institute of Peace and became the recipient of the World Icon of Peace Award.
Other events and Projects initiated by Kojo-Hilton include: Supports Arts Foundation (SAF), The Arts Legendary Wall of Fame Honours, The CombArt Show, Hilton Honorary Art Awards, Pan African States University of Art (PASUA) and The Community Art Festival (TCAF), among others.
He is the Founder of Visual Art Students Empowerment Project (VASEP) and former Greater Accra Regional Chairman of Ghana Association of Visual Artists (GAVA).
By Spectator Reporter
Massive celebrations were recorded countrywide as the Black Stars opened their 2026 World Cup campaign with a 1-0 victory over Panama in Toronto on Wednesday.
Midfielder Caleb Yirenkyi scored the only goal of the match late in the game as he shot in a decent cross from substitute Brandon Asante.
The win gave Ghana a positive start in the competition, placing them in second position behind England, also with three points but with a superior goal aggregate.
After the final whistle, the streets and other viewing centres were turned into partying grounds as fans, mostly clad in the team’s paraphernalia, danced to several World Cup-themed music.
Others blew the vuvuzelas in joyous mood with others putting up a spirited ‘jama’ session.
Former New Patriotic Party (NPP) parliamentary candidate for the Adentan Constituency, Akosua Manu, has urged party members to move away from what she describes as an “entitlement mentality” and focus on unity, sacrifice and hard work as the party prepares for the 2028 general election.
In a statement titled “Is Loyalty a Queue?”, and posted on facebook, Ms. Manu argued that loyalty to the NPP should not be judged by how long a person has been in the party but by their contributions and commitment to its growth.
According to her, the NPP’s history shows that many of its leaders faced significant opposition from within the party before eventually leading it to electoral success.
She cited former President John Agyekum Kufuor as an example, saying he had to overcome resistance from influential figures within the party before winning power for the NPP in 2000.
Ms. Manu noted that after the party lost power in 2008, former President Kufuor faced criticism and accusations from some party members.
However, she said supporters eventually put their differences aside and worked together to rebuild the party.
She pointed to the experience of former President Nana Addo Dankwa Akufo-Addo, who, according to her, faced opposition from some factions within the NPP despite his long service to the party.
“His trials were ten times what Kufuor endured,” she stated, adding that Akufo-Addo eventually overcame the challenges and became President of Ghana.
Turning to the NPP’s current flagbearer, Dr. Mahamudu Bawumia, Ms. Manu said he also faced resistance from different groups within the party while seeking leadership.
She praised Dr. Bawumia for contributing to policy-based political discussions in Ghana and for remaining composed following the NPP’s defeat in the 2024 elections.
According to her, party members must now rally behind him in the same way they supported former Presidents Kufuor and Akufo-Addo.
Ms. Manu, however, warned that internal divisions and a sense of entitlement remain major threats to the party’s future.
She argued that some party members place too much emphasis on how long individuals have belonged to the NPP rather than on their contributions and capabilities.
“This entitlement does not question impact. It does not ask what you sacrificed or what you built. It asks only how long have you been here,” she said.
The former parliamentary candidate cautioned that such attitudes could discourage committed members and prevent the party from selecting the best people for leadership positions.
She further called on the party’s incoming national executives to strengthen the NPP’s core values of sacrifice, honesty, integrity and dedication to national development.
Ms. Manu addressed the concerns of young party supporters, many of whom she said became discouraged following the NPP’s electoral defeat in 2024.
According to her, many young people remain eager to see the party return to power but are unwilling to support internal conflicts driven by personal ambitions.
She urged party elders to place the interests of the NPP above their individual goals and to demonstrate leadership that attracts rather than alienates members.
“The NPP is bigger than any one of us. It always has been. Our collective responsibility is to act like it,” she stated.
By: Jacob Aggrey
