Entertainment
Don’t mind the lyrics, ‘Putuu’ by Stonebwoy is a jam
Celebrated French Romantic author best known for his poetry and his novels, Victor Hugo, once said, “Music expresses that which cannot be said and on which it is impossible to be silent. ”
Music some say, is sunshine for the soul, and as a result many listen to music for different reasons.
Some listen to songs when they are stressed, demotivated, making merry and when they need to boost their morale for a task ahead among others.
According to HYPERLINK “https://www.lifehack.org/author/nabin-paudyal” \t “_blank” Nabin Paudyal, co-Founder of Siplikan Media Group the prime asset of any song is the accompanying emotion.
How does it make you feel? And one thing about emotion is that there are no cultural barriers, such as different languages, that define it.
Any piece of music in the world, sung in any language(s), will have an accompanying emotion that its listener(s) can almost immediately comprehend.
Though the content of the song, which lyrical composition is very relevant, times less attention is paid to it sometimes.
What reigns and gets people on their feet, in some cases, is just the groove, instrumentals and how some words are put together for a certain rhythmic progression.
At this point, lyrics become less important, especially when the melody, rhythm and the hooks can make the listeners happy.
This sums up Stonebwoy’s recent song, dubbed, “Putuu”.
Though some entertainment critics and industry players had written the song off juxtaposing Stonebwoy’s lyrical prowess in other songs to his present one, it is clear, that the verdict at reality shows, weddings, outdoorings among other public events proves contrary.
Although, all that one can easily interpret in the song is “Pray, Pray Pray Pray, ego better”, this notwithstanding, is the people’s choice and is currently leading a lot of music charts in the country.
The level of excitement, brisk dance moves and verve which accompany the song at any place it is played, shows that “Putuu” is a big jam.
It is a testament to the fact that artistes sometimes enter the booth to record a song as a result of melody, quality of the sound feelings or emotions at the time with less emphasis on lyrical content.
As Leo Tolstoy, Russian writer who is regarded as one of the greatest authors of all time once said, “Music is the shorthand of emotions”
It could be Stonebwoy’s expression of happiness at the time he heard the instrumentals play, and he decided to let it out undiluted, and clearly he has achieved his aim.
The verdict is clear, the masses can easily relate to Stonebwoy’s expression of emotions in Putuu, making the song a jam in Ghana and beyond.
By Edem Mensah-Tsotorme
Entertainment
Nanabanyin Dadson Honoured with Prestigious TGMA Titan Award
The Palms Convention Centre at La Palm Royal Beach Hotel was ablaze with glitz, and electrifying performances as the 26th Telecel Ghana Music Awards (TGMA) celebrated its winners in an exclusive event dubbed “Nite with AOTY” on Friday, June 6, 2025.
The night was not just about music—it was also a night of honour and legacy, with veteran journalist and cultural icon Nanabanyin Dadson taking home the prestigious Titan Award for his immense contributions to Ghana’s music and arts ecosystem.
This award was presented by the CEO of Charterhouse, Mrs. Theresa Ayoade, who lavished praise on Dadson, highlighting his invaluable contributions to the industry and to the Ghana Music Awards scheme since its inception.
Titan Award: Nanabanyin Dadson’s Enduring Legacy
Nanabanyin Dadson is a distinguished Ghanaian journalist, arts critic and educator whose influential career spans over three decades. His work has left a lasting imprint on Ghana’s creative and cultural landscape – particularly in the areas of music journalism, arts criticism, and cultural tourism.
A graduate of the University of Ghana with a degree in English and a diploma in Performing Arts, Mr Dadson further pursued postgraduate studies in African Studies and Communication.
He began his journalism career as an arts reporter and columnist with The Mirror and Daily Graphic, before becoming Editor of Graphic Showbiz. Under his leadership, the paper rose to prominence as Ghana’s foremost publication dedicated to entertainment, music and the creative arts.
Throughout his career, Mr Dadson has consistently championed the arts and tourism sectors, using his platform to advocate for greater visibility, understanding and appreciation of Ghana’s rich cultural heritage.
His commentary and reportage helped elevate cultural tourism into national conversation, encouraging the public and policymakers alike to recognise its value.
His work has been published in a range of national and international outlets – including West Africa Magazine, African Concord, Africa Magazine, Africa Asia, and the Torino Film Festival Magazine – and cited in academic publications such as Africa Cinema, Politics and Culture by Manthia Diawara.
He also contributed to landmark publications including Jubilee Ghana – A 50-Year News Journey Through Graphic, the Journalism Style Book, and the Journalism Policy Guide for the Graphic Communications Group.
Widely acknowledged as the only arts journalist of his time with both academic and practical grounding in the arts, Mr Dadson brought critical depth, eloquence and clarity to his writing.
