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From producer to first female Programmes Manager of Joy FM …Edem Knight-Tay tells her story

When life gets tough, dreams are sometimes sacrificed temporarily or permanently but that was not the case of indomitable Mrs.Edem Knight-Tay.
She had studied General Arts at Okuapeman Secondary School at Akuapem-Akropong in the Eastern Region and was yet to discover where the road to her dream would lead her.
But after many years of sailing through turbulent tides, she has risen to become the first female Programmes Manager of Joy FM, one of the pioneers of private radio business in Ghana.
The Spectator recently caught up with the industrious lady, currently the hostess of Home Affairs on the 99.7 dial in Accra and a Communications Consultant to delve into aspects of her life and career.
Background
Edem, as she is affectionately called, was born to Madam Eugenia Ankrah and Mr.Gladstone Yaw Kuma Dagadu, all of blessed memory.
In her teenage years, she took up teaching at New Nation School in Accra in a bid to save money and further her education at the National Film and Television Institute (NAFTI).
According to her, the choice of NAFTI at the time was against the “fanciful trend” of some young people yearning to enter the university, solely for the lavish lifestyle they intended to live.
As young as she was, she was able to read the “hazy map” of her life and determine the career she wanted to pursue.
Education
In 2004, she successfully completed Bachelor of Film and Television Directing and was the only female in her year group to obtain a First Class Honours.
Her silent movie produced in second year, earned positive reviews from her lecturers. She made a music video using the hit song, ‘Kpanlogo Y3d3”, by Amandzeba Nat Brew which was adjudged the best music video of her year group.
The video, she noted, had become a reference point which was still being used as teaching material at the institution.
Her final year project “Image Africa” was also adjudged the best directed movie.
While in school, she had started working with Ivan Quashigah who had just begun Farm House Production, worked as a Production Assistant and Director.
Edem, as a trainee, helped produce some popular programmes of that era such as Frytol Women’s Digest and ‘Nsem Wo World’ a local language TV series aired on GTV and Metro TV.
She explained it was some of those productions that shot Agyakoo to fame and enhanced the status of popular actor Akrobetu.
After completing the course, she worked as a Teaching Assistant at NAFTI between 2004 and 2005 and had some stints with GTV in 2003, and later started her own production company in 2006.
Work
As it is the case with many women, Edem after marriage had to spend about five years at home to help her children find their feet before she could take up another permanent role.
She admitted that those five years were quite challenging and feared the impossibility of bouncing back to her career.
Nonetheless, she managed to secure a job as Channel Manager for Sky Digital TV in 2009, and hosted Young Adults, a TV programme at the station, which saw to the rejuvenation of her creativity.
She later set up Evergreen Child Development Centre, a nursery at home, where busy parents found her trustworthy to keep their children.
“I started with one child and in no time, I had 30 screaming children at home. That level of activity was very therapeutic for me”, she noted.
Edem, who now has four children, had run the Child Development Centre for two years until her sister-in-law drew her attention to a job advertisement at Joy Fm in 2011. She applied and took off as a radio producer.
Joy FM
Edem’s first engagement was to produce Home Affairs and Ultimate Health. But two days to the start of her role at the radio station, she got an enhanced offer to handle the award-winning “Drive Time” show as well.
She later rose from the position of producer to become the hostess of the Home Affairs programme and after years of dedicated service, became Head of Productions at the Multimedia Entertainment Hub in 2017.
In 2019, she was again promoted to Head of Talk, Entertainment and Religious Programmes at the station. In August 2020, she was appointed the first-ever female Programmes Manager.
Edem who holds Master of Business Administration (MBA) in Human Resource Management, describes her task as “a tough one.”
“My role included creating compelling content through the talents and resources I have while attracting audiences and revenue with the content we create,” she said.
While acknowledging the support of the Management of Multimedia Group Ltd, She expressed confidence in her team as she works hard to accomplish the task at hand.
By Edem Mensah-Tsotorme
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Mahama commissions four ambassadors, tasks them to drive jobs and investment

President John Dramani Mahama has commissioned four career diplomats as ambassador-designates to represent Ghana in four countries.
The commissioning ceremony took place on Friday, October 16, 2026.
The new envoys are Her Excellency Nana Antwiwaa Dodoo, Ambassador-Designate to Angola; His Excellency Louis Kwame Obeng, Ambassador-Designate to Qatar; Her Excellency Evelyn Korantemaa Ofosu-Amable, Ambassador-Designate to Israel; and His Excellency Jedidiah Reuben Adogla, Permanent Representative-Designate to Switzerland.
President Mahama charged them to advance Ghana’s national interests through strategic partnerships, economic diplomacy, investment mobilization, and expanded access to international markets.
He said Ghana’s diplomatic engagements must deliver tangible economic benefits, create jobs, and strengthen the country’s standing on the international stage.
The four envoys are career diplomats with over 27 years of experience.
On behalf of her colleagues, Her Excellency Nana Antwiwaa Dodoo thanked the President for the confidence reposed in them and pledged their commitment to emulate his leadership and deliver on the mandate given to them.
By Edem Mensah-Tsotorme
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Prof. Ọbádélé Kambon enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong
The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 
This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.
Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.
For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.
The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.
Then came the application of hyire, the white kaolin powder associated with traditional rites.
With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong.
The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.
There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.
Yet the celebration was not complete with the procession.
A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.

The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.
Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.
Kambon in his research explores the historical connections between Apagya and Akan political and military organisation.
Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.
These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.
Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge.
His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions.
Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.
But tradition was only one part of the story that day.
When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.
The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 
It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.
For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate.


For the professor, the moment placed family achievement alongside his own professional and traditional milestones.
Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.
His latest enstoolment adds another chapter to that relationship.
In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.
By Enoch Ntiamoah Siaw
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