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Mrs Fuseini shares story of her journey to the top as 2024 Best Teacher
Oustanding teacher in Ghana
Growing up, Mrs Fuseina Fuseini’s greatest ambition was to become a lawyer.
Her reason for that determination was simple – to ‘fight’ for the vulnerable in society and be an advocate against early marriage in her community.
Though, she did not realise that childhood dream to become a lawyer due to financial difficulties, her passion and desire for teaching over the years was given a very good though – and it paid off.
For her close followers, her biggest career honour chalked recently in the teaching industry came as little surprise.
Mrs Fuseini was recently adjudged the first female kindergarten teacher to win the highest national honour for teachers.
She received that recognition at a forum at the Great Hall of the Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi last weekend for her consistency, dedication, hard work and innovation in teaching and learning.
For her prize, Mrs Fuseini received a three-bedroom house and a scholarship to study abroad if she so desires, with funding from the Ghana Education Trust Fund (GETFund).
The 47 year-old Kindergarten (KG) teacher at the Madina SDA Basic School in the Greater Accra Region with over a decade experience in the teaching profession shares her journey with The Spectator.
Mrs Fuseini grew up in a community where teachers were respected and valued.
This influenced her decision to venture into teaching.
But that passion for teaching aside, Mrs Fuseini also realised that teaching can offer a similar platform to work as an advocate for the underprivileged and the marginalised in the society.
“Gone were the days, teachers commanded some sort of respect; they were seen to be disciplined. They were seen as mentors in the community. They were very influential.”
“I realised teaching was also a form of advocacy to share ideas. Most of my family members were teachers and that even made it easy for me to go into the profession,” she explained.
Education
After completing Senior High School (SHS) at the Saint Monica’s School of Education at Asante Mampong in the Ashanti region, she furthered her education at the University of Education (Winneba) where she studied for diploma in Basic Education.
“Teaching Kindergaten for the past 15 years gives me so much joy. I have a feeling it’s my calling because I teach children with ease and vibe with the children so easily,” she stated.
With her experience at the kindergarten level, Mrs Fuseini is in a better position to clear a few misconceptions at that early stage of child education.
She is aware of a few of these misconceptions, one of which is the school of thought that Kindergarten class or school is all about uniformed kids eating and sleeping.
In her view, that stage of a child’s education or upbringing is very crucial and urged both teachers and parents to pay attention to the little ones at that stage.
Explaining the educational curriculum used in teaching, Mrs Fuseini noted that three methods were employed in teaching the kids.
They are the differentiated, play-based and hands-on-learn methods.
The differentiated method demands from the teacher to allow the child to go about activities differently according to their strength.
In the play-based curriculum, the children are allowed to play and by so doing, it builds their creativity and supports their future aspiration.
Furthermore, she said children were sometimes grouped according to their abilities in the hands-on-learn method to explore with their hands.
Feeling
Sharing how she felt when she was announced as winner of the prestigious award – The Most Outstanding Teacher of the Year, she exclaimed: “I was full of joy and also proud of my achievement and immense contribution to the country.
“This is history because this is the first time a kindergarten teacher has ever won such an award and I count myself blessed and lucky.”
She commended the initiative to reward dedicated teachers, saying the recognition was key to bring out the best in every teacher.
Mrs Fuseini believes that dedication to her profession has played a significant role in her achievements, adding that, “This is going to motivate and inspire so many teachers to do their best despite the stress associated with the teaching job.”
“If I get the needed support, I would want to do my PHD in teaching. I still want to focus on kindergarten in order to rebrand the early child education sector”
Challenges
Infrastructure is one major challenge facing education at this level. Some are the inadequate space that compel authorities to put too many children in a class.
This, she explained, makes too overwhelming and children sometimes finds it difficult to pay attention in class.
She said despite the few gains chalked at the sector, they were limited sometimes in the area of resources due to the lack of logistics like puzzles, building blocks and computers to support the curriculum.
Teachers are described as a bridge upon which people use to get to their destination and therefore must not be neglected.
There is, therefore, the need to make provisions for them not only through finances but ensuring that they teach in a good environment.
Family
She was born to Fuseina Salifu and Amina Fuseini in Ketekrachi in the Oti Region of Ghana.
She is the third child among eight siblings and married to Mr Zibrim Biosama and are blessed with three children.
When Mrs Fuseini is not in the classroom, she can watch movies all day.
She appealed to all teachers to show dedication to the profession and called on the government to support the teaching department with incentives.
By Linda Abrefi Wadie
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
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A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
