Entertainment
Thousands ‘celebrate’ Daddy Lumba at national candlelight vigil
The Independence Square in Accra was on Saturday night transformed into a glowing sea of candles as thousands gathered to pay tribute to the late highlife icon, Charles Kwadwo Fosu, popularly known as Daddy Lumba.
The national candlelight vigil, held just days after his passing on July 26 at age 60, brought together fans, government officials, cultural figures, and musicians to celebrate a man whose music spanned generations and defined Ghana’s musical identity.
Organised by the Creative Arts Agency (CAA), the solemn evening was rich in emotion and symbolism. Two symbolic candles were lit-one on behalf of the President and another by the Ghana Tourism Authority, signifying national honour and gratitude.
A large portrait of the music legend was unveiled amid applause and visible emotion from the crowd.
Throughout the night, the square resonated with live music, poetry, and heartfelt tributes.
Highlife veterans Kwabena Kwabena and Pat Thomas performed emotional renditions of collaborative hits with Lumba, including Obi Ate Meso Buo (Remix) and Ahenfo Kyiniye.
The vigil also featured appearances by spoken-word artists, choral groups, and cultural troupes, while prominent personalities from the creative industry including Sarkodie, Stacy Amoateng, and Emelia Brobbey joined the thousands to honour Lumba’s legacy.
Family members, friends, and public figures offered deeply personal and official tributes.
A message read on behalf of President John Dramani Mahama described Lumba as ‘a national icon’ whose music and legacy ‘remain with us’.
His second wife, Priscilla Ofori-Atta, in a tribute read on her behalf, reflected on their shared life. It said “You were my protector, my joy, my home. Now the silence feels unbearable. The studio is quiet. But your legacy, it sings on.”
His children also paid tribute, thanking the public for their support, saying “Without your love and loyalty, he wouldn’t have become Daddy Lumba.”
MUSIGA President, Bessa Simons called him a cultural mirror: adding that his music didn’t just reflect Ghana; it was Ghana.”
The attendees, many dressed in black, held candles that lit up the entire square in a striking visual tribute. Branded T-shirts and paraphernalia featuring the late icon were also available at the vigil.
The vigil served not only as a farewell but also a celebration, a reminder that Daddy Lumba’s voice and message will continue to echo in the hearts of Ghanaians for generations to come.
BY Stephanie Birikorang
The National Theatre is set to host Fundworld, a dynamic entertainment and educational program, on Sunday, February 15, 2026, at 1:00 pm.
The event celebrates World Radio Day and International Day of Friendship, themes that resonate with international celebrations.
The event aims to unearth many talents in young people, aligning with the theatre’s mandate to nurture children’s talents and prepare them for future opportunities.
Funworld is one of the National Theatre’s flagship programmes for basic schools, enabling pupils to create their own performances and present them on stage.
It’s a platform for schools to showcase their talents. Past editions have thrilled a lot of children with edutainment including poetry recital, dance choreography, rap music, drama performances, and this February edition promises to be more exciting and dramatic.
The Funworld programme takes place on every 3rd Sunday of February, March, May, June, and October.
The National Theatre invites schools, parents, and educators to participate in Funworld, a vibrant celebration of Ghanaian culture and creativity.
The event takes place at the National Theatre Main Auditorium, and tickets are priced at GHc 10.00.
The National Theatre also has a flurry of programmes in its first quarter, including ‘Wednesday Theatre’ on the last Wednesday of every month and ‘Thursday Movie’ on the last Thursday of every month.
Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.
With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.
Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.
She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.
ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.
Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.
As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.
However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.
Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.
According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.
“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.
“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.
ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.
She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.
“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.
BY TIMES REPORTER
