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National Cathedral: Okudzeto Ablakwa Petitions CHRAJ To Investigate Rev. Kusi Boateng
The Commission on Human Rights and Administrative Justice (CHRAJ) has been petitioned to investigate the Secretary of the National Cathedral Board of Trustees, Reverend Victor Kusi-Boateng.
The Member of Parliament for North Tongu, Samuel Okudzeto Ablakwa who submitted the petition cited conflict of interest, including possession of multiple identities and other alleged criminal dealings against Rev. Kusi-Boateng.
The MP on his Facebook page wrote:
“As promised, CHRAJ successfully petitioned on the Rev. Victor Kusi Boateng AKA Kwabena Adu Gyamfi mother of all cathedral scandals.
The blasphemous heist must stop.
For God and Country.
Ghana First 🇬🇭
Tsar Bomba findings
The MP on Monday said “painstaking and diligent parliamentary oversight with the gracious guidance of the omniscient and omnipotent has led to what can only be akin to Tsar Bomba findings. Blatant corruption, conflict of interest, self-dealing and grand fraud have never been this majestic”.
“It couldn’t have ever occurred to us that the conduct of an exalted man of God during the sacred construction of the Lord’s temple would leave an entire nation utterly dumbfounded.
You will recall that in my earlier exposé of the scandalous GHS2.6million cash transfer from the National Cathedral Secretariat to JNS Talent Centre Limited, I pointed out that incorporation documents reveal that the three directors of JNS Talent Centre Limited are Johannes Eshun, Sheila Eshun and Kwabena Adu Gyamfi.
I also later revealed that Rev. Johannes Eshun is a branch pastor of National Cathedral Executive Council Member/Director, Rev. Victor Kusi-Boateng’s Power Chapel Worldwide.
Hitherto, the third director—Mr. Kwabena Adu Gyamfi has remained a mystery figure.
I am now able to reveal the true identity of this mystery director of JNS, Kwabena Adu Gyamfi”.
According to him, “definitely, the code has finally been cracked and it shocks to the marrow!
Unimpeachable and incontrovertible evidence confirms that Mr. Kwabena Adu Gyamfi is the famous Rev. Victor Kusi Boateng who still serves on the National Cathedral Board as an Executive Council Member/Director.
For the avoidance of doubt, there is no distinct Kwabena Adu Gyamfi. Kwabena Adu Gyamfi is a criminal creation of Rev. Victor Kusi-Boateng. The two are therefore one and the same”.
Rev. Victor Kusi-Boateng AKA Kwabena Adu Gyamfi thought he had outwitted every Ghanaian, particularly our authorities whom he dribbled for many years; but the day of reckoning is finally here.
From unassailable and irreproachable documents in my possession, Rev. Victor Kusi-Boateng AKA Kwabena Adu Gyamfi uses multiple passports and multiple identification cards with different names and different dates of birth as his special modus operandi.
When JNS Talent Centre Limited was being incorporated, he submitted a passport with the name Kwabena Adu Gyamfi. The passport’s number is G0886001. At the time, he claimed his date of birth was 30th December, 1969.
Instructively, the passport bears his unmistakable picture. (See passport in issue attached).
Rev. Victor Kusi-Boateng has used other Kwabena Adu Gyamfi passports. Their passport numbers are: G1262918; G0390695 and G3415693. (All duly attached).
Curiously, on 25th November, 2021 the Government of Ghana through the Ministry of Foreign Affairs and Regional Integration granted Rev. Victor Kusi Boateng a diplomatic passport. The diplomatic passport which expires on 24th November, 2026 rather carries the name Kwabena Adu Gyamfi and not Rev. Victor Kusi Boateng. There’s no indication it’s for the use of a reverend minister. Its diplomatic passport number is: DX006845. (Accordingly attached).
The story gets even more fascinating. When the National Cathedral of Ghana was being incorporated on the 19th of July, 2019; Rev. Victor Kusi Boateng used his driving license for the registration. For his driving license, he uses the name Boateng Victor Kusi. In a more bizarre twist, he uses a different date of birth which is captured as: 07/09/1971. This date of birth makes him about two years younger than what’s contained in his numerous Kwabena Adu Gyamfi passports. (Driving License is duly attached).
It’s been very puzzling to further discover that the acclaimed man of God and confidant of President Akufo-Addo illegally has two Taxpayer Identification Numbers (TINs)—P0002502682 and P000627241X. The Ghana Revenue Authority has made clear that each Ghanaian can only have one unique TIN and proceeds to prohibit individuals from having multiple TINs.
Deeper investigations expose a host of companies which Rev. Kusi-Boateng operates as Kwabena Adu Gyamfi on the blind side of many. These businesses are: Y-CV Construction Ltd.; Qharis Consortium Ltd,; Kharis Football Academy FC Ltd.; El Dunamis Media Limited; Onpoint 1 Laundry Ltd.; Vibrant Generation Chapel Worldwide LBG; Dunamis Chapel Worldwide LBG; El-Dunamis Enterprise and Duna Media Foundation.
Some of these entities are registered to engage in small scale mining.
My latest tracking of Rev. Victor Kusi-Boateng AKA Kwabena Adu Gyamfi’s travels reveal that he used his diplomatic Kwabena Adu Gyamfi passport on the 12th of January, 2023 aboard flight KP021 from Accra to Lome. He used the same diplomatic passport to Dubai on December 9, 2022 aboard flight EK787. Earlier on 20th November, 2022 he used his ordinary passport on a similar Dubai trip. This shows that he is still actively using the two identities.
