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‘Breasts go kill man’
The Breast is part of the human body at the upper front part. It is the tissues overlying the chest muscles. According to www.webmd.com, women’s breasts are made of specialised tissue that produces milk (glandular tissue) as well as fatty tissue.
The amount of fat determines the size of the breast. It is the main source of nutrition for babies. Health experts recommend breast milk for feeding of babies for at least six months after birth due to the wholeness of the meal it provides.
According to the health experts, it contains protein, fats and carbohydrates and minerals which make it the ideal meal for babies.
It is something that engages the focus of most men and if you are a woman who is not substantially endowed, it could really pose a problem for you in getting a life partner. I am sure the ladies are aware and that is why they go to all lengths to increase the size of their breasts.
Some of us who happen to be the only boy among many siblings, we have the privilege of how our sisters as girls growing up, sometimes wear our mother’s brassiers jokingly.
This shows how important they value their breasts even as young children and they grow up desiring substantial increase in the size of their breasts and account for the huge numbers of women who have undergone breast implant all over the world.
However, there is an interesting mystery that needs to be resolved when it comes to men’s attitude towards the breasts of women. Most women who have both male and female children tell of the strong desire of their male babies for breast milk compared with the female babies.
Funnily enough, when they grow to become men, they still are attracted to it, a fact most married women would attest to. What exactly is with women’s breasts that so engage the attention of men is something worth looking into.
I recall a funny story that a junior at the secondary school, who is now a Bishop of a Church in the United Kingdom (UK), told us. According to him, he attended a Christian fellowship meeting at Tema (Ghana) and a funny incident occurred as they were dancing during the praises session.
He told us that, as people were excited and were dancing and jumping, he saw a lady wearing a pink dress which was not very opaque and as she was jumping up and down, her breasts were also following suit and he found himself gazing at them.
A few moments later, he came to himself and suddenly realised that he had been doing what a Christian should not be doing. Such is the attractive power of women’s breast on men, and if you do not discipline your eyes and your emotions it could land you in serious trouble. Indeed, ‘breasts go kill man’ and that is what happened to a man who now finds himself in deep trouble.
According to a news item shown on one of the popular TV stations, a man is on the run after assaulting his wife in an attempt to kill her. The story has it that the wife confronted the husband after her daughter who is the man’s stepdaughter complained to her mother that her stepfather has been making sexual advances at her.
The girl then was asked about what happened and she related that her stepfather on one occasion, fondled her breasts and sucked them and then warned her that if she tells her mum, he would kill her and she should know that she is the only child of her mum and that he would also kill himself after killing her. Indeed, ‘breasts go kill man’
A lady shared a story many years ago about a problem a man confided in her so that she could in a nice way convince his wife so that the house help would be sent back to her parents to save him from adultery.
Apparently the young lady considered the man like her father having stayed long with the couple and developed a very cordial relationship between the man and his wife. She ,therefore, did not cover herself well and it did not occur to her that she was causing problems for the man.
The man claimed that on occasions in his presence, the young lady could show her breast to his wife to examine something, say a rash or something on her breast without any sense of shyness.
To her, they were her parents but it was causing the man’s emotions to run riot in his groin and he then decided to do something about the situation to prevent embarrassing himself and destroying his marriage. Indeed, ‘breasts go kill man’
One of the media stations also showed a documentary concerning the life of prostitutes and a prostitute was interviewed to share her story to enable viewers to have an idea about the harrowing experiences these so-called sex workers go through.
The lady in response to a question as to whether she let the patrons have access to her breasts, said no and that access to her breasts attracted extra fee. The journalist doing the interview then asked whether the patrons were willing to pay and she said yes and that a lot of them paid the extra to get access to her breasts. It definitely ‘go kill man’.
Not to sound sacrilegious, I am 100 per cent sure that a lot of the pastors both junior and seniors, if they will tell the truth, will confess that they are very much excited at the sight of pointed breasts of their spouses.
I think that, that is the reason some women cut short the six month recommended period for breast feeding babies to prevent their breasts from sagging. Again, I suspect it is one of the reasons some indisciplined pastors engage in fornication because they are easily tempted when doing spiritual deliverance and part of the ladies breasts undergoing deliverance become exposed.
