Entertainment
Kwame Ye recruits Jah Lead on hot new jam “Mijo”
Ghanaian rapper/producer, Kwame Ye, steps out bold with his debut single after rebrand.
He titles the song “Mijo”, a reworked Ewe language from “Midzo” which means “Let’s Go”.
Kwame Ye features Jah Lead on this record to break his long hiatus. The song released on January 27th this year is available on all major digital music platforms for streaming and downloads.
Jah Lead, known for his vivid high pitch vocals didn’t fail on this one either. He serves a very enchanting melody on the record making it relatable to both adult and infant audiences.
About Kwame Ye:
Stemming from a culture of hardcore hiphop and street rap, Kwame Ye, as he loves to be called in the showbiz circles is unapologetic about his style and presentation of rap culture.
Born as Klu Frank, he hails from the Volta Region of Ghana; but primarily grew up in Adenta, a suburb of Greater-Accra where he got inspired to start music as a hobby from childhood.
With an unflinchingly real-life perspective, he would be found delivering rap with a gruff rasp influenced by UK ‘Grime’ and ‘rusty’ beat compositions to fit his style of lyrics.
Kwame Ye is a co-founder of a music clique called Kings Capital Music Group (KCMG).
“I fell in love with art as the days crept, adding more years to my infant self; and while I grew up, my style and passion got influenced more by my peers and lovers of my music; this pushed me more to work more music, write more music, record more music and perform them as well across different stage. Music became a powerful tool for me to express myself effortlessly”, Kwame Ye intimated. He was formerly known as Abladzo Kwame, and would later pick Kwame ye as his newly found space after a new dawn of transformation and revitalisation.
“HipLife and Highlife were my foundation and first influences; both served as therapeutic sounds for me and led me into producing and writing my own music, and exploring other styles (genres)”, he added.
“I would say my style of music is a Fusion of Rap and Afro-Soul; and to keep my origins I use a lot of my native dialect, Ewe, for almost every song I churn out” – Kwame Ye.
Kwame Ye recorded his first song with Skillions (a Ghana-based music clique cum label) at their recording studio titled “Bossu”, featured on by Boynash, a London-based Ghanaian Rapper.
Kwame ye has scored some feats working with notable Ghanaian artistes like Edem, Gemini Orleans, Nektunez, just to name a few.
He also doubles a Fashion Designer who pieces together all kinds of fabrics, creatively, as another form of gifted art.
Listen Here: https://ditto.fm/mijo
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
The fourth edition of International AmoFest lived up to its promise on Saturday, May 2, delivering a vibrant “three-in-one” experience that left the audience at Alliance Française in Accra buzzing.
The night was a masterful blend of sound and stagecraft. Berima Amo, the visionary behind the festival, led an impressive lineup of performers, including Pedro Kastelijns, Martha Apini, Rudy Ray, and Lamisi.
Together, they showcased a fusion of global music and authentic Ghanaian Highlife, staying true to the festival’s mission of preserving Ghana’s original rhythmic soul.
Adding a unique layer to the evening, Uncle Ebo Whyte’s Roverman Productions took to the stage, blending theater with the night’s musical energy.
The experience concluded with a high-energy after-party, fulfilling Berima Amo’s goal of creating a truly immersive and memorable night.
Reflecting on the event’s purpose, Amo emphasised the need for intentionality in protecting Highlife.
He called on every Ghanaian, as well as government institutions, to actively foster an environment where the genre can thrive on the global stage.
The main event followed a successful educational outreach on April 24, where over 250 high school students participated in a Highlife workshop at the Centre for National Culture.
By Edem Mensah-Tsotorme
