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Johnny Depp ends testimony: Key moments from his four days on the stand

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Johnny Depp ended his testimony on Monday in his defamation trial against ex-wife Amber Heard by declaring himself to be a victim of domestic violence.

Depp’s attorney played an audio recording in which Heard suggested that if Depp went public with claims that she had beaten him, no one would believe it.

“Tell the world,” Heard said on the recording. “Tell them, Johnny Depp — I Johnny Depp, a man, I am a victim too of domestic violence, and I know it’s a fair fight,’ and see how many people believe or side with you.”

Asked by his lawyer if he is a victim of domestic violence, Depp said, “Yes, I am.”

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That ended four days of testimony about a chaotic, sometimes violent relationship. The key question for jurors is not whether Depp was a victim — but rather, whether he can prove that Heard was not.

Depp has alleged that Heard’s false allegations of physical abuse forced him out of the “Pirates of the Caribbean” franchise and destroyed his career.

Depp and Heard would often record their arguments, so that if there was a dispute about what someone had said, they could play it back.

Those clips have become critical evidence in the case, as attorneys on both sides took turns playing snippets that supported their client’s version of events. The attorneys also showed numerous text messages to the jury.

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Here are the key moments from Depp’s testimony:

Heard admits to ‘hitting’ Depp

In audio played for the jury last Wednesday, Heard acknowledged “hitting” Depp during a fight.

“I was hitting you, not punching you,” she told Depp. “You’re a fucking baby. You are such a baby. Grow the fuck up.”

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The audio confirms Depp’s claim that Heard hit him. It does not resolve the key issue — did he hit her? — but it does support Depp’s credibility.

Heard tells Depp ‘you beat the shit out of me’

In a clip played for jurors on Monday morning, Heard told Depp that she had dumped him “a fucking week prior after you beat the shit out of me.” Depp did not dispute that characterization on the audio.

A few moments later in the conversation, he said, “I made a huge mistake,” though it’s not clear what he’s referring to.

Depp’s drug and alcohol use

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In May 2014, Depp and Heard flew from Boston to Los Angeles on a private jet. Heard alleges that Depp kicked her and slapped her during the flight and Depp denies that.

On direct examination, Depp testified that he had taken two Roxicodone pills — an opiate he had become dependent on — before the flight. He alleged that Heard was trying to provoke a fight and he retreated to the bathroom and passed out.

On cross-examination, he was shown a text message in which he indicated he had taken quite a bit more than that — “Powders… half a bottle of Whiskey, a thousand red bull vodkas, pills, 2 bottles of Champers” — and that as a result, he had become “an angry aggro injun in a fucking blackout, screaming obscenities and insulting any fuck who got near.”

Depp said on the stand that he was exaggerating for effect. But there were other occasions where he seemed to downplay his drug and alcohol use, or deny that he was using when the contemporaneous texts indicate that he was.

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That does not mean that he hit Heard, but it could be a factor for jurors in assessing his overall credibility.

The Monster

Heard’s lawyer made repeated reference to “the monster,” a term that Depp used in texts.

Depp maintained that the term originated with Heard as a description of his dark side, and that he used it with her as a shorthand without necessarily agreeing with her.

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But Heard’s attorney showed him several other texts — with his doctor, his assistant and Elton John — in which Depp also made reference to the “monster.”

He also gave varying explanations for what the “monster” was. At one point, he said it referred to alcohol and drugs. He also said it referred to Heard’s perception of his drug use, which he said was often mistaken.

At another point, he said “the monster was sobriety,” adding that he was “plagued by these requests to stop drinking.”

Shortly after that, he gave yet another explanation. “The monster was the guy who was dumb enough to continue to take part in arguments that would ultimately get nowhere,” he said.

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Heard will have a chance to give her own explanation when she takes the stand.

Violent texts

Depp portrayed himself as avoiding conflict, running away from fights and hiding in his room, and said that he had little “voice” in the relationship.

But on cross-examination, he found himself explaining violent and disturbing text messages in which he gave full vent to his anger.

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He repeatedly referred to Heard as a “cunt” and a “filthy whore.” In texts to actor Paul Bettany, he wrote, “Let’s burn Amber… Let’s drown her before we burn her!!! I will fuck her burnt corpse afterwards to make sure she’s dead.”

Depp explained that that was a “Monty Python” reference, and that he sometimes has a dark sense of humor.

In another text, he wrote that he had “fucked up and went too far in our fight” — though he denied that was a reference to physical violence.

