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Asantehene marks Akwasidae in Maryland …a scene of great picturesqueness and grandeur
His Royal Majesty Otumfuo Osei Tutu II, the Asantehene last Sunday celebrated Akwasidae with some of his chiefs and elders, together with many US-based Ghanaians, particularly members of the Asanteman Association in the US, at his residence in Maryland, United States of America (USA).
Speaking at a ceremony of great picturesqueness and grandeur, Otumfuo Osei Tutu II stressed the need for Ghanaians in the diaspora to trace their roots by exhibiting and living in accordance with the dictates of their traditions and cultural beliefs.
Clad in a beautiful blue and white decorated and designed kente cloth, the revered King expressed his profound gratitude to all the invitees for joining him to celebrate the Akwasidae in grand style.
“I am happy to see my people in such a great mood today of dancing the traditional Adowa, and this demonstrates the fact that you haven’t forgotten your history, and most importantly, our well-celebrated tradition and culture, ” Otumfuo Osei Tutu II said.
The occupant of the Golden Stool advised his subjects who live in the diaspora, particularly those in the USA to be law abiding in whatever they did at their various places of work and residence, adding that “you should not do anything negative to drag the name of Ghana and Asanteman into the mud.”
He entreated all Ghanaians in the diaspora to uphold the great traditions and endowed cultural beliefs of their respective origins.
He advised the elderly and all parents to counsel their wards to embrace the most respected Ghanaian culture and traditions while they still live abroad.
The Akwasidae is celebrated by chiefs and people in Ashanti as well as Asantes in the diaspora. The festival is celebrated on a Sunday, once every six weeks.
Her Excellency, Mrs Martha Pobee, former Ghana’s Ambassador to the UN, His Excellency, Mr. Kobee Komoson, former US Ambassador to Ghana, Aisha Braveboy, State Attorney for Prince George’s County, Maryland, and Ghana’s Ambassador to the USA, Her Excellency, Hajia Alima Mahama, were there to grace the occasion.
Oheneba Boachie Agyei Woahene II, Nana Osei Kwadwo (Mamesenhene), Nana Otimpie Aben (Otumfuo’s Saasamohene), Nana Yaw Atta Kyeremanteng (Bebrehene), Nana Gyedu Kumaning Amakye (Barehene), Nana Yaa Asantewaa (Paramount Queenmother of Ejisu Traditional Area), Nana Ama Afrakoma, Queenmother of Agogo Traditional Area and some dignitaries from the royal family were there in their numbers to showcase the tradition and culture of Asanteman.
Earlier, Otumfuo Osei Tutu II had urged the members of Asanteman Association of New York to live in peace and unity, respect one another, and work for the progress and interest of the association.
He noted that there was no Asantefuohene (chief) in New York and called on the association to hold elections within three months to elect a new chief, queenmother and other officers of the Asanteman Association, and work in harmony to bring peace.
From Prince Osei Bonsu, Maryland, USA
President John Dramani Mahama has commissioned four career diplomats as ambassador-designates to represent Ghana in four countries.
The commissioning ceremony took place on Friday, October 16, 2026.
The new envoys are Her Excellency Nana Antwiwaa Dodoo, Ambassador-Designate to Angola; His Excellency Louis Kwame Obeng, Ambassador-Designate to Qatar; Her Excellency Evelyn Korantemaa Ofosu-Amable, Ambassador-Designate to Israel; and His Excellency Jedidiah Reuben Adogla, Permanent Representative-Designate to Switzerland.
President Mahama charged them to advance Ghana’s national interests through strategic partnerships, economic diplomacy, investment mobilization, and expanded access to international markets.
He said Ghana’s diplomatic engagements must deliver tangible economic benefits, create jobs, and strengthen the country’s standing on the international stage.
The four envoys are career diplomats with over 27 years of experience.
On behalf of her colleagues, Her Excellency Nana Antwiwaa Dodoo thanked the President for the confidence reposed in them and pledged their commitment to emulate his leadership and deliver on the mandate given to them.
By Edem Mensah-Tsotorme
The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 
This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.
Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.
For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.
The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.
Then came the application of hyire, the white kaolin powder associated with traditional rites.
With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong.
The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.
There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.
Yet the celebration was not complete with the procession.
A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.
The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.
Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.
Kambon in his research explores the historical connections between Apagya and Akan political and military organisation.
Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.
These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.
Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge.
His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions.
Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.
But tradition was only one part of the story that day.
When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.
The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 
It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.
For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate.
For the professor, the moment placed family achievement alongside his own professional and traditional milestones.
Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.
His latest enstoolment adds another chapter to that relationship.
In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.
By Enoch Ntiamoah Siaw
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