Entertainment
I don’t feel stage fright, I have psyched myself against it – Lasmid

- /home/u249204778/domains/spectator.com.gh/public_html/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 27
https://spectator.com.gh/wp-content/uploads/2023/08/1eb3040f-26e0-4c79-8e97-f36cade223ea.jpeg&description=I don’t feel stage fright, I have psyched myself against it – Lasmid', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
- Share
- Tweet /home/u249204778/domains/spectator.com.gh/public_html/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 72
https://spectator.com.gh/wp-content/uploads/2023/08/1eb3040f-26e0-4c79-8e97-f36cade223ea.jpeg&description=I don’t feel stage fright, I have psyched myself against it – Lasmid', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
Ghanaian musician, Lasmid has disclosed that he has overcome stage fright because he psyched himself up, way before he entered the music industry.
Making an appearance on Adwuma Adwuma and interacting with its host, Felicia Osei, the ‘Friday Night’ hitmaker revealed that stage fright is not a part of him and he explains why.
“It’s not a part of me. I feel that it is something we do often so I’ve realized that it’s normal for people not to enjoy your performance,” he disclosed.
The season 8 MTN Hitmaker winner advises all artistes to have in mind that not every performance gets positive feedback from the audience.
“I think every artiste should have this in mind; sometimes you go on stage and no one minds you. It doesn’t mean they are not listening to your music; they are. It’s normal so those things don’t get to me,” he highlighted.
According to him, “Sometimes, some people are paying close attention to what you are doing but they choose to just observe and listen though not so energetic about it. Sometimes, that’s how it is.”
When asked how he was able to get his mind in tune with this view, he indicated that he prepared himself way before he entered the music industry.
“Before entering the space, this is the mindset I came with because when I climb the stage, I’ve never been booed before but when I see it being done to others, I put myself in their shoes. Based on this, I psyched myself so that, should I face it, I should be fine,” he mentioned.
Lasmid further pointed out a few instances where it is appropriate for artistes to remain on stage and continue performing, adding that in some cases, you can vacate the platform.
“Sometimes, when you are booed, you have to leave the stage. In some cases, it brings your morale down but sometimes, when you are being booed but you know your next will ginger them up, you can continue singing. So sometimes, you have to leave the stage and sometimes, you have to continue singing,” he said.
Though haven’t faced that unpleasant experience, he shared the story of one of his friends who went through it.
“One of my friends went through that ordeal but when he finished performing, he was applauded. I was confused because a while ago, these same people were booing him. I think the next song is what got him the fans,” he shared.
Credit: 3news.com
Entertainment
Ancienth releases ‘Asukese Abena’ to keep Ghana’s Palmwine music heritage alive

Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
Entertainment
Ghana Tourism Authority mourns Guinness World Record holder Padiki

The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.




