Entertainment
‘Aseda Afore3’, thanksgiving song for Christmas – Shatty Charlotte
UK-based Ghanaian gospel artiste and nurse, Shatty Charlotte has compiled her testimonies into a song dubbed, Aseda Afore3″.
This is to show appreciation to God for all the mercies and favour throughout the year.
The song from her album ‘’Power of praise’’, explains the essence of Thanksgiving.
Speaking to The Spectator, Shatty Charlotte said that she testified to God’s power after a patient was restored to life by prayer under her supervision as a nurse in UK.
‘’ In my first week practising as a nurse, a young lady nearly died in my bay, she collapsed and was unresponsive so I had to press the emergency buzzer, I began to pray and it was as if someone had called her from afar, she just sat up and I was completely amazed by the work of God, this inspired me to write ‘’Aseda Afore3’’ – she said
Shatty Charlotte is optimistic that this single will be a blessing to lives and the world at large especially this yuletide and it’s available on all digital music platforms.
Gospel singer, songwriter and currently a nurse in the United Kingdom, Shatty Charlotte has been singing since childhood, a gift her father noticed when she was three years.
Shatty was enrolled at the at the Rev John Teye Memorial Institute in Accra to begin her primary and music education.
While there she had the opportunity to sing in various places including the State House, Goethe Institut – Accra and on GBC TV.
Shatty has a great passion for the things of the Kingdom of God. Her album ‘’Power in Praise’’ tells the story of her life and one reason you should never give up in life.
She is married with three children who all live in the United Kingdom.
By Edem Mensah-Tsotorme
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
The fourth edition of International AmoFest lived up to its promise on Saturday, May 2, delivering a vibrant “three-in-one” experience that left the audience at Alliance Française in Accra buzzing.
The night was a masterful blend of sound and stagecraft. Berima Amo, the visionary behind the festival, led an impressive lineup of performers, including Pedro Kastelijns, Martha Apini, Rudy Ray, and Lamisi.
Together, they showcased a fusion of global music and authentic Ghanaian Highlife, staying true to the festival’s mission of preserving Ghana’s original rhythmic soul.
Adding a unique layer to the evening, Uncle Ebo Whyte’s Roverman Productions took to the stage, blending theater with the night’s musical energy.
The experience concluded with a high-energy after-party, fulfilling Berima Amo’s goal of creating a truly immersive and memorable night.
Reflecting on the event’s purpose, Amo emphasised the need for intentionality in protecting Highlife.
He called on every Ghanaian, as well as government institutions, to actively foster an environment where the genre can thrive on the global stage.
The main event followed a successful educational outreach on April 24, where over 250 high school students participated in a Highlife workshop at the Centre for National Culture.
By Edem Mensah-Tsotorme