The texts undercut the notion he presented that his instinct was always to retreat from conflict.

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Pirates

Depp not only has to prove that Heard defamed him — he also has to show that he suffered damages.

Heard’s team contends that his career was already in a tailspin before Heard published the Washington Post opinion piece in December 2018, and that the op-ed did no further damage.

Depp seemed to help Heard’s defense out when asked about an October 2018 article in the Daily Mail that suggested he was “out” of the “Pirates of the Caribbean” franchise — two months before the op-ed.

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Depp could have denied it, or said he didn’t know anything about it. Instead he volunteered that the article “doesn’t surprise me,” because his reputation had been trashed by that point.

“Two years had gone by of constant worldwide talk about me being this wife beater,” he testified. “So I’m sure that Disney was trying to cut ties to be safe.”

On redirect, Depp’s attorneys sought to clean that up, getting Depp to testify that he didn’t learn about his firing until a few days after the op-ed was published.

Source: Variety.com  

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Worshippers Thrilled at 2nd Aseda Musical Concert

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• Some group ministering
• Some group ministering

The Rev. I.K. Asuamah Thompson Memorial Methodist Church on Saturday hosted the second edition of the annual ‘Aseda’ musical concert, a vibrant celebration of gratitude led by the church’s Singing Band.

This year’s service also featured invited groups across the Methodist Church, whose harmonious performances added depth and colour to the worship experience.

Participating groups included the Bread of Life Singing Band, Mount Zion, Resurrection Methodist Band, Gethsemane, and St Mary’s Singing Band, among others. Their blended harmonies, rich choral interludes, and stirring renditions created an atmosphere of spirit-filled praise and collective thanksgiving.

The event brought together church members, choirs, and invited guests in a spirited celebration that blended music, scripture, and reflection, thereby reaffirming the church’s commitment to worship and communal thanksgiving.

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Speaking at the celebration, the Head Pastor, Very Rev. Mrs Naana Esi Dannyame, said this year’s event focused on the theme ‘Fruit of the Lips’, drawn from Hebrews, 1 Thessalonians, and Psalm 103.

She explained that the event was designed to help the congregation deliberately reflect on God’s goodness. According to her, thanksgiving is not measured in material gifts but in the sincerity of one’s worship. “We gather to recount God’s goodness, His protection, forgiveness, mercy and preservation of life. Scripture calls us not to forget His benefits,” she said.

Very Rev. Dannyame commended the singing band and invited choir groups for leading the congregation in heartfelt worship, noting that the focus of the occasion was Christ, “who loved us and gave Himself for us.”

The President of the Christ Little Band of the church, Mr Emmanuel Addo, urged Christians to embrace gratitude as a core value in their daily walk with God.

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He said the overarching theme, ‘Full of Values’, underscored the power and purpose of deliberate praise.

Mr Addo emphasised that believers were called to offer God a continual “sacrifice of praise” through Jesus Christ, describing worship as a living testimony of gratitude and devotion.

He also encouraged the congregation to let every melody and lyric magnify God and inspire unity, joy, and hope.

By Eugene Ampiaw

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UNICEF partners Kuame Eugene to release ‘Let them shine’

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• Kuame Eugene

UNICEF Ghana has partnered with the award-winning artist, Kuame Eugene, to release a new child-rights anthem titled “Let them shine.”

The song is aimed at commemorating World Children’s Day, which was marked on Thursday, November 20, and reinforced child rights advocacy.

The song’s release is particularly timely, coming at a critical period when children’s rights are increasingly under threat globally, making its message both urgent and essential.

The launch of “Let them shine” marks the 36th anniversary of Ghana’s ratification of the Convention on the Rights of the Child (CRC). Ghana is the first country in the world to ratify the convention, reaffirming the nation’s unwavering commitment to protecting every child.

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Beyond the World Children’s Day celebration, “Let them shine” is designed to be a long-term advocacy tool. With Kuami Eugene’s strong influence and large youth following, the song aims to empower young people to understand and demand their rights, inspiring children and adolescents to become advocates for themselves, their peers, and their communities.

Osama Makawi, UNICEF Representative in Ghana, said: “It represents a strategic avenue to elevate child rights conversations across different platforms. Through music, a universal language, we can reach more people and mobilise communities to stand up for children.”

Kuami Eugene also shared his commitment to supporting children through his art, saying, “Lending my voice to World Children’s Day through music means a lot to me because every child in Ghana deserves the right to be felt, seen, heard, and valued.”

By Esinam Jemima Kuatsinu

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