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I’m Disappointed In Some Popular Artistes – Kwesi Ernest

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Kwesi Ernest

It was a lit December last year with a record number of events, and while patrons had a swell time at most of these events, not everyone was impressed with what went on, especially the performances of some artistes.

One of such persons is artiste manager Kwesi Ernest who said he was disappointed in some artistes whose performances he witnessed during the festivities.

According to him, he attended most of the events and he was not impressed with some of the artistes who he had expected to shake the stage.

“I saw Fameye at almost all the events and I never liked any of his performances. Fameye has great songs out there and I expected more from him but anytime he came on stage, it is either he was going off key or his voice was fluctuating. I cannot tell whether he was tired but it was bad for him as a musician.

“I was also disappointed in Sista Afia when she joined Sarkodie on stage at this year’s Rapperholic, her voice and her total performance were off,” he told Graphic Showbiz recently.

Kwesi Ernest explained that it is about time musicians put more into their craft. “We want to have a feel of the musician more than the music we just hear on the radio. They need to hire choreographers and work on their stagecraft.

“We need a full package and not miming over a CD on such big platforms. It looks like musicians in Ghana take the audience for granted and just do anything for them which should not be so,” he stated.

To him, an artiste could not have very good songs and be flopping on stage. “No event organiser will be willing to book you for their event if they see you flopping on stage. You need to justify why you are charging so much and the audience has to benefit from paying so much to come and watch you,” he said.

Explaining more, Kwesi Ernest said only a few artistes seemed to have invested in their craft and the situation was not good for a growing industry such as ours.

“There are professionals whose job is to coach the artiste to be a good performer on any given stage at any given time. I also say that none of my artistes will ever flop on stage because I work on them. I get the best people to guide them to become great performers,” he said.

Source: Graphic Showbiz

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Medikal urges Ghanaian musicians to prioritise financial security

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Ghanaian rapper Medikal has advised musicians to focus on building financial security rather than relying mainly on awards, shows and public recognition.

According to him, the difficult situations some senior musicians face after years in the industry should serve as a lesson to younger artistes.

Medikal made the comments on TikTok while sharing his thoughts on an interview involving veteran Ghanaian musician DJ Barosky, whom he claimed is currently homeless in the United Kingdom.

He expressed surprise at the situation, noting that he grew up listening to and admiring some of the senior musicians who influenced his generation.

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“Bro, right now, social media, I know if you tell which one be real or what be fake,” Medikal stated, questioning the reality of what people see online.

He argued that musicians should make money and put proper financial plans in place while they are active in the industry.

“If you be artist for this country, you for make money, collect money, put certain things in place,” he said.

Medikal stressed that awards and performances were important but should not replace financial planning.

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He encouraged artistes to be careful with their relationships and to understand that the entertainment industry is largely driven by money.

According to him, even friendships can change when a person’s financial circumstances change.

He therefore urged musicians not to become discouraged by financial losses but to remain focused on creating wealth.

“Make money. If you lose money, still collect money,” he advised.

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Medikal said the experiences of older artistes should encourage current musicians to take their finances seriously and prepare for life beyond their peak years in the entertainment industry.

By: Jacob Aggrey

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Miss Tourism Ghana princesses dazzle patrons at Regional Costume & Talent Night show

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Miss tourism queens on the runway

It was a night of colour, culture and creativity as Miss Tourism Ghana successfully held its Regional Costume & Talent Night in Accra.

The event drew fashion lovers, culture enthusiasts, and proud supporters who came out to witness Ghana’s beauty queens represent their regions on one grand stage. 

From the moment guests stepped in, the atmosphere was electric, ushering,

Okra, Zabe, Gina, Akpe, Sela, Afia,Asher and Ajua into the auditorium to mesmerize patrons.

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The blistering night, commenced with a breathtaking regional costumes rocked by contestants that told stories of Ghana’s traditions from, african print, kente, smock, batakari, beads and other indigenous fabrics.

 Each outfit with beautiful local accessories to match was paired with confidence, poise, and pride.

The night then shifted gears into the talent segment. The audience was treated to powerful performances traditional dance, spoken word, fashion, singing, and drama all centered on promoting Ghana’s tourism and heritage.

The judges were stunned with the various displays and passed favorable commentaries encouraging the contestants to keep giving their all.

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 Patrons left with unforgettable moments, and the contestants delivered to their expectations.

Organisers of Miss Tourism Ghana congratulated all the amazing participants who took part and urged them to forged ahead strongly before the grand final.

They also, encouraged families and friends to keep their favourite in the competition through their campaigns and votes.

The search for Ghana’s next tourism ambassador is officially on, and the competition is getting tighter with each stage.

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Beyond the glamour, Miss Tourism Ghana continues to use the platform to market Ghana’s tourist sites, culture and hospitality to the world. 

The Regional Costume & Talent Night served as both entertainment and education, reminding Ghanaians of the beauty in our diversity.

By Edem Mensah-Tsotorme 

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