Profile
Doris Deku: The professional tiler inspiring female artisans
She grew up in Suhum in the Eastern Region but lost both parents at a tender age. Her father died when she was 15 and her mother also passed on three years later.
Due to financial constraints, her dream of becoming a Lawyer could not materialise as she was unable to further her education beyond Junior High School.
Determined to make ends meet nonetheless, she took up petty trading while living with an elder sister at Madina in Accra. Many years on, she has found her way in construction as a professional tiler and is helping other young ladies tap the opportunities in this sector.
This is the story of Ms. Doris Deku, Chief Executive Officer (CEO) of Ansadee Ventures and Ambassador for Artisans Association of Ghana (AAG).
When The Spectator caught up with her last Friday, she and her team had started a tiling project on a three-storey building in Accra.
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Explaining how she has become a highly sought-after tiler in Accra, the 29-year-old said that she used to sell cooked food at construction sites in her area after completing basic education.
“On one of my rounds at the site, I interacted with a worker on how I could be trained as a tiler. I had been observing them for sometime and I thought it would be an easy job for me,” she recalled.
According to her, some of the workers had told her that “tiling is not for ladies and not the same as preparing food for sale.” This ridiculous comment, she noted, were meant to “kill her passion’ but it rather sparked her interest further and did not damper her spirit.
As fate would have it, on one of her food selling rounds, she chanced on an opportunity offered by the Youth Inclusive Entrepreneurial Development Initiative for Employment (YIEDIE).
The five-year project, implemented by Global Communities in partnership with Mastercard Foundation, is designed to “create economic opportunities in the construction sector for economically disadvantaged youth.”
Doris decided to join the programme but initially opted for training in interior decoration. Upon realising that a lot of her compatriots had chosen this particular course, she switched to learn the rudiments of tiling instead.
“I told myself I would try tiling because I have never seen a female doing this job,” she said.
Doubt
According to her, some pessimists had doubted her success in the field during the first week of training but she was bent on finishing what she had started.
“When my trainer was away some workers would tell me to quit and find a better alternative but I kept telling them that even if I did not succeed, the knowledge I acquired would be enough achievement for me,” she said.
Contract
After completing the six-month intensive training in 2016, Doris sat the National Vocational Training Institute (NVTI) proficiency test and continued to understudy her “Master”, Mr. Nicholas Agbotse, for another one-and-a-half years.
“On a visit to a construction site, a fellow artisan spoke to me about a tiling job. The building project was behind schedule so they needed more hands to complete the tiling project. I did not have all the tools for the job so I decided to partner other colleagues in order to use their tools,” she said.
This was how the tenacious woman executed her first contract successfully and had since been getting recommendations for other projects. Subsequently, she joined a real estate development company that relied on her expertise anytime there was a project.
Company
With an initial grant from YIEDIE, she registered her company in 2017 and currently has 14 trainees, comprising 11 girls and three boys, and seven other permanent workers.
In September this year, the company was recognised by the Ghana Chamber of Construction Industry as the “Most Distinguished Inspiring Artisan of the Year” at the Ