Entertainment
Abiriw Music Expo: A Resounding Success In Celebrating Ohum Festival
The picturesque town of Abiriw in the Eastern Region of Ghana recently witnessed the climax of its iconic Ohum festival, an ancient tradition celebrated with much pomp and cultural fervour.
This year’s festivities reached new heights with the inclusion of a mega Abiriw Music Expo, curated by the visionary Frank Kwabena Owusu, popularly known as Franky5.
The event, featuring performances by A-list gospel artists, aimed not only to entertain but also to draw investment and spotlight Abiriw’s abundant tourism potential.
Ohum Festival, a cultural cornerstone for the Akuapem and Okere people, holds great significance as it marks the beginning of the harvest season for new farm crops.
The celebration attracts people from diverse backgrounds, including the diaspora, showcasing the rich cultural tapestry of the region.
Following the traditional Durbar of Chiefs and Traditional Leaders, which highlighted the cultural heritage of the Akuapem and Okere people, the Abiriw Music Expo took centre stage to conclude the festivities. Gospel luminaries such as Piesie Esther, Nacee, Mabel Okyere, Empress Gifty, and Joseph Atarah graced the stage, delivering unforgettable performances that left patrons in awe.
In addition to the gospel performances, the expo featured resounding acts by some of the top highlife musicians, adding a diverse musical flavour to the celebration. Franky5, the mastermind behind the music extravaganza, expressed the importance of incorporating a musical concert into the festival celebrations. He highlighted the support received from the chief of Abiriw, granting permission for the annual event, emphasizing the intention to leverage creative arts to attract investment to the fertile land with immense tourism potential.
Frank Kwabena Owusu stated, “We are trying to use creative arts to draw investment to Abiriw because it is fertile land and has so much tourism potential. From the waterfall and other tourism attractions, people must pass by Abiriw for their holidays to enjoy all these goodies I am mentioning.”
The success of the Abiriw Music Expo underscores the community’s commitment to merging tradition with contemporary expressions of culture. By attracting top-tier artists and creating a platform for cultural celebration, the event not only brought joy to the residents but also positioned Abiriw as a destination ripe for investment and tourism.
As the echoes of the music fade away, the legacy of the Abiriw Music Expo lingers, leaving a lasting impression on the hearts of those who attended and setting a promising precedent for future editions. The town of Abiriw has truly demonstrated that cultural festivals can be catalysts for economic growth and community development, with the arts playing a pivotal role in shaping the narrative of a region with immense potential.
By:JSmart Amenuveve
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
The fourth edition of International AmoFest lived up to its promise on Saturday, May 2, delivering a vibrant “three-in-one” experience that left the audience at Alliance Française in Accra buzzing.
The night was a masterful blend of sound and stagecraft. Berima Amo, the visionary behind the festival, led an impressive lineup of performers, including Pedro Kastelijns, Martha Apini, Rudy Ray, and Lamisi.
Together, they showcased a fusion of global music and authentic Ghanaian Highlife, staying true to the festival’s mission of preserving Ghana’s original rhythmic soul.
Adding a unique layer to the evening, Uncle Ebo Whyte’s Roverman Productions took to the stage, blending theater with the night’s musical energy.
The experience concluded with a high-energy after-party, fulfilling Berima Amo’s goal of creating a truly immersive and memorable night.
Reflecting on the event’s purpose, Amo emphasised the need for intentionality in protecting Highlife.
He called on every Ghanaian, as well as government institutions, to actively foster an environment where the genre can thrive on the global stage.
The main event followed a successful educational outreach on April 24, where over 250 high school students participated in a Highlife workshop at the Centre for National Culture.
By Edem Mensah-Tsotorme
