Entertainment
3Music awards: Multiple stages, one auditorium, as KiDi emerges Artiste of the Year
Patrons at the Grand Arena at the Accra International Conference Centre and those who watched from the comfort of their homes were stunned as organisers of 3Music Awards put up a memorable event with multiple stages on Saturday, March 26,2022.
The auditorium had more than five stages positioned at different areas with about 13 cameras beaming the event live for the public.
Right after a wonderful pre-show, which hosts engaged artistes and stakeholders of the creative arts at the event, attention was switched to the main show.
Unfortunately, due to some unforeseen circumstances, the event had to delay unduly which created a space of boredom for patrons and viewers.
Interestingly, they were able to avert the technical hitches and bounce back with a bang on the night making a statement with an opening act.
The awe-inspiring act saw ‘rain fall’ on Second Sermon hit maker, Black Sherif at the point of his performance.
This led to wide praise and appreciation for the organisers who were able to swiftly redeem their image from the delay. The show was further spiced with well coordinated performances which moved from one stage to the other.
Another innovation which brought laughter to patrons and viewers was the Flavour Room with comedian, OB Amponsah and Lekzy Decomic, as they mesmerised everyone with their spectacular performance.
At the end, Lynx Entertainment Records label signee, Dennis Nana Dwamena known in showbiz as KiDi was crowned Artiste of the Year for the second time.
KiDi wrested the ultimate from other contenders like Black Sherif, Celestine Donkor, D Black, Kuami Eugene, Mr Drew, Sarkodie, Stonebwoy and Gyakie.
On the night, the ‘Mon Bebe’ hitmaker picked up five awards on the night. Aside the Artiste of the Year, his ‘Touch It’, won Raggae\Dancehall song of the Year, Afrobeat\Afropop Artiste of the Year, Digital Act of the Year and Best Male Vocal Performance.
Black Sherif also picked up four awards on the night. Other winners were, Best Alternative Act of the Year – Amaarae, Best DJ of the Year – DJ Faculty, Best Collaboration of the Year – Kofi Jamar – Ekorso Feat. Yaw TOG & Ypee, Group of the Year – R2Bees, EP of the Year – Amerado – Patience, Reggae/Dancehall Song of the Year – KiDi – Touch It, Viral Song of the Year – Okesse 1 – Na Today, African Song of the Year – Wizkid – Essence Rmx (feat. Tems x Justin Bieber), Hiplife Song of the Year – Sarkodie Feat. Kuami Eugene – Happy Day, Performer of the Year – Epixode – VGMA Experience, Gospel Song of the Year – Ohemaa Mercy – He Lives In Me ft. MOG Music (Ote Me Mu), and Highlife Song of the Year – Kofi Kinaata – Thy Grace among others
By Edem Mensah-Tsotorme
Ghanaian casting director Mawuko Kuadzi has etched his name in the country’s film history, becoming the first-ever winner of the newly introduced Best Casting Director category at the 15th Ghana Movie Awards (GMA) held at the Kempinski Hotel in Accra on Sunday, June 7, 2026.
The star-studded ceremony, which attracted a host of Ghanaian and African celebrities, saw Mawuko Kuadzi take home the historic award for his work on the film The Fisherman.
He beat fellow nominees Naomi Osei Mensah (King of Tema), Frank Rajah (Virgin of the Throne), and the duo Rawdrick Lartey Junior and Omar Krupp (Ghana Map).
The category, introduced for the first time in the awards’ 15-year history, mirrors a similar addition by the Academy Awards (Oscars) and celebrates the critical role of casting directors as the “Human Resource Managers” of the creative economy.
Mawuko Kuadzi’s win comes on the heels of groundbreaking international achievements. In 2025 and again in 2026, he became the first African in 40 years to win the prestigious ARTIOS Award from the Casting Society of America (CSA), firmly placing Ghana on the global casting map.
His international acclaim also led the Ghana Leadership Awards to create and bestow upon him the Best Casting Director honor in 2024.
