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I’m the missing puzzle of Ghana music – Jalon

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German-based Ghanaian raggae musician, Jalon has disclosed that, he was the  missing puzzle in Ghana music, and is on a mission to project the country’s musical prowess to the rest of the world.

According to him, the Ghana music scene full short of is filled with a lot of competition and has a bright future from his point of view.

Speaking to The Spectator on the release of his, A Date With An Angel, Extended Play (EP), Jalon said, he is the missing puzzle, but will not rush his musical works, “I will do things at my pace and style as well as continue  churn out good music for clear ears to listen.”

He added that his focus in music was to strengthen the struggling youth to be humble, and not be in hurry for self-aggrandisement or popularity and that the income from his EP would be donated to street children and the aged reggae veterans who  were financially strapped. 

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Talking about his new EP, he said, the songs were filled with messages of love based on true stories and experiences.

Jalon said his taste for quality and being someone who wanted every tone, sound, lyrics and melodies to be top notch, made works in the studio difficult, considering the fact that the recordings were live.

But this notwithstanding, he believed the end product was worthwhile.

On the acceptance of the EP, he revealed that so far, it had gone beyond his  expectations and he’s beginning to win new fans.

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The EP which is made up of songs like, A Date With An Angel, My Ulterior Motive, Jamaican vibes, Elope, Oh I Made It, Beautiful Programme, and System Bad is available on digital music stores.

Born and raised at Madina, a suburb of the national capital, Accra, he enjoyed playing the records of the famous Jamaican reggae singers, Dennis Brown and Beres Hammond, at home.

It was only in Germany that Jalon finally discovered his passion for singing and with the support of the experienced reggae band, Foundation Crew, also from Hamburg, the reggae talent now wants to conquer the reggae stage of this country and the entire world.

By Edem Mensah-Tsotorme

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Ghanaian actor Fred Amugi to feature in Pan-African series Kismet

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Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.

The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.

A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”

Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.

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“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.

“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.

He added that his preparation for the role went beyond performance.

“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.

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“I am learning about these connections so I can represent the character with truth and respect.”

“It is important that the world sees the shared identity that exists across our continent,” he noted.

Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.

According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.

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“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.

“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.

The producer of the series, Paul Joegad, emphasised the global ambition behind the project.

Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.

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“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.

“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”

He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.

The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA

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Atarah Praise 2026 slated for Bayview Village May 24

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Atarah

The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.

This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.

Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.

Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.

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Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.

 The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.

 Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.

By Edem Mensah-Tsotorme

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