Entertainment
Dwomtofohene Nana Kwame Ampadu bows out
Ghanaian music lovers were on Tuesday morning hit with sad news of the passing of one of the iconic highlife powerhouses, Nana Kwame Ampadu, affectionately called Dwomtofohene, to wit King of Musicians.
This unfortunate demise of this legend after some weeks of sickness shocked the nation as many poured out their tributes to celebrate his amazing contribution to the music industry.
Nana Ampadu was born on March 31, 1945, and passed away at age 76.
Ampadu hails from Obo, in the Kwahu area of the Eastern Region but he spent a part of his childhood a village called Adiembra.
MUSIGA
The umbrella body of musicians in the country, Musicians Union of Ghana(MUSIGA) in a release sent to The Spectator stated, “The Musicians Union of Ghana (MUSIGA) has learnt with regret of the passing of the legendary Nana Kwame Ampadu 1.This is huge national loss.
“As a trail blazing musician, you spawned a whole generation of musicians.
Your music was a source of inspiration, education and entertainment to many. The stories you told in your songs were veritable nuggets of wisdom and will continue to give solace to many.
“You always had a story for every occasion and every interaction with you was like an adventure into the land of wisdom.
As the current chairman of the Ageing Musicians Welfare Fund (AMWeF), you were committed to the welfare of your fellow musicians and even when your health was failing, you never missed the call to duty.
Dwomtofohene, nante yie. Damirifa due.”
Music journey
Nana Kwame Ampadu was a Ghanaian musician credited with numerous popular highlife tracks. Nana Ampadu’s “African Brothers Band” was formed in 1963. he has about 800 songs to his credit.
In 1964, young Ampadu met Mr. Jerry Hansen, leader and founder of the Ramblers Dance band and cultivated his acquaintance where Ampadu gave Jerry eight songs in all for free which the Ramblers Band recorded.
Some of the songs are Ntoboase, Afutusem, Scholarship, Me Nsoromma Bepue. All these songs became hit tracks. One good turn deserves another. Mr. Jerry Hansen seeing the musical competence in Ampadu, introduced him to Phillips West Africa Ltd., a recording publishers and Ampadu was given the chance to record two single tracks for a 45 R.P.M release.
The maiden recording was done at the Ghana Film Industries Corporation (G.F.I.C) onNovember 14, 1966.
The first track recorded that day was Agyanka Dabere with Suminaso Ntonko as the flip side. This single was released on December 21, 1966.
The single album became an instant hit and served as a beginning of a new era in the guitar band sector. The thought provoking nature of the lyrics in those two title tracks, made many people feel it was some old or veteran musicians who sang these songs.
A book of condolence has been opened at the residence of Nana Ampadu.
By Edem Mensah-Tsotorme
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
The fourth edition of International AmoFest lived up to its promise on Saturday, May 2, delivering a vibrant “three-in-one” experience that left the audience at Alliance Française in Accra buzzing.
The night was a masterful blend of sound and stagecraft. Berima Amo, the visionary behind the festival, led an impressive lineup of performers, including Pedro Kastelijns, Martha Apini, Rudy Ray, and Lamisi.
Together, they showcased a fusion of global music and authentic Ghanaian Highlife, staying true to the festival’s mission of preserving Ghana’s original rhythmic soul.
Adding a unique layer to the evening, Uncle Ebo Whyte’s Roverman Productions took to the stage, blending theater with the night’s musical energy.
The experience concluded with a high-energy after-party, fulfilling Berima Amo’s goal of creating a truly immersive and memorable night.
Reflecting on the event’s purpose, Amo emphasised the need for intentionality in protecting Highlife.
He called on every Ghanaian, as well as government institutions, to actively foster an environment where the genre can thrive on the global stage.
The main event followed a successful educational outreach on April 24, where over 250 high school students participated in a Highlife workshop at the Centre for National Culture.
By Edem Mensah-Tsotorme