It remains exceedingly baffling why he keeps two personalities— one as Rev. Victor Kusi-Boateng and the other as Kwabena Adu Gyamfi. Two personalities with different dates of birth; different passports; different TINs; different professions (Business Man and Prophet) and different addresses. What is he running from? Who is he hiding from? Does he suffer from Dissociative Identity Disorder or Multiple Personality Disorder?
Having established beyond any scintilla of doubt that Rev. Victor Kusi Boateng is Kwabena Adu Gyamfi, the Akufo-Addo/Bawumia/Ofori-Atta government and the Executive Council Members of the National Cathedral of Ghana owe the Ghanaian people some serious explanations. It would be extremely surprising if they claim they didn’t know this dark side of Kusi Boateng AKA Adu Gyamfi.
These explosive findings make the conflict of interest charge in the GHS2.6 million scandalous payment by the National Cathedral of Ghana to the shady JNS Talent Centre Limited even more blatant, direct, offensive and absolutely embarrassing.
Clearly, Rev. Victor Kusi-Boateng AKA Kwabena Adu Gyamfi sat on the Cathedral board and literally paid his own company a staggering GHS2.6 million for no work done.
When the siphoning was completed, they captured same as “Contractors Mobilization” and presented it to Parliament hoping that they would legitimize the dubious transaction and therefore get away with murder.
It has also emerged from a JNS Bank Statement put out by puerile NPP propagandists that Rev. Kusi-Boateng Adu Gyamfi’s JNS Talent Centre Limited received a whopping GHS3.5million from government through a payment by Controller with swift code CODGGHAC on 23rd August, 2021. Many are asking what Kusi-Boateng Adu Gyamfi’s JNS which operated a zero account for many months (since February 26, 2021 when the account was opened) before the sudden government transfer did for government to warrant that huge payment?
This appears to confirm justifiable criticisms that the cathedral project has blasphemously become an avenue for money laundering.
Having stripped Kusi-Boateng naked, the earlier ridiculous concoction that JNS is a benevolent lending institution collapses. JNS must therefore refund our GHS3.5million and our GHS2.6million without further delay”.
DEMANDS
Okudzeto Ablakwa has therefore demanded the following:
1. The immediate resignation of Rev. Victor Kusi-Boateng AKA Kwabena Adu Gyamfi from the Board of the National Cathedral of Ghana;
2. Rev. Victor Adu Gyamfi AKA Kwabena Adu Gyamfi must be compelled to refund all taxpayer funds diverted into his company, JNS;
3. Rev. Victor Adu Gyamfi AKA Kwabena Adu Gyamfi must be subjected to thorough credible investigations and prosecution for his many other offenses which have now come to light;
4. President Akufo-Addo must outrightly dissolve the Board of the National Cathedral of Ghana;
5. A special forensic audit must be expeditiously commissioned into the National Cathedral project.
FURTHER ACTIONS
1. I shall be petitioning CHRAJ at 1pm today invoking its mandate under Article 218 of the 1992 Constitution to investigate the odious conflict of interest;
2. I intend to file an urgent question when Parliament resumes for the Honourable Minister for Foreign Affairs to inform Ghanaians why Rev. Victor Kusi-Boateng qualified for a diplomatic passport and the nature of due diligence, if any her ministry may have carried out;
3. I also intend to file an urgent question for the Finance Minister on exactly what work JNS did to warrant a colossal transfer of GHS3.5million from our taxes and why that transaction did not find expression in his GHS339million unconstitutional cathedral withdrawals as presented to the Vote of Censure Committee.
God save our Republic.
Ghana first. 🇬🇭
National Cathedral responds
Meanwhile, the Executive Director of the National Cathedral, Dr Paul Opoku Mensah, has in a statement refuted allegations of corruption and conflict of interest against the Secretary to the Board.
“This is a documented trail that you can always ask for verification. If the MP does not understand an issue in the accounting, because in accounting somebody with an audited account cannot explain everything so they call you to clarify…I really understand the political mistrust in our system, but nonetheless, particularly when it comes from Parliament, you expect a certain due process and when you are suspicious, you ask for verification and clarification.”
Source: Peacefmonline.com
President John Dramani Mahama has commissioned four career diplomats as ambassador-designates to represent Ghana in four countries.
The commissioning ceremony took place on Friday, October 16, 2026.
The new envoys are Her Excellency Nana Antwiwaa Dodoo, Ambassador-Designate to Angola; His Excellency Louis Kwame Obeng, Ambassador-Designate to Qatar; Her Excellency Evelyn Korantemaa Ofosu-Amable, Ambassador-Designate to Israel; and His Excellency Jedidiah Reuben Adogla, Permanent Representative-Designate to Switzerland.
President Mahama charged them to advance Ghana’s national interests through strategic partnerships, economic diplomacy, investment mobilization, and expanded access to international markets.
He said Ghana’s diplomatic engagements must deliver tangible economic benefits, create jobs, and strengthen the country’s standing on the international stage.
The four envoys are career diplomats with over 27 years of experience.
On behalf of her colleagues, Her Excellency Nana Antwiwaa Dodoo thanked the President for the confidence reposed in them and pledged their commitment to emulate his leadership and deliver on the mandate given to them.
By Edem Mensah-Tsotorme
The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 
This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.
Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.
For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.
The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.
Then came the application of hyire, the white kaolin powder associated with traditional rites.
With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong.
The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.
There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.
Yet the celebration was not complete with the procession.
A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.
The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.
Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.
Kambon in his research explores the historical connections between Apagya and Akan political and military organisation.
Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.
These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.
Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge.
His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions.
Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.
But tradition was only one part of the story that day.
When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.
The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 
It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.
For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate.
For the professor, the moment placed family achievement alongside his own professional and traditional milestones.
Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.
His latest enstoolment adds another chapter to that relationship.
In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.
By Enoch Ntiamoah Siaw
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