Entertainment
Ghanaians outside don’t attend our shows, but book in advance to see Nigerian artistes perform – Fameye
- /home/u249204778/domains/spectator.com.gh/public_html/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 27
https://spectator.com.gh/wp-content/uploads/2023/08/366240063_905439917608734_6310583140814610214_n.jpg&description=Ghanaians outside don’t attend our shows, but book in advance to see Nigerian artistes perform – Fameye', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
- Share
- Tweet /home/u249204778/domains/spectator.com.gh/public_html/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 72
https://spectator.com.gh/wp-content/uploads/2023/08/366240063_905439917608734_6310583140814610214_n.jpg&description=Ghanaians outside don’t attend our shows, but book in advance to see Nigerian artistes perform – Fameye', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
Fameye has shed light on a pressing issue faced by Ghanaian artistes when they manage to perform outside the country.
Fameye during his appearance on the Day Show pointed out that Ghanaians residing outside of the country often do not attend their fellow countrymen’s shows with the same fervour and anticipation that Nigerian artists’ performances generate.
“Since I blew up in 2019, I played shows in UK and America, I have gone with other people I have gone with and it didn’t pick for us. Even it would work for us , the Ghanaians have to be the majority there and even that, they are shy to tag along,” he revealed.
He also acknowledged that the presence of a majority Ghanaian audience is essential for a successful show, but even when the conditions were favourable, Ghanaians abroad appeared hesitant to embrace their own artists with the same enthusiasm as foreign ones.
“Why do you think Ghanaians keep cancelling their shows, they don’t come. When Wizkid has a show, people seek permission from work four months prior to the show, they won’t do that for any Ghanaian artist. King Promise has been performing internationally for a long time now but Ghanaians have a problem,” he further opined.
The “Nothing I Get” crooner also highlighted the change in dynamics between Ghanaian and Nigerian artistes.
He recalled that in the past, Nigerian artistes used to seek collaborations with Ghanaian artistes to tap into their influence.
However, the tables have turned, and Ghanaian artistes now have to make the effort to feature Nigerian artists, as they feel that collaborations with Ghanaian artistes might not yield the desired exposure for them.
“Because our people, all of a sudden, it looks like it’s an intentional thing cos it was not lie that before, that was why the Nigerians used to feature us again but right now it is us chasing them to feature them because they don’t feel like they will get the mileage they want,” he hammered.
His comments follow the unexpected cancellations of concerts by two Ghanaian music powerhouses, Sarkodie and Gyakie, in the UK and parts of Europe, which sparked curiosity and raised questions among fans in July 2023.
The lack of official statements from the artistes fueled speculation and curiosity regarding the underlying causes.
However, it was Alordia, a respected music and event organizer based in the UK, who recently revealed the true reason behind these cancellations.
According to Alordia Promotions, low ticket sales were the driving factor behind the decision to cancel the concerts.
Fameye also went on to reveal his desire to build his fanbase locally and internationally before attempting a tour or performance.
“Right now if you call me to come to perform at Afronation Portugal I won’t go, I don’t have the people there. I want to work well so when I go, I can match up to the audience,” he said.
His submission, albeit surprising, underlined the challenges Ghanaian artistes face in gaining international recognition and airplay.
“I have to be prepared and I feel like I am not prepared because some so-called international artistes are unable to make the numbers when they travel out to perform,” he added.
Credit:Citinewsroom
An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
