Entertainment
Obrafour sues Drake for $10m after rapper sampled ‘Oye Ohene’ without consent

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Legendary Ghanaian rapper Obrafour is suing popular Canadian rapper Drake for sampling his 2003 remix of ‘Oye Ohene’ on his song ‘Calling My Name’ off the Honestly Nevermind album.
In the documents presented to a court in New York, Obrafour stated that Drake infringed on his copyright when he sampled his song without permission.
“Defendants released the Infringing Work on June 17, 2022, despite the fact that an agent of one or more Defendants had previously contacted Obrafour seeking to obtain Obrafour’s permission for the use of the Copyrighted Work in the Infringing Work.”
“Obrafour never granted Defendants permission to use the Copyrighted Work and the Infringing work was released mere days later,” parts of the document read.
The Ghanaian rapper indicated that Drake and other defendants following the release of ‘Calling My Name’ has greatly benefited from his work.
“To date, over the mere 304 days that have elapsed since the Infringing Work was released, the Infringing Work has already been streamed over 4.1 million times on YouTube, streamed over 47,442,160 times on Spotify, and streamed tens of millions of times on Apple Music.”
“In addition to generating enormous sums of global streams and sales across numerous platforms, the Infringing Work has also been exploited by the Defendants via other means, including live performance.”
Among others, Obrafour is seeking damages in an amount not less than $10,000,000.
He is also seeking an injunction requiring the “defendants and their agents, employees, officers, attorneys, successors, licensees, partners, and assigns, and all persons acting in concert or participation with each or any one of them, to cease directly and indirectly infringing, and causing, enabling, facilitating, encouraging, promoting, inducing, and/or participating in the infringement of any of Obrafour’s rights protected by the Copyright Act.”
Meanwhile, other defendants in the suit include writers, producers, performers, record labels, entertainment companies, publishers, managers, administrators, and/or distributors of the infringing work.
In June 2022, Canadian rapper, Drake surprised his fans with ‘Honestly, Nevermind’ but for Ghanaians, it was a double surprise.
On Track 6, ‘Calling My Name’, Drake sampled a beloved popular song from one of Ghana’s best musicians alive, Obrafour.
Drake samples Ghana’s Obrafour on new ‘Honestly, Nevermind’ Album
The sample is found at 0:53 seconds of the Drake tune, where it transitions into a house music vibe sending the song into a different type of ambiance compared to its initial trajectory.
“Killa cut!” is the chant heard multiple times.
That part was sung by Mantse Aryeequaye as an opener to the late 2003 remix of ‘Oye Ohene’ off the Ntete Pa album.
Credit: Myjoyonline.com
Entertainment
Medikal urges Ghanaian musicians to prioritise financial security

Ghanaian rapper Medikal has advised musicians to focus on building financial security rather than relying mainly on awards, shows and public recognition.
According to him, the difficult situations some senior musicians face after years in the industry should serve as a lesson to younger artistes.
Medikal made the comments on TikTok while sharing his thoughts on an interview involving veteran Ghanaian musician DJ Barosky, whom he claimed is currently homeless in the United Kingdom.
He expressed surprise at the situation, noting that he grew up listening to and admiring some of the senior musicians who influenced his generation.
“Bro, right now, social media, I know if you tell which one be real or what be fake,” Medikal stated, questioning the reality of what people see online.
He argued that musicians should make money and put proper financial plans in place while they are active in the industry.
“If you be artist for this country, you for make money, collect money, put certain things in place,” he said.
Medikal stressed that awards and performances were important but should not replace financial planning.
He encouraged artistes to be careful with their relationships and to understand that the entertainment industry is largely driven by money.
According to him, even friendships can change when a person’s financial circumstances change.
He therefore urged musicians not to become discouraged by financial losses but to remain focused on creating wealth.
“Make money. If you lose money, still collect money,” he advised.
Medikal said the experiences of older artistes should encourage current musicians to take their finances seriously and prepare for life beyond their peak years in the entertainment industry.
By: Jacob Aggrey
Entertainment
Miss Tourism Ghana princesses dazzle patrons at Regional Costume & Talent Night show

It was a night of colour, culture and creativity as Miss Tourism Ghana successfully held its Regional Costume & Talent Night in Accra.
The event drew fashion lovers, culture enthusiasts, and proud supporters who came out to witness Ghana’s beauty queens represent their regions on one grand stage.
From the moment guests stepped in, the atmosphere was electric, ushering,
Okra, Zabe, Gina, Akpe, Sela, Afia,Asher and Ajua into the auditorium to mesmerize patrons.
The blistering night, commenced with a breathtaking regional costumes rocked by contestants that told stories of Ghana’s traditions from, african print, kente, smock, batakari, beads and other indigenous fabrics.
Each outfit with beautiful local accessories to match was paired with confidence, poise, and pride.
The night then shifted gears into the talent segment. The audience was treated to powerful performances traditional dance, spoken word, fashion, singing, and drama all centered on promoting Ghana’s tourism and heritage.
The judges were stunned with the various displays and passed favorable commentaries encouraging the contestants to keep giving their all.
Patrons left with unforgettable moments, and the contestants delivered to their expectations.
Organisers of Miss Tourism Ghana congratulated all the amazing participants who took part and urged them to forged ahead strongly before the grand final.
They also, encouraged families and friends to keep their favourite in the competition through their campaigns and votes.
The search for Ghana’s next tourism ambassador is officially on, and the competition is getting tighter with each stage.
Beyond the glamour, Miss Tourism Ghana continues to use the platform to market Ghana’s tourist sites, culture and hospitality to the world.
The Regional Costume & Talent Night served as both entertainment and education, reminding Ghanaians of the beauty in our diversity.
By Edem Mensah-Tsotorme




