Entertainment
Will Smith apologises to Chris Rock
Four months after slapping Chris Rock on stage at the Oscars, a move that shocked viewers around the world, Will Smith has once again apologised to his fellow actor, saying that his behavior was “unacceptable” and that he reached out to the comedian to discuss the incident but was told Rock wasn’t ready.
“There is no part of me that thinks that was the right way to behave in that moment,” Smith said in the under-six minute video posted online Friday. “I am deeply remorseful and I’m trying to be remorseful without being ashamed of myself.” To Rock, he said: “I’m here whenever you’re ready to talk.”
Smith, seated in a polo shirt and white ball cap, spoke directly to a camera, answering pre-selected questions about his behavior at the March 27 Academy Awards, when he slapped presenter Rock after the comedian made a reference about the hairstyle of Jada Pinkett Smith, Smith’s wife.
Smith also apologised to Rock’s family and especially his mother, Rosalie, who was horrified to see her son hurt and told US Weekly that, “When he slapped Chris, he slapped all of us. He really slapped me.” Smith also apologised to Tony Rock, Chris’ younger brother.
“I didn’t realize how many people got hurt in that moment,” Smith said.
Neither the apology or timing impressed crisis and PR expert Eric Schiffer, who called it “bizarre, strange and grossly over-rehearsed.”
“It came across like he was doing a confessional in some closed room in a foreign country in order to escape the regime,” said Schiffer, chairperson and CEO of Patriarch Equity and chair of Reputation Management Consultants. “It’s just not the way to get out of the septic muck he put himself into because, once again, it started being about him and it’s still about him.”
In the video, Smith also apologised to his family “for the heat that I brought on all of us” and his fellow Oscar nominees to have “stolen and tarnished your moment.” He mentioned Questlove by name; it was the musician-director’s documentary win for “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” that was interrupted by the slap. Rock was on stage to present the documentary award.
Smith also said his wife did nothing to encourage his slap. “Jada had nothing to do with it,” he said. “I made a choice on my own.” Pinkett Smith has said that she has alopecia areata, a hair-loss disorder.
Following the altercation, the motion picture academy banned Smith from attending the Oscars or any other academy event for 10 years. Smith apologized to Rock in a statement after the Oscars, saying he was “out of line and I was wrong.”
“I’m sorry really isn’t sufficient,” Smith said in the video, adding that he is hurting because he hasn’t lived up to fans’ impressions. “Disappointing people is my central trauma.”
Many had speculated that Smith would appear on camera to discuss the slap first on Pinkett Smith’s online series “Red Table Talk,” but he chose to do it in a social media video post without any follow-up questions or surprise queries.
“It just had the reek of a fabricated attempt to be real. And that’s not what he wanted to accomplish, nor was it persuasive,” said Schiffer. “I do wish him well and hopefully he will find the right path. That path is really about humbleness and not about ego and self.
Source: starrfm.com.gh
Ghanaian musician Sparqlyn is set to release another big hit.
His latest release, ‘Rosina,’ features Germany-based Ghanaian musician, video director, and sound engineer TEENO (known privately as Eric Kwame Tamakloe).
TEENO’s project ‘Signs’ was recently accepted by the Grammys for official consideration in the ‘Album of the Year’ category. Now, ‘Rosina’ is making serious waves across the airwaves.
Coming shortly after the impressive reception to his previous single ‘Fameko,’ ‘Rosina’ is already receiving strong attention from music lovers and radio listeners.
This new song carries an infectious Afrobeats and Hiplife feel while maintaining the romantic direction that characterised ‘Fameko,’ Sparqlyn’s 2026 Highlife collaboration with Ziya.
‘Fameko’ marked an important moment in Sparqlyn’s musical journey, with the love-themed highlife record receiving positive reactions from music lovers and media platforms following its June 2026 release.
The song became one of the highlights of his 2026 output, ranking high on multiple charts.
‘Fameko’ has also bagged Sparqlyn two top nominations: “Highlife Song of the Year” and “Artist of the Year” at the 2026 Stars Awards.
The combination of a romantic storyline, Afrobeats rhythm, and Hiplife influence give the song a sound that fits comfortably into the current Ghanaian music landscape.
The timing of the song’s release could also prove significant for the award-winning artiste. Sparqlyn recently secured two nominations at the 2026 Ghana Youth Empowerment Awards, where he is in contention for Youth Empowerment Advocate of the Year and Outstanding Youth Personality of the Year.
With ‘Fameko’ having established strong momentum earlier in the year and ‘Rosina’ now beginning to enjoy significant airplay, Sparqlyn appears to be ending another eventful chapter of his musical career on a high note.
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Ghanaian highlife and Afrobeats singer Kuami Eugene Marfo known in showbiz circles as Kuami Eugene has urged fellow musicians and entertainers to use their influence on social media and other platforms to champion causes that positively impact society.
The award-winning artiste made the call during a UNICEF Ghana birth registration advocacy campaign in Bepoase in the Ayensuano District of the Eastern Region, where he joined officials from UNICEF Ghana and the Births and Deaths Registry to raise awareness about the importance of registering children at birth.
He explained that artistes wield significant influence and should leverage platforms such as TikTok, Facebook and Instagram to amplify important social initiatives and encourage behavioural change.
The musician, who has partnered UNICEF Ghana on several child-focused campaigns, said he had a special interest in issues affecting children and was committed to supporting efforts that improved their welfare and future opportunities.
He noted that birth registration was critical because it established a child’s legal identity and ensured recognition as a Ghanaian citizen.
The advocacy drive forms part of UNICEF Ghana’s efforts to improve birth registration rates across the country through community engagements, public education and collaboration with traditional authorities.
The musician said he remained focused on creating quality music while continuing to support social causes that contribute to national development, particularly initiatives aimed at improving the lives of children. –GNA
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