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Edem’s debut album gets praise from Sarkodie

Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.

In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.

He said he was instantly impressed and knew Edem would have a serious impact on the music scene.

“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”

“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.

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Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.

Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.

Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.

At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.

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His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.

Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.

Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.

Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.

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Sonnie Badu’s hard-core Jamaican praise out to thrill

• Dr Sonnie Badu
• Dr Sonnie Badu

 Pan-African gospel icon, Sonnie Badu has released his latest track, ‘Jamaican Medley’ a bold and energetic praise song infused with the vibrant spirit of Jamaican gospel.

Recorded live at RockHill Church in Atlanta, the song blends power­ful lyrics, rhythmic island beats, and soul-stirring visuals that elec­trify both the live audience and viewers online.

From the very first note, Jamai­can Medley delivers a fresh wave of worship, rooted in Caribbean sound but anchored in deep spiri­tual conviction.

The song is a heartfelt plea for divine protection under the blood of Jesus, echoing themes of faith, hope, and heavenly anticipation.

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One of its most moving moments features a reimagined rendition of the classic hymn ‘When We All Get to Heaven,’ originally penned by Eliza Hewitt.

Badu’s version breathes new life into the timeless message, inviting listeners to reflect on the joy of eternal reunion.

Released on Monday, August 18, the Jamaican Medley is now available on YouTube and all major streaming platforms.

Fans and newcomers alike are already praising the track for its bold style and spiritual depth.

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With this release, Sonnie Badu continues to prove that gospel music knows no borders. His fear­less creativity and global sound are inspiring a new generation of worshippers to praise louder, dance harder, and believe deeper.

 By Linda Abrefi Wadie

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 Pusher upbeat about future of arts industry

• Adjetey-Anang
• Adjetey-Anang

 Ghanaian actor, Adjetey Anang, alias Pusher, has stated that efforts in Ghana theatre scene are finally bearing fruits with a resurgence of live performance, rising audience interest, a new generation of playwright and actors taking the centre state.

This, he attributed to the training and collaboration between veterans and emerging artiste and a renewed stage craft as tool for education and entertainment.

Speaking on Monday about the state of the movie industry, he said the industry was still alive, although it is going through a rough patch compared to the golden days when movie releases were happening regularly.

The ‘Things we do for love’ hit maker hinted that the country has the talent and content very much needed to succeed.

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Coming up with strategies to improve the industry, he said it was important to focus on improving the quality of work by putting more research into our projects.

“Once something is released, it can reach a global audience. These are some of the challenges that make it seem like the industry is struggling, but we are still pushing,” he said.

He subsequently called for the es­tablishment of more movie centres across the country to give filmmak­ers more options to premiere their work.

 By Linda Abrefi Wadie

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