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My doctors have advised me to limit my movement to heal faster — Nana Ama McBrown on her recent absence from the media

Ghanaian actress, television presenter, and media personality Felicity Ama Agyeman, popularly known as Nana Ama McBrown, has clarified the reason why she has been off the media for some time now.

The widely celebrated media personnel during a live video disclosed that she was not fully healthy and that she had to go for a surgery on her arm.

“You all saw that there was some little discomfort at the area. Sometimes it even felt difficult to perform many activities with that hand. if you watch McBrown Kitchen, you would observe that I was struggling. I took a lot of painkillers,” she revealed.

According to her, only a few people who had gone through what she went through would understand her pain.

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“I have been given a lot of caution that I should be careful and reduce my movements, I should let it heal. My doctors and friends have all urged me,” she noted.

She said, she planned to temporarily stay in the house to heal before going back to work.

The multi-talented icon added that the expenses and the physios that came with the surgery was difficult to undergo.

She is therefore calling on Ghanaians to rally behind her by praying and supporting her to recover quickly.

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By Jacob Aggrey

Entertainment

Sonnie Badu’s hard-core Jamaican praise out to thrill

• Dr Sonnie Badu
• Dr Sonnie Badu

 Pan-African gospel icon, Sonnie Badu has released his latest track, ‘Jamaican Medley’ a bold and energetic praise song infused with the vibrant spirit of Jamaican gospel.

Recorded live at RockHill Church in Atlanta, the song blends power­ful lyrics, rhythmic island beats, and soul-stirring visuals that elec­trify both the live audience and viewers online.

From the very first note, Jamai­can Medley delivers a fresh wave of worship, rooted in Caribbean sound but anchored in deep spiri­tual conviction.

The song is a heartfelt plea for divine protection under the blood of Jesus, echoing themes of faith, hope, and heavenly anticipation.

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One of its most moving moments features a reimagined rendition of the classic hymn ‘When We All Get to Heaven,’ originally penned by Eliza Hewitt.

Badu’s version breathes new life into the timeless message, inviting listeners to reflect on the joy of eternal reunion.

Released on Monday, August 18, the Jamaican Medley is now available on YouTube and all major streaming platforms.

Fans and newcomers alike are already praising the track for its bold style and spiritual depth.

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With this release, Sonnie Badu continues to prove that gospel music knows no borders. His fear­less creativity and global sound are inspiring a new generation of worshippers to praise louder, dance harder, and believe deeper.

 By Linda Abrefi Wadie

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 Pusher upbeat about future of arts industry

• Adjetey-Anang
• Adjetey-Anang

 Ghanaian actor, Adjetey Anang, alias Pusher, has stated that efforts in Ghana theatre scene are finally bearing fruits with a resurgence of live performance, rising audience interest, a new generation of playwright and actors taking the centre state.

This, he attributed to the training and collaboration between veterans and emerging artiste and a renewed stage craft as tool for education and entertainment.

Speaking on Monday about the state of the movie industry, he said the industry was still alive, although it is going through a rough patch compared to the golden days when movie releases were happening regularly.

The ‘Things we do for love’ hit maker hinted that the country has the talent and content very much needed to succeed.

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Coming up with strategies to improve the industry, he said it was important to focus on improving the quality of work by putting more research into our projects.

“Once something is released, it can reach a global audience. These are some of the challenges that make it seem like the industry is struggling, but we are still pushing,” he said.

He subsequently called for the es­tablishment of more movie centres across the country to give filmmak­ers more options to premiere their work.

 By Linda Abrefi Wadie

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