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Don’t mind the lyrics, ‘Putuu’ by Stonebwoy is a jam

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Celebrated French Romantic author best known for his poetry and his novels, Victor Hugo, once said, “Music expresses that which cannot be said and on which it is impossible to be silent. ”  

Music some say, is sunshine for the soul, and as a result many listen to music for different reasons.

Some listen to songs when they are stressed, demotivated, making merry and when they need to boost their morale for a task ahead among others.

According to  HYPERLINK “https://www.lifehack.org/author/nabin-paudyal” \t “_blank” Nabin Paudyal, co-Founder of Siplikan Media Group the prime asset of any song is the accompanying emotion. 

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How does it make you feel? And one thing about emotion is that there are no cultural barriers, such as different languages, that define it.

Any piece of music in the world, sung in any language(s), will have an accompanying emotion that its listener(s) can almost immediately comprehend.

Though the content of the song, which lyrical composition is very relevant, times less attention is paid to it sometimes.

What reigns and gets people on their feet, in some cases, is just the groove, instrumentals and how some words are put together for a certain rhythmic progression.

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At this point, lyrics become less important, especially when the melody, rhythm and the hooks can make the listeners happy.

This sums up Stonebwoy’s recent song, dubbed, “Putuu”.

Though some entertainment critics and industry players had written the song off juxtaposing Stonebwoy’s lyrical prowess in other songs to his present one, it is clear, that the verdict at reality shows, weddings, outdoorings among other public events proves contrary.

Although, all that one can easily interpret in the song is “Pray, Pray Pray Pray, ego better”, this notwithstanding, is the people’s choice and is currently leading  a lot of music charts in the country.

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The level of excitement, brisk dance moves and  verve  which accompany the song at any place it is played, shows that “Putuu” is a big jam.

It is a testament to the fact that artistes sometimes enter the booth to record a song  as a result of melody, quality of the sound  feelings or emotions at the time with less emphasis on lyrical content.

As Leo Tolstoy, Russian writer who is regarded as one of the greatest authors of all time once said, “Music is the shorthand of emotions”

It could be Stonebwoy’s expression of happiness at the time he heard the instrumentals play, and he decided to let it out undiluted, and clearly he has achieved his aim.

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The verdict is clear, the masses can easily relate to Stonebwoy’s expression of emotions in Putuu, making the song a jam in Ghana and beyond.

By Edem Mensah-Tsotorme

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Kwaisey Pee honours promise, donates GHC50,000 to Korle-Bu Paediatric Oncology Unit

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Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.

Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.

True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.

He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.

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The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”

He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.

According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.

“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.

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By Edem Mensah-Tsotorme

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A Legacy of Devotion: Jerry Amoah to be honoured by Ghana Music Awards-USA

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In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.

There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.

One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.

This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.

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It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.

Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.

Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.

Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.

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At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.

Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.

He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.

As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.

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Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.

And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.

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