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GNAT descends on OSP for ‘blocking’ salaries of 404 teachers

Thomas Musah, the General Secretary of the Ghana National Association of Teachers (GNAT), has warned that the Office of the Special Prosecutor (OSP) will be held accountable for any actions taken by teacher unions from next week if the salaries of some 404 teachers are not released by today, Friday, February 16, 2024. GNAT, NAGRAT, and the Coalition of Concerned Teachers, on February 14, gave the OSP a 72-hour ultimatum to release the salaries of the teachers or face their wrath.

The OSP is accused of withholding the salaries of 1310 teachers.

While the salaries of 906 teachers have been released, 404 are yet to receive their pay.

The Office claims to be investigating the presence of ghost names on the government’s payroll.

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In an interview with Umaru Sanda Amadu on Eyewitness News on Citi FM on Thursday, Mr. Musah argued that the OSP had no authority to withhold the salaries of teachers.

He further stated that if the remaining salaries are not released, the resulting action will be the responsibility of the OSP.

“By the close of Friday, we are reminding the OSP to do the needful by instructing the four banks to release the monies belonging to the teachers. If the OSP sees that any teacher has done anything wrong, they should go and deal with the Agency head. That is the Director-General. But the OSP has no business going to the bank to say that they should not be paid. There is no law that gives the OSP that particular right, and we will not take it kindly from Monday.”

“From next week, whatever happens, the OSP should be blamed, and they should trust us. We shall rise to the occasion and deliver…By the close of tomorrow if these monies are not paid, whatever happens from next week, the OSP should take full responsibility,” he stated.

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Source: Citinewsroom.com

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Breaking News: Daddy Lumba is dead – Family announces

Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.

His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.

“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.

Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.

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He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.

“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.

The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.

The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.

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Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.

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Edem’s debut album gets praise from Sarkodie

Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.

In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.

He said he was instantly impressed and knew Edem would have a serious impact on the music scene.

“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”

“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.

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Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.

Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.

Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.

At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.

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His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.

Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.

Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.

Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.

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