If you are a Christian and you do not want your pastor to fall to temptation, then please pray seriously for them and advise the ‘Asafo Maame” also not to deny access of her boobs to your pastor, because “breasts go kill man’.
By Laud Kissi-Mensah
The writer is a social commentator
I have often been saddened by the condition of Sikaman musicians. Of course, some are not musicians. They are jokers who think anybody who can sing a hymn is a musician. And why wouldn’t they think so when people think that every man wearing a rasta hair is a reggae musician?
Well, these days, almost everybody is dreaming of becoming a musician, even some ministers and parliamentarians. And it is never too late for them to begin learning the solfas and composing songs like “If You Do Good You Do For Yourself,” after all, life begins at 60 these days. If you die three years later, that’s your luck.
For the jobless, becoming a musical star is an everyday dream. They think when you are a music maker, you automatically break alliance with poverty. They are often mistaken.
I know people who claim they are musicians but are always fasting not because they are devout moslems or are on a hunger strike, but because even one square meal a day is a perpetual wahala. And the only drink they can afford is the poor man’s holy whisky which has a thousand names including ‘Nyame Bekyere’.
Even most of the popular musicians we see in town claiming they are foreign-based stars are more of hustlers than musicians. When they tell you they are going on tour abroad, it is a careful way of saying they are going overseas to scrub the whiteman’s toilet or pick tomato or apples to save their neck from musical poverty.
When they are back to Sikaman, they appear quite flamboyant with chains hanging all over them. They change the few dollars they have scraped, spread it around and promptly get broke. Then they can organise another ‘tour’. In between tours, they struggle to release an album and that levels them up a bit on the financial balance.
It all points to the fact that the life of the average musician isn’t quite organised. He has no calendar, no programme and no concentration on the job. He has to wash plates, become a waiter, janitor and toilet scrubber while finding time to make music. No musician succeeds in life that way.
One musician I’ll always respect, who thinks deeper than the ordinary Sikaman musicians is Carlos Sakyi. He is not like the Kokoase guitar musicians who see the world just in terms of bitters, a willing girlfriend, constant supply of kokonte and jot.
Carlos, often loved for his percussive overtones in gospel music, and once a gospel-rock star, has studied the life of Sikaman musicians and has evolved a blue-print for a great improvement in their lives work, finances and comfort.
In short, he has simulated a Motown-style environment for musicians and his formula is working with accuracy with the five musicians he has started with. The blue-print is what has brought MEGASTAR into being. It was launched on September 15, 1995 at the National Theatre.
When it got launched, many probably thought Carlos was “too know or was dreaming more than he should and won’t think about himself. Anyhow, the MEGASTAR is now an institution musicians can look up to, a big phenomenon with lots of promise for struggling musicians.
Music business in the developed world is not the way we regard it cheaply here. A musician is never distracted by how his finances go; his contracts are entered, his engagements made, his interviews arranged, his personal security guaranteed.
Music is his business and that is where his mind is and his attention focuses. Other aspects of his life are programmed for him by his managers. They hire who has to light his cigarettes, massage him, drive his car and the one who will say “Good Luck” when he sneezes.
A bodyguard whose face is exactly like that of the devil is hired to scare off muggers, psychopaths and criminals in general. Sometimes his girls are organised for him.
So the only thing the musician does apart from sleeping and snoring is to concentrate on making music, and true to it, no one can succeed in any venture when he is distracted.
This is how the Michael Jacksons, Lionel Richies, Dolly Patons and Whitney Houstons have made it with dollars packed and over-flowing. They aren’t any better than Sikaman musicians. The only difference is that they know how to organise their lives.
I managed to corner Carlos Sakyi and asked him to tell me how MEGASTAR was doing. He is the Managing Director of Megastar Limited, a music company that has a board of directors and a chairman. Carlos Sakyi shares the proprietorship with a partner. Carlos himself was one great musician who played for a band that beat Eddy Grant on the charts.
“Megastar is in fact a concept born out of the idea that the future security of the Ghanaian musician which has always been in jeopardy can now be guaranteed. Artistes spend too much of their time doing things on their own, chasing money and not concentrating on music. So their full potential is never realised. Some are in fact producing at quarter-rate. That is why they aren’t making much headway,” he told me.