His stated mission – to move the arts from the margins and reposition them as a serious and essential part of public discourse – has been largely realised, due in no small part to his pioneering efforts.
Now serving as Head of the Department of Journalism, Visual and Digital Communication at the African University of Communications and Business (AUCB) in Accra, he continues to mentor and inspire the next generation of media practitioners.
He has also delivered lectures at institutions such as New York University (Ghana), the Ghana Institute of Journalism, and BlueCrest College.
His contributions have been recognised with several awards – including the Ministry of Information’s Artswriter Prize (1986, 1988), the Ghana Journalists Association’s Arts & Culture Writer of the Year (1996), and the GJA Recognition Award for Journalism (2004).
Nanabanyin Dadson remains a towering figure in Ghanaian cultural journalism – a passionate advocate for the arts and tourism, and a custodian of Ghana’s creative legacy.
Receiving the Titan Award, Dadson was celebrated as a true custodian of Ghana’s creative legacy, whose work has elevated cultural tourism and arts discourse in the nation.
Other Honourees of the Night
The event also recognised two other outstanding personalities:
1. Opoku Sanaa – Instrumentalist of the Year
A renowned bassist and music director, Sanaa has performed globally, from Expo 2020 Dubai to the Coca-Cola Arena, and worked with top artists like Joe Mettle, Diana Hamilton, and Cwesi Oteng. His 2024 album, “It’s Time”, showcases his genre-defying talent, solidifying his place among Africa’s finest instrumentalists.
2. Susuma Pan-African Dance & Music Ensemble – Traditional Artiste of the Year
Founded in 1991 by Nana Kwame Dadzie, this award-winning ensemble has taken Ghanaian traditional music and dance to global stages, preserving and promoting the country’s rich cultural heritage.
Entertainment
An Unforgettable Night of Music & Honors: King Promise Thrills at “A Nite with Artiste of the Year”
The Palms Convention Centre at La Palm Royal Beach Hotel in Accra was alive with energy on Friday, June 6, as Ghana’s music industry gathered for the second edition of “A Nite with Artiste of the Year” (AOTY).
The exclusive event, celebrating King Promise’s historic Artiste of the Year win at the 26th Telecel Ghana Music Awards (TGMAs), delivered stellar performances, prestigious recognitions, and unforgettable moments.
King Promise Lights Up the Stage
The “5 Star General”, King Promise, took center stage for an intimate, electrifying performance, reminding everyone why he claimed the TGMA’s top prize.
From “Terminator” to “Paris”**, he had the crowd singing along to every word, blending smooth vocals with infectious energy.
The night also featured powerful opening performances by urban gospel artiste Scott Evans, while Titi Owusu (a Best Female Vocal Performance nominee) and dynamic duo Lalli x Lola kept the vibes high.
Honouring Excellence: Special Awards Presentation
Beyond the music, the night celebrated outstanding contributors to Ghana’s entertainment industry with three honorary awards: Opoku Sanaa – Instrumentalist of the Year.
A versatile bassist and music director, Opoku Sanaa has worked with top artists like Joe Mettle, Diana Hamilton, and Cwesi Oteng while performing globally at events like Expo 2020 Dubai. His latest album, “It’s Time”, showcases his innovative artistry.
Susuma Pan-African Dance & Music Ensemble – Traditional Artiste of the Year
For over 30 years, Susuma has been a cultural ambassador, promoting Ghanaian music, drumming, and dance worldwide.
Their performances continue to preserve and elevate Ghana’s heritage. Nanabanyin Dadson was the recipient of the Titan Award.
A renowned journalist and educator, Nanabanyin Dadson has shaped Ghana’s music and arts journalism for decades.
As former Editor of Graphic Showbiz, his work has been pivotal in elevating Ghana’s creative industry.
TGMA Winners Receive Their Plaques
The night also saw plaque presentations to 26th TGMA winners, including Empress Gifty, King Paluta, Team Eternity, Beeztrap KOTM, Epixode, OliveTheBoy, Peewezle, Banini, Ether Goodwyll and Tulenkey, adding to the celebratory atmosphere.
Industry Networking & Key Announcements
Hosted by the vibrant Andy Dosty (who also DJ’d the event), the night fostered great connections among industry players.
Robert Klah, Head of Public Events & Communications, announced the upcoming TGMA Music Summit slated for June 21 at the British Council, a key event for music professionals.
Brought to You by Telecel & Partners
Produced by Charterhouse, with support from TV3, Closeup, Guinness Ghana, and the British Council, the event was proudly presented by Telecel – Connecting Energies.
“A Nite with Artiste of the Year” was a perfect blend of celebration, recognition, and memorable performances. With King Promise’s captivating stage presence and deserving honorees, the night proved once again why Ghana’s music scene shines bright.
