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Okyeame Kwame’s “No Competition” Becomes Focus of Academic Study at UniMAC
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Ghanaian music icon Okyeame Kwame’s song “No Competition” featuring Kuami Eugene has become a subject of academic study at the University of Media Arts and Communication-Institute of Journalism (UniMAC-IJ).
As part of the African Anthropology course, lecturer Daniel Obeng Acquah incorporated the song and its music video to examine the integration of African cultural elements in contemporary media.
The lecture, titled “Exploring African Culture Through Music,” highlighted the significance of “No Competition” in portraying Ghanaian traditions and identity.
Okyeame Kwame provided an analysis of the cultural motifs embedded in the song and video, underscoring their educational value. “Using art as a medium for cultural expression allows us to preserve and celebrate our heritage,” he explained to the students.
Students at UniMAC-IJ explored the song’s vibrant depiction of African themes, discussing its potential as a cultural teaching tool.
Sandra, a student in the course, noted, “Studying ‘No Competition’ in an academic setting opened my eyes to the depth of cultural storytelling in music. It’s fascinating how Okyeame Kwame integrates traditional elements into his art.”
Prince, another student, reflected on the educational impact of the session. “Analyzing the cultural references in Okyeame Kwame’s work made me appreciate how music can be a powerful medium for cultural education,” he remarked. “It’s inspiring to see our own heritage represented so thoughtfully in contemporary music.”
Lecturer, Department of Integrated Social Sciences
(Introduction to Africa and World development)Daniel Obeng Acquah emphasized the importance of incorporating modern cultural works into academic studies to engage students and enrich their understanding of African heritage.
He stated, “Integrating Okyeame Kwame’s ‘No Competition’ into our curriculum bridges the gap between traditional studies and modern media, offering students a practical example of cultural representation in today’s world.”
Dr. Daniel Odoom, Dean of the Faculty of Integrated Social Sciences, praised the initiative, highlighting the relevance of studying contemporary cultural artifacts in academia. “Okyeame Kwame’s work provides valuable insights into the ways modern music can reflect and promote African culture,” Dr. Odoom remarked.
Watch the video below
Organisers of Rhythms On Da Runway have announced November 28, 2026 as the date for the 16th edition of the event, to be held at the Palms Convention Centre.
This year’s edition, themed: ‘UNBOUND: Because You’ve Got Style’, is focused on breaking barriers in fashion and creating space for all.
According to the Chief Executive Officer of Nineteen57 Events, Shirley Emma Tibilla, affectionately called Cookie Tee, the focus of this edition is to give everyone an opportunity to express themselves without barriers.
She told The Spectator that as a leading fashion brand in the country and beyond, they want to open doors for people regardless of their colour, size and abilities among others.
Described by the BBC as “the biggest cultural exposé in Africa,” Rhythms On Da Runway returns this year as a celebration of fashion, music and individual expression without limits.
Organisers say for years fashion has been shaped by narrow ideas of who belongs on the runway, with certain body types, ages and abilities placed at the centre while many others are left out. UNBOUND seeks to open that picture.
This year’s runway will welcome people with different abilities, backgrounds, body types and personal stories. The theme will influence model casting, the collections, the stories told through the clothes and the way guests experience the event.
Beyond the runway, ‘Unbound’ will create room for young people to learn from established designers, gain practical experience and explore careers within fashion and the wider creative industry.
It will also open conversations around adaptive fashion, accessible event design, talent discovery, mentorship and employment.
The 2026 edition will bring together fashion designers and music stars from Ghana and across the African diaspora, with strong collections, live performances and an all-star cast of celebrity models.
The event will also feature the Black Star Awards, which will honour public figures shaping Africa’s future through leadership and contributions to the continent’s Orange Economy.
Organisers say the list of participating designers, performing artists, award recipients and other event details will be announced in the coming weeks.
By Edem Mensah-Tsotorme
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Veteran Ghanaian gospel musician Bernice Offei has passed on Saturday August 12, 2026.
She was 63.
The news of her demise flashed through social media on Saturday, prompting an outpouring of grief from musicians, fans and members of the Christian community, who have since paid tribute to her distinguished career.
She gained strong reputation as a singer, songwriter and minister whose music transcended generations.
Some of her popular songs include ‘Kaa She Gbeyei,’ ‘It’s By Grace,’ ‘Nyame Kokroko’ and ‘N’adom Ara Kwa.’
Her contribution to the growth of gospel music in Ghana was recognised in 2009 when she won the Best Female Vocal Performance and Songwriter of the Year awards at the Ghana Music Awards, now known as the Telecel Ghana Music Awards.
Beyond music, Mrs Offei distinguished herself in academia and professional life. She attended Achimota School before earning an MPhil in Crop Science from the University of Ghana and a Master’s Degree in Information Technology from University College London in the United Kingdom.
Mrs Offei was married to Prof. Samuel Kwame Offei, a former Pro-Vice Chancellor of the University of Ghana, and the couple had two children.
Her death comes days after she was reported missing but was later found safe.
Mrs Offei leaves behind a rich music legacy that continues to inspire faith, hope and resilience among generations of listeners. -GNA
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You can now read the Ghanaian Times and The Spectator newspapers from the comfort of your device via TimesNewsPlus.
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