Fashion
The coloured hair crave
Hair colouring is all about the reactions that take place in between the pigments in your hair, dye, peroxide and ammonia.
While it can be fun experimenting with colours, the damage they can cause in the form of dry and brittle hair can dampen the fun.
Most celebrities like Shatta Wale, Medical, E.L and others who colour their hair do so for the fun of it and sometimes to brand themselves.
Ms Linda M. Appiah, a hair stylist said the hair colouring was in vogue and this time round both the youth and the old were interested in colouring their hairs.
“It is a long-term commitment that will have you rushing back to the salon every month” she told The Spectator in Accra on Monday.
According to her, hair colouring was one of the trends that many followed to give a change to their overall look.
“It is an intensive process which includes several steps and extra care,” she said.
There are a variety of colours one can choose from to use on their hair, but most used colours are blue, green, gold, blonde, red and pink.
On the other hand, she added that over treating hair with these chemicals could cause it to loose the shine and break easily.
While processed hair can be revived to a certain extent with hair care treatments, the only way to get rid of the damage from over-processing is to chop your hair off.
By Deborah E. Andorful
In the bustling streets of Accra, braided crowns, coiled Afros, and beaded locks are more than fashion statements. They are living testaments to heritage, resilience, and identity.
The Afro, which rose to prominence in the 1960s and 70s, was more than a hairstyle. It became a symbol of defiance against Eurocentric beauty standards and a proud declaration of Black identity.
But the story of African hair stretches back centuries. Ancient carvings from Egypt depict intricate braids and cornrows, styles that carried messages of social status, age, and even spirituality. Across West Africa, beads and cowrie shells were woven into hair, turning each head into a canvas of culture and artistry.
“Hair was never just hair,” says cultural historian Ama Ofori. “It was a language, a way of telling the world who you were and where you came from.”
Colonial rule attempted to suppress these traditions, branding natural hair as ‘unruly.’ Yet, generations later, the revival of the Afro and traditional styles has reclaimed that narrative. Today, braids, twists, and Afros are celebrated on runways, in music videos, and on city streets worldwide.
For many young Africans, embracing natural hair is both a fashion choice and a way of honouring ancestors while shaping modern identity. “When I wear my Afro,” says student and stylist Efua Mensah, “I feel connected to history. It’s not just style, it’s strength.”
As the global fashion industry increasingly embraces African-inspired looks, the Afro reminds us that beauty is not only about trends. It is about heritage, pride, and the stories carried in every strand.
By Beatrice Wornovi
Join our WhatsApp Channel now!
https://whatsapp.com/channel/0029VbBElzjInlqHhl1aTU27
AS Ghana Month unfolds this March, the streets and schools are alive with colour, fabric, and nostalgia. Old-school outfits, once everyday wear, have returned as proud symbols of heritage, reminding Ghanaians of the artistry woven into their past.
From the crisp secondary school uniforms of the 1970s to the bold kaba and slit styles worn by mothers and aunties, these outfits carry stories of discipline, elegance, and identity. The Afro style, paired with bell-bottom trousers or neatly pressed shirts, were once the hallmark of youthful rebellion and confidence.
Traditional fabrics like Kente and Smock remain central to Ghanaian fashion. Once reserved for chiefs and ceremonies, they now appear in classrooms, offices, and parades during Ghana Month, symbolising unity and pride.
“When I wear my Smock, I feel connected to my roots,” says Kwame Asare, a teacher in Tamale. “It is more than clothing; it is history stitched into fabric,” he added.
Old-school fashion also tells the story of Ghana’s social evolution. The platform shoes and polka-dot dresses of the 1980s reflected global influences, while braided hairstyles and headscarves kept tradition alive. Today, young designers are reimagining these looks, blending vintage cuts with modern flair.
For many, dressing in old-school outfits during Ghana Month is not about nostalgia. It is a way of honouring ancestors, celebrating resilience, and teaching the next generation that fashion is culture.
“Our clothes remind us where we come from,” says stylist Efua Mensah. “They are our crown, our pride, and our story.”
As Ghana celebrates its independence and heritage this month, the revival of old-school outfits proves that fashion is never just about trends. It is about memory, identity, and the timeless threads that bind a nation together.
By Linda Abrefi Wadie
Join our WhatsApp Channel now!
https://whatsapp.com/channel/0029VbBElzjInlqHhl1aTU27
