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Ghanaian-Born German Inusa Dawuda drops Waka-Waka album

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The multi-talented Ghanaian born German, Inusa Dawuda, who turned from boxing to music has released his latest album, Waka Waka, with 10 tracks which he said is a cross-over of contemporary Afrobeat, Afrobeats, Amapiano, Afrofunk, Highlife and reggavibes in general term.

Like his past songs, his friend for many years, the Ghanaian journalist, Francis Kokutse, again wrote one song, “Turn Back The Clock” on the latest album.

Inusa said, the title “ has nothing to do with Shakira’s ‘Waka Waka’ because she hadn’t even heard of it, at the time it was released,” he said, adding that, “Waka Waka Day & Night” was the first song I recorded live in the studio with my band. It was created in collaboration with my former bassist, brother, and friend from Warri, Nigeria, Lisbon Bolowei Simon, who is unfortunately no longer with us.”

This is Inusa’s eleventh album and about 100 single releases

According to him, the word “WAKA WAKA” came to being and used on his first album “Just Natural” in the mid-90s. 

The song is called “Waka Waka Day & Night” with my international staffed band called, INUSA’s Groove Factory.

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Inusa said Lisbon used to tell him about his days with Fela Kuti‘s Band, and he was “important in my career and I thank him for the Afrofunky style!!From the word ‘work,’ we decided to change it to ‘Waka Waka’ in Pidgin English.We work day and night and are still suffering. We sang how many Africans in the diaspora felt.”

Inusa started off as a semi-professional in the mid 90’s is celebrating his 30th anniversary in music and still going strong with thirst for more till the bones are rotten.

Reacting to which song is favourite for all the years he has spent in the music industry, he said, “it’s difficult to pick out a song as a favorite because they are like my children. Each song has its purpose. Some are easy to listen to, and some work really well in live performances because they get people dancing, for example, “Going Back To My Roots,” “Waka Waka Day & Night,” “All I Need Is To be Loved,” and “Don’t Look any Further,” played a bit faster than recorded.

Among the captivating songs on the album are the pre-released singles “One Love,” “All I Want Is to be Loved,” and the instrumental piece “Bimbia,” which have already gained popularity and earned spots in various playlists. The album’s title, “WAKA WAKA,” is inspired by Inusa’s early composition “Waka Waka Day & Night,” an Afro funk song recorded with his Groove Factory back in the mid-90s.

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The album starts with the fresh 2023 afrobeats-highlife version of Lamont Dozier’s “Going Back to My Roots.” 

The album also features reimagined covers of “Don’t Look any Further” by Denis Eduard and “Wild World” of Yusuf Islam, formerly known as Cat Stevens, with a fresh twist.

For those who appreciate heartfelt and romantic lyrics, “Believe and Feel” offers a beautiful blend of Afro, RnB, UK Garage, and soul. On the other hand, “Turn Back the Clock” presents a captivating soulful song with deep lyrics that will make you introspective about your relationships.

Inusa originally from Ghana, was born in Accra, Ghana, and as a teenager moved with his parents to Hamburg, Germany.

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 He learned to play the saxophone during his youth, and he was also actively involved in sports. During the early 1990s he was a multiple boxing champion in Hamburg in the light heavyweight division.

For 2009–10, Inusa was acknowledged as “Russia’s Most Successful Foreign Artist”, where to-date, his single Rumours (Digi Digi) has received an excess of over a million radio plays, beating a stream of fellow foreign artists in a category that included Lady Gaga and David Guetta.

The first successes in the field of music came to Inusa in the mid 1990s, when he travelled and played with several bands, playing cover versions of favourite hits from James Brown to Bob Marley. His primary musical influences include Manu Dibango, Fela Kuti, and Grover Washington, Jr.[

Link to the album: https://music.youtube.com/playlist?list=OLAK5uy_kzewx1rsOIgaPSk9O1iE9F_EWWz3-HfQo&si=m6AGymmhFcnVVFjg

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‘Artivism’ at TGMA27: Okyeame Kwame uses gold-themed Red Carpet look to wage war against galamsey

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Renowned musician and “Rap Dacta” Okyeame Kwame transformed the 2026 Telecel Ghana Music Awards (TGMA) red carpet into a platform for environmental activism, making a bold visual statement against the devastating effects of illegal mining, affectionately called galamsey.

Arriving in a striking ensemble, the artiste was draped in gold colours from head to toe, complete with a matching gold-plated sword.

However, the glamour carried a somber message. Flanked by two bodybuilders who performed as figures suffering from the physical and environmental “cancers” of illegal mining, Okyeame Kwame’s appearance served as a stark contrast between the beauty of Ghana’s gold and the destruction caused by its extraction.

Speaking to host Giovanni Caleb, the musician explained that his “glittering” look was a deliberate irony intended to spark a national conversation.

“I wanted to look like gold to remind Ghanaians that while gold glitters, galamsey destroys our rivers, our rocks, our air, and our nature,” Okyeame Kwame stated.

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He further emphasised that the fight against environmental degradation transcends partisan lines.

“If we glitter like this once every year and forget that it is not the responsibility of the NPP or NDC, but the collective responsibility of all Ghanaians to stop this galamsey cancer, then we have failed,” he added.

Long recognized as an ‘Artivist,’ Okyeame Kwame has a storied history of using his public platform to champion social and environmental causes.

The 2026 TGMA, while a night of musical celebration, was momentarily refocused by the Rap Dacta’s plea for the protection of Ghana’s natural heritage, proving once again that art remains one of the most powerful tools for social change.

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Okyeame Kwame is currently out with new single dubbed, “Clap,” a song encouraging communal support and celebration of others’ successes.

By Edem Mensah-Tsotorme

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TGMA 2026: Who rules Ghana music  tonight as AOTY?

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The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry. 

It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.

The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.

 On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.   

Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time. 

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Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.

A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.

Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.

 If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.

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Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.

Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.

By Edem Mensah-Tsotorme

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