Entertainment
Kingzkid releases ‘Wadom’

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Ghanaian gospel recording artist and songwriter, Emmanuel Essuman Mensah, widely known as KINGZKID has released another single for music lovers.
Featuring contemporary praise and worship icon Joe Mettle on his single “W’adom (Your Grace)’, the Afrobeat rhythm song was purposely released as a medium to spread the good news about the Grace of God that has been revealed to us through our Lord Jesus Christ.
W’adom comes with a groove that is not new to Joe Mettle who makes a special appearance on the song.
Kingzkid has over the years continued to be a force to reckon with in the urban gospel setting in Ghana.
He is without doubt one of the pacesetters and an inspiration to the up-and-coming urban gospel acts who are bringing hip-hop, rap, and Afrobeat acts to praising God.
Kingzkid in an interview said that the rationale behind the release was the fact that God’s grace was the foundation on which our lives were built.
“Our lives are testaments of the grace of God. God’s grace is the foundation on which our lives are built, the canvas on which our lives are painted. We are nothing without the Grace of God and made this beautiful song with a man who inspires me. I hope it blesses you. We are who we are by the Grace of God. Period! Thank you Joe Mettle.” KINGZKID said.
The official video of W’adom (Your Grace) was directed by Finn Mensah and produced by Laxio Beats.
KINGZKID is a Ghanaian Christian hip-pop recording artist and songwriter whose popular music “I Got My Jesus On” transformed his life to a whole new level.
Born on September 29, 1989, KINGZKID released his first album titled “Vindicated” in 2011 and second “Metamorphosis” in 2014.
As it stands, he is the first African Gospel Musician to win the Gospel Academy Awards ‘Best International Act 2019 award’.
BY BENEDICTA GYIMAAH FOLLEY
Entertainment
Rumzia Sule crowned Miss Ghana 2026

An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Entertainment
Lexikon’s music becomes movement of faith, justice, Pan-Africanism

Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme




