Entertainment
All Set for Ghana Jamaica Homecoming Festival in August
• Inset: Abdul Fatawu Alhassan and Gilbert Aggrey in a handshake
The time has finally come for Ghana and Jamaica to team up in the creative arts for the mutual benefit of stakeholders in both countries.
The initiative dubbed, ‘Ghana Jamaica Homecoming’ is aimed at promoting music, tourism, sports, arts and culture to bridge the gap between Ghana and Jamaica.
This event is a partnership among Broadway Entertainment, Dadason Entertainment and Kaya Tours Ghana.
Speaking at the launch which took place at the Accra Tourist Information Centre, the Chief Executive Officer, (CEO) of Broadway Entertainment, Abdul Fatawu Alhassan affectionately called Cash, revealed that the initiative was first launched on July 24, 2018.
According to him, when the idea dawned on his outfit, he shared it with Jamaican multiple award winner, Gramps Morgan who endorsed it. Unfortunately, it was kept on hold as a result of the COVID-19 pandemic.
“Thankfully,we are back on track to ensure the successful relaunch and subsequent implementation between the two countries which have something in common,” he said.
He added that the programme is scheduled for August 3 to 16, and as part of it, a delegation from Ghana will be in Jamaica for their 60th Independence celebration, where some artistes like Stonebwoy, Samini and Jefri King among others are expected to perform.
He called on government, corporate bodies and everyone to give them the necessary support for a smooth event.
The Managing Director of Kaya Tours, Gilbert Aggrey, affectionately called Abeiku Santana, said, Ghana is a gateway of Africa with about 44 castles and Forts out of the 47 in Africa.
According to him, this, one could confidently say majority of the Blacks in Caribbean and other parts of the world are from Ghana.
Mr. Aggrey added that it was time for to go to Jamaica to explore other opportunities and grow the relationship, and called for Unity between Ghana and Jamaica.
Also at the event was the Chief of Sowutuom, Nii Osabu Akwei I, who endorsed and called on Ghanaians to do same.
By Edem Mensah-Tsotorme
The National Theatre is set to host Fundworld, a dynamic entertainment and educational program, on Sunday, February 15, 2026, at 1:00 pm.
The event celebrates World Radio Day and International Day of Friendship, themes that resonate with international celebrations.
The event aims to unearth many talents in young people, aligning with the theatre’s mandate to nurture children’s talents and prepare them for future opportunities.
Funworld is one of the National Theatre’s flagship programmes for basic schools, enabling pupils to create their own performances and present them on stage.
It’s a platform for schools to showcase their talents. Past editions have thrilled a lot of children with edutainment including poetry recital, dance choreography, rap music, drama performances, and this February edition promises to be more exciting and dramatic.
The Funworld programme takes place on every 3rd Sunday of February, March, May, June, and October.
The National Theatre invites schools, parents, and educators to participate in Funworld, a vibrant celebration of Ghanaian culture and creativity.
The event takes place at the National Theatre Main Auditorium, and tickets are priced at GHc 10.00.
The National Theatre also has a flurry of programmes in its first quarter, including ‘Wednesday Theatre’ on the last Wednesday of every month and ‘Thursday Movie’ on the last Thursday of every month.
Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.
With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.
Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.
She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.
ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.
Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.
As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.
However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.
Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.
According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.
“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.
“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.
ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.
She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.
“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.
BY TIMES REPORTER
