Entertainment
Lynx Entertainment begins global music distribution for African artistes
Music powerhouse, Lyn Entertainment has taken a giant leap into the digital
distribution space after 18 years of dominating and empowering the music industry in Ghana and Africa.
The indefatigable Ghanaian record label, under Lynx Group Limited, has nurtured some of the continent’s biggest music stars and chumed out many global hits till date.
As the company nears two decades of operations, it has announced a significant addition to its roster, offering direct music distribution worldwide for labels and
artistes.
Lynx Entertainment has partnered with technology giant, Vydia, to provide digital infrastructureto enable first-hand distribution of music to global Digital Service Providers (DSP) without any resort to third parties.
According to the CEO of Lynx Group; Richie Mensah, the bold move is to ensure that African artistes and labels are adequately represented in the fast-growing digital distribution scene,
He explained that as the continent embraces the limitless possibilities of digital distribution, there is the need to safeguard the interest of artistes and labels in Africa, thus, maximizing gains for stakeholders.
Richie Mensah stated that for the first time, African creatives will need no third-party distributors or agents as they can get their music listed on platforms like Spotify, Apple
Music, Amazon Music, Tidal and others in the comfort of their homes.
Lynx Entertainment’s distribution platform delivers music to about 200 stores globally while ensuring content protection, rights management, advanced payments, and data
tracking.
The premium technology works to empower creators to distribute, protect, monetize and store their content through one centralized and easy to use platform that has a
transparent royalty payout process.
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