“Megastar is now giving them the chance of the lives. We handle the interviews of Megastar artiste, their press releases, costume, engagements and everything they hitherto used to do themselves. We get them exposed on M-Net and we have contacted BB to get on their programmes. We handle their finances pay them salaries and bonuses, so they only have to concentrate on music
“Most importantly,” he continued, “we do not make all the decisions. Management always meet with the musicians to take the decisions that affect them.”
But who are the Megastar musicians? One is the great Amakye Dede, a star from birth delivered onto the earth with music on his lips; he is the man who feeds hungry ears with musical salad and harmonic sausages. He is the recipient of many national awards.
Next is Naana Frimpong, a latter-day Carlos-groomed songbird with the voice of an angel. She sings to kill. Her beauty has charmed her audience and they stare and stare at her.
The sensational and fantalising Tagoe Sisters are the next. The twin music machine is one that has produced the cream, arguably the very best, of gospel music all these years. I hear they are inseparable; not even their better-halves can keep them apart. Are they Siamese? They dance, and when on stage, they move the crowd.
Then comes Reverend Yawson who is a known songwriter. He is imbued with the Holy Spirit, speaks in tongues and of course sings in tongues. He is God’s representative on the group.
What about my good friend and super-heavyweight, Jewel Ackah? He is a star figure. His appearance is awe-inspiring, his voice golden. A great delight to be-hold when at his best in stage-craftsmanship, he has beaten his contemporaries to it both on land and on sea.
They are the pioneers of the Motown idea. They are all releasing new albums this year. Let’s see how it all goes.
In recent years, the term “female rage” has gained significant traction, symbolising a collective shift in how women’s emotions are perceived and addressed.
This phenomenon is not merely a fleeting trend but a profound movement rooted in centuries of systemic injustices, personal betrayals, and societal expectations.
As women increasingly reclaim their anger, it is imperative to understand the multifaceted nature of female rage, its causes, and its implications for individuals and society at large.
The historical context of female anger
Historically, women’s emotions have been subject to dismissal, ridicule, and pathologisation. The term “hysteria,” originating from the Greek word for uterus, was used to describe women’s emotional states as irrational and uncontrollable.
This legacy of silencing and shaming has contributed to a culture where women’s anger is often suppressed or stigmatised.
However, with the rise of feminist movements, women are challenging these narratives, asserting their right to express anger and demand change.
The anatomy of female rage
Female rage is not a monolith; it is a complex and multifaceted emotion driven by various factors, including:
1. Societal expectations: The pressure to conform to traditional roles of passivity, politeness, and emotional labour.
2. Gender inequality and pay gaps: Frustration stemming from systemic discrimination in the workplace and beyond.
3. Sexual harassment and abuse: Trauma and anger resulting from pervasive violence and objectification.
4. Emotional labour and burnout: The unsustainable burden of managing emotions and responsibilities in personal and professional spheres.
5. Hormonal fluctuations: The impact of hormonal changes on emotional states, often overlooked or dismissed.
The power of anger: Reclaiming female rage
Far from being a destructive force, female rage can be a catalyst for change. When acknowledged and channelled constructively, anger can drive advocacy, policy reform, and resistance against inequality.
The #MeToo movement, women’s marches, and increased representation in politics are testaments to the power of collective female anger.
Addressing the Stigma: Towards a more inclusive dialogue
To fully harness the potential of female rage, society must address the stigma surrounding women’s anger. This involves:
1. Validation and recognition: Acknowledging women’s emotions as legitimate and worthy of attention.
2. Creating safe spaces: Providing platforms for women to express anger without fear of backlash.
3. Education and awareness: Challenging stereotypes and promoting understanding of women’s experiences.
4. Support systems: Offering resources and support for women dealing with trauma and systemic injustices.
Conclusion
The age of female rage is a moment of profound transformation, where women’s anger is no longer silenced but celebrated as a force for justice.
By understanding the roots of female rage and addressing the societal structures that fuel it, we can move towards a more equitable and compassionate world.
The journey is complex, but the destination-a society where women’s emotions are respected and their voices are heard is worth the struggle.
References:
[1] Chemudupati, P. (2022). _The Rage of Women: A Historical Perspective_.
[2] Traister, R. (2018). _Good and Mad:
By Robert Ekow Grimond-Thompson