Observers note that this progression sends a powerful message: when a professional consistently delivers excellence, industry bodies are compelled to take notice and create platforms to honor that contribution.
The biggest honor of the evening, Best Picture, went to Sukura, a production that also featured an executive producer in a lead role.
The film King of Tema took home the Best Editing award, while The Fisherman, which earned Mawuko Kuadzi his historic casting award also won Best Visual Effect. Several veteran actors and rising stars were also celebrated across various categories.
The red carpet at the Kempinski Hotel was a spectacular affair, drawing a who is who of Ghanaian and African entertainment.
Among the Ghanaian stars who graced the event were Fred Amugi, Jackie Appiah, Yvonne Nelson, Nana Ama McBrown, Kweku Manu, Dr Likee, Juliet Ibrahim, Salma Mumin, Hajia4Reall, AJ Poundz, Ahuofe Patri, Charly DGH, and James Gardiner.
Nigerian representation was strong, with actors Deyemi Okanlawon, Daniel Etim Effiong, and celebrated filmmaker Kunle Afolayan all walking the red carpet, underscoring the deepening creative ties between Ghana and Nigeria.
A major highlight was an emotional tribute to legendary highlife musician Daddy Lumba, veteran actress Beverly Afaglo, and Nigerian actor Alexx Ekubo, with a cross-border performance that moved the audience.
The National Film Authority used the platform to urge stakeholders to contribute to a film industry fund, signaling a push for greater financial and institutional backing for the sector
The leadership of the African Chamber of Content Producers (ACCP), present at the ceremony, praised the Ghana Movie Awards for its forward-looking approach.
“The Ghana Movie Awards is holding the fort for the creative economy,” a chamber spokesperson said. “Film is the mother industry. Any initiative that sustains the film sector multiplies jobs across the entire economy.”
With his maiden GMA win, Mawuko Kuadzi has
now achieved a rare triple: Ghana Leadership Awards honoree (2024), two-time ARTIOS winner (2025, 2026), and now the first ever Best Casting Director at the Ghana Movie Awards.
By: Jacob Aggrey
The Blood Crew, a Ghanaian contemporary gospel music group based in Kumasi, celebrated its 10th anniversary in ministry with a special cake-cutting ceremony during the Grace Concert held at Gracefields Chapel, Havlah Temple, Ahodwo.
The celebration formed part of the group’s annual live recording event, ‘The Blood Effect’, which brought together thousands of worshippers, gospel music lovers, ministers, and invited guests for an unforgettable night of worship and live music recording.
The anniversary cake was officially cut by the Founder and Music Director of the group, David Nana Bonsu, popularly known as Nana Quophi, together with Rev. Simon Ampofo, shortly after the first session of live recordings featuring newly composed songs and selected old compilations.
The ceremony was witnessed by alumni members, current team members, invited gospel artistes, instrumentalists, management, and worshippers who gathered to celebrate the milestone achievement of the ministry.
The occasion marked 10 years of The Blood Crew’s contribution to gospel music ministry, worship, fellowship, evangelism, mentorship, and youth impact through music.
Members of the group used the opportunity to reflect on their journey over the years and expressed gratitude to God for sustaining the ministry and helping them remain impactful.
The event featured ministrations from UK-based Ghanaian gospel artiste Emmanuel Gyamfi, Pastor Edwin Dadson, Team Eternity Ghana, Manuel Tuffour, Joshua Ahenkorah, and Yefter Nkansah.
The group described the anniversary celebration as a moment of thanksgiving, reflection, and renewed commitment to continue impacting lives through gospel music and worship ministry.
Over the years, The Blood Crew’s annual ‘The Blood Effect’ live recording event has grown into a recognized platform for worship, spiritual impact, and gospel music ministry in Kumasi and beyond.
This year’s edition uniquely combined live recordings with the group’s 10th anniversary celebration, making it one of the most memorable editions since the ministry began.
By Spectator Reporter
