Entertainment
Ghanaians outside don’t attend our shows, but book in advance to see Nigerian artistes perform – Fameye
Fameye has shed light on a pressing issue faced by Ghanaian artistes when they manage to perform outside the country.
Fameye during his appearance on the Day Show pointed out that Ghanaians residing outside of the country often do not attend their fellow countrymen’s shows with the same fervour and anticipation that Nigerian artists’ performances generate.
“Since I blew up in 2019, I played shows in UK and America, I have gone with other people I have gone with and it didn’t pick for us. Even it would work for us , the Ghanaians have to be the majority there and even that, they are shy to tag along,” he revealed.
He also acknowledged that the presence of a majority Ghanaian audience is essential for a successful show, but even when the conditions were favourable, Ghanaians abroad appeared hesitant to embrace their own artists with the same enthusiasm as foreign ones.
“Why do you think Ghanaians keep cancelling their shows, they don’t come. When Wizkid has a show, people seek permission from work four months prior to the show, they won’t do that for any Ghanaian artist. King Promise has been performing internationally for a long time now but Ghanaians have a problem,” he further opined.
The “Nothing I Get” crooner also highlighted the change in dynamics between Ghanaian and Nigerian artistes.
He recalled that in the past, Nigerian artistes used to seek collaborations with Ghanaian artistes to tap into their influence.
However, the tables have turned, and Ghanaian artistes now have to make the effort to feature Nigerian artists, as they feel that collaborations with Ghanaian artistes might not yield the desired exposure for them.
“Because our people, all of a sudden, it looks like it’s an intentional thing cos it was not lie that before, that was why the Nigerians used to feature us again but right now it is us chasing them to feature them because they don’t feel like they will get the mileage they want,” he hammered.
His comments follow the unexpected cancellations of concerts by two Ghanaian music powerhouses, Sarkodie and Gyakie, in the UK and parts of Europe, which sparked curiosity and raised questions among fans in July 2023.
The lack of official statements from the artistes fueled speculation and curiosity regarding the underlying causes.
However, it was Alordia, a respected music and event organizer based in the UK, who recently revealed the true reason behind these cancellations.
According to Alordia Promotions, low ticket sales were the driving factor behind the decision to cancel the concerts.
Fameye also went on to reveal his desire to build his fanbase locally and internationally before attempting a tour or performance.
“Right now if you call me to come to perform at Afronation Portugal I won’t go, I don’t have the people there. I want to work well so when I go, I can match up to the audience,” he said.
His submission, albeit surprising, underlined the challenges Ghanaian artistes face in gaining international recognition and airplay.
“I have to be prepared and I feel like I am not prepared because some so-called international artistes are unable to make the numbers when they travel out to perform,” he added.
Credit:Citinewsroom
The Christmas festivities were nothing short of fun and excitement, especially for patrons of Dodi World in Akosombo in the Eastern Region.
A major highlight was a memorable voyage aboard the famous MV Dodi Princess II, a 150-capacity pleasure boat, which sailed to the scenic Dodi Island, an 84-hectare natural haven.
Among the patrons was a vibrant social group known as ‘Weekend Day Out’, which brings together individuals from diverse backgrounds and workplaces to interact, share ideas and enjoy memorable leisure experiences.
On December 26, the group joined hundreds of other fun lovers to fill the vessel to capacity for what many described as an experience of a lifetime.
The over five-hour journey from Dodi World through to Dodi Island was electrifying. Patrons enjoyed breath-taking rare views of the island’s rich natural scenery and wildlife before returning onboard for the cruise back to the starting point.
The atmosphere was further enlivened by music from DJs and a live band, complemented by an array of drinks and grilled meals, ensuring both young and old had something to cheer about throughout the voyage.
For members of the Weekend Day Out group, the trip served as a joyful reunion with friends after a year of professional commitments, while also providing an opportunity to plan future adventures in the coming year.
Speaking after the event, one of the patrons, Ms Gloria Yaa Baby, said although she had embarked on the voyage several times, the most recent experience was particularly breathtaking and memorable.
“This one was different, with more people and interactive sessions. It gave me many reasons to return and experience the fun again with the Weekend Day Out group,” she stated.
With another exciting adventure scheduled for March this year, she encouraged Ghanaians to make time out of their busy schedules to relax, unwind and enjoy life.
By Spectator Reporter
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Joshua Kojo Ampah, a member of the Keche group has stated that the attitude of Nigerian audience during the performance of Ghanaian artiste Stonebwoy and Wendy Shay at the All Africa Music Awards (AFRIMA) held in Lagos, Nigeria was intentional.
The hiplife artiste shared his sentiments on social media over the cold reception given to the Ghanaian performers.
“They know Stonebwoy’s songs, they know Wendy Shay’s songs, but they will not get up to hail you. They know what they were doing,” he stated.
He added that performances by Stonebwoy and Wendy Shay were top notch but most audience did not want to relate to the song.
“Is there was any rapper in Africa bigger than Sarkodie? Are there any dancehall artistes in Africa bigger than Shatta Wale and Stonebwoy” he quizzed.
He contrasted this with the energetic reception given to Nigerian legend P Square, who performed at the same event.
Joshua blamed this on the Ghanaian attitude towards its own artistes within the Ghanaian music industry itself.
He argued that the lack of respect for local talents in Ghana was responsible for their reception abroad.
“But do you know why we are not respected out there? We do not see ourselves as such. “Until we in Ghana start respecting our own, the people out there will not respect them,” he concluded.
By Linda Abrefi Wadie
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