Entertainment
Medikal reveals ‘dark secrets’ as marriage to Fella hits rocks
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Medikal and Fella in happy times
The love affair and marriage between Ghanaian rapper Medikal and wife Fella Makafui has turned sore as the couple are now separated.
Speculations about their marriage has dominated the media space when Medikal prior to his show at the 02 Indigo in London, hinted that they were separated but living in the same house and co-parenting their daughter.
The couple married in 2020, had a beautiful daughter together and constantly displayed their affection on social media.
But in recent times, it had been the case of ‘love-gone-bad’ as they seem to be engaged in separate activities and a ‘battle for space’.
Subsequently, the rapper in a series of Snapchat posts opened up on very shocking issues that may have led to the current situation.
What fuelled Medikal’s recent outburst he claimed, was when the ‘ex-wife’ called the police on him for asking her cousin, who had stayed with them for the past two years, to vacate their home.
He then went on to ‘set the records straight,’ revealing that Fella physically assaulted him by hitting his head with a coffee cup, exposed their daughter to weed gummies, did not cook for him in two years and disposed of her engagement ring while having fun in Dubai.
He also revealed that, Fella had a post-pregnancy cosmetic surgery to flatten her stomach and promote her flat tummy tea and waist trainer business, in which he had invested $300,000.
That, he said, was in addition to paying huge sums of money for Fella to undergo a BBL procedure in Nigeria and Turkey.
Fella who had been the quiet one all these while decided to break her silence with a press statement issued on May 18, where she admitted that they decided to end the four-year marriage since things had been bitter for the past few months and only waiting for their respective families to complete required customary rites.
“Recently, however, my husband has been making a little too many public statements on our marriage, our beloved daughter, my family and my businesses. These public statements, considerable parts of which are a great departure from the truth, have caused significant hurt to me, my family and to my business,” the statement read.
It added that, “for my deep respect to our two families, for the relative privacy which the institution of marriage requires and, most importantly, the best interest of our beloved daughter, I have decided to resort to only lawful and appropriate forums to address my grievance.”
To that end, it said, “I have reluctantly initiated a legal process which I believe will ensure that my daughter and I are safe and also, that I and my husband’s co-parenting duties are properly and sufficiently streamlined and regulated in accordance with law.”
She expressed appreciation to her family and friends for their support throughout this trying times and asked for their understanding with regard to privacy.
By Michael D. Abayateye
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
Mr George Bosompim, an award-winning documentary filmmaker, producer and director, has urged Ghanaian filmmakers to explore digital film distribution channels beyond television and cinemas.
He noted that television should be the last distribution channel for film producers and creatives, as existing and emerging online channels could help them generate more revenue.
“Today, there are a lot of digital channels where you can put your work. I’m not even suggesting that people should put their productions on television. It is the last place you should take your film because they are not paying and they are not commissioning people to produce films.
“If they are not paying you, don’t put it there because you can always put it online and secure a digital distribution contract,” he stated.
He believes effective coordination among the state agencies and structures within the country’s creative space could help filmmakers and content producers earn more income.
“There should be insurance, there should be royalties, and there are a whole lot of things that we have to look at. So, it’s not just about making a film and, when it becomes a hit, making money within that short period and that being the end of it,” he stated.
Mr Bosompim commended the GH¢20 million fund for the creative arts sector, urging stakeholders responsible for the fund to be transparent and support quality productions capable of competing globally, including at the Oscars.
The UniMAC lecturer and member of the Oscars Committee urged local film producers to read the rules and regulations governing international film awards before submitting entries.
“Some of our people decide to finish the film before reading the regulations, or they do not read the regulations at all. It doesn’t work like that. We have to be intentional about these things in order to progress,” he noted.
He advised young filmmakers to learn from experts, collaborate on projects and avoid cutting corners in their quest to succeed. “Some filmmakers now think they can train themselves, so they do not care about apprenticeship. To build your portfolio, you need to sit at the feet of people who have succeeded before, so you do not repeat their mistakes.
“Filmmakers and producers should also embrace collaboration. Somebody should handle pre-production, somebody should take care of the script, production and post-production. You cannot do it all alone,” he said. GNA
