Entertainment
My ‘Victory’ song is a prophetic declaration – Mavis Asante
Ghanaian gospel musician, Mavis Asante, has disclosed that her new song dubbed, ‘Victory’ is a prophetic declaration in one’s life.
The song, produced by renowned producer, Kaywa, has been making waves recently.
Speaking to The Spectator Agoro she said the song was inspired by a scripture in 2Kings 7:1, in which “Prophet Elisha prophesied to the City of Samaria that, tomorrow by this time food will be in abundance whereas the city was facing a great famine.”
Mavis Asante further added that the song preaches a message of hope and prophetic declaration, “A personal and spiritual reflection of resilience and faith.
A message encouraging believers and listeners to trust God no matter the situation. A message that resonates deeply in these challenging times. A motivational message.”
Touching on the feedback received after the song was released, Ms Asante revealed that it has been amazing.
According to her, as a matter of fact people have already shared some testimonies, adding that “we give all the glory to God. And it’s already topping musical charts in the country.”
She said the music video just won an award as the Best Video at the just ended GH Awards, held on November 15 at the Silver Bird Cinemas.
The gospel music icon urged Ghanaians to expect the Victory Concert in 2025, which will be her first major concert and her biggest programme since her entry onto the music space 15 years ago.
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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