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More black books please – Voice Online

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Black British parents are urging their local libraries to stock more black books to ensure their shelves are representative of multicultural Britain.

According to a poll, 38% of black people were more likely to have visited a library between 2019 and 2020, compared to 30% of their white counterparts.

Despite these numbers, many black parents say their local libraries lack books that reflect the communities they serve.

Talk to The voiceMaame Prempeh, from Shropshire in the West Midlands, said: “Black book covers tell a story, when we see the display we feel included in the fabric of that environment.

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“If there are no black books in libraries, it fuels our sense of invisibility – which we have in the education system.”

The mother-of-two thinks black books should be available at all local libraries across the country and not just during Black History Month.

She said, “Diversity isn’t just for black and brown kids, it’s also for white kids, especially if we want to fight racism and discrimination.”

Ms. Prempeh knows firsthand the power of local libraries.

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She grew up in Kennington, South London, and when she was just 13 she sadly lost her mother.

As a teenager, she spent a lot of time at Brandon’s library, which she says “saved” her and helped her “cultivate” her identity.

She recalls the library having a “minority section” which led her to fall in love with black literature.

“This library and these books saved me because my mother had passed away and I was a lost young woman,” she added.

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Ms. Prempeh is of Ghanaian descent and works as a multicultural education consultant and helps schools embrace diversity by providing cultural resources.

She said The voice, she started her business after her six-year-old son faced racism at school last year.

She said: “It was so traumatic I had to do something, the books weren’t enough.

“I was broken as a mother because I had invested so much time in my child but I couldn’t stop her saying to me ‘mum, I want my skin to be clearer’.”

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Ms Prempeh said that by working closely with the school, she has seen positive changes in her son and in the attitudes of other children.

She regularly takes her son to meet black authors, which she says has strengthened her son – who is an avid reader and dreams of becoming an astronaut.

She added: “If we give them black books then they are able to dream.”

There are 3,667 public libraries (including mobile libraries) in the UK, with 7.3 million active borrowers.

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According to official data, borrowing items such as books, newspapers, music, CDs, DVDs, or audiobooks is the most popular reason people use the library.

But the lack of diversity on library shelves may reflect wider issues within the UK publishing industry.

In 2020, the Black Writers’ Guild wrote an open letter condemning the industry for “raising awareness of racial inequality without meaningfully addressing their own”.

Three years earlier, a study published by the Book Trust reported that only 6% of children’s authors published in the UK were from an ethnic minority.

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A slight improvement from 4% in 2007.

These figures suggest that finding black books is not just a problem for UK libraries, but also on the high street.

Most libraries source their supplies from around six main wholesalers, which causes problems, according to a longtime black librarian based in London – who spoke to The voice, anonymously.

Stephanie Clarke (pseudonym) has ten years experience in public libraries in East London.

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She revealed that the distribution companies that supply libraries “may not have the stock” to ensure black titles hit shelves.

She said: “Unless major suppliers diversify their stock, their range will always have this problem.”

Ms Clarke wants libraries to add black bookstores to their supply chain to combat the problem and also cited austerity cuts and a lack of dedicated staff as part of the problem.

She added, “If there’s no one locally to advocate for book diversity, it’s not filtered out.”

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Ms. Clarke is keen to see change and stressed, “Library service does not belong to the staff, it belongs to the people.

“I believe in the ‘power of the patron’. Library users should demand black books by writing to the library department, their local councilors and MPs, schools and principals can also lobby the local library to ensure the stock is representative of the British population.

Claire Quansah, told The voiceshe regularly visits her local library in Sale, Trafford, with her two children, aged seven and 14, but thinks more can be done.

She said: “My library has a selection of books by black authors for adults and children, but I really think there could always be more, perhaps featuring lesser-known authors and titles.”

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Ms Quansah applauded the creative presentations during Black History Month at her local library and said she was delighted “that they weren’t just focused on promoting books that focused on black pain, but that they also include positive stories”.

But like Ms Prempeh, she would like to see a celebration of black writers “all year round”.

Ms Quansah works as a business development manager for a communications agency and believes ‘something as simple as seeing black characters at an early age can have a positive impact on children’.

She says the problem is not just with books, but also with events held in libraries.

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She said that with the story hour workshops, she would more likely hear a “story about animals than a story with black children as the protagonists.”

With the growing cost of living crisis and black parents relying more than ever on their local libraries for access to books, it’s time our library shelves reflect the culturally diverse population that makes up modern Britain.

Source: www.todaypostimes.com

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Ghanaian actor Fred Amugi to feature in Pan-African series Kismet

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Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.

The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.

A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”

Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.

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“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.

“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.

He added that his preparation for the role went beyond performance.

“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.

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“I am learning about these connections so I can represent the character with truth and respect.”

“It is important that the world sees the shared identity that exists across our continent,” he noted.

Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.

According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.

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“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.

“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.

The producer of the series, Paul Joegad, emphasised the global ambition behind the project.

Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.

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“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.

“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”

He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.

The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA

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Atarah Praise 2026 slated for Bayview Village May 24

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Atarah

The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.

This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.

Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.

Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.

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Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.

 The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.

 Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.

By Edem Mensah-Tsotorme

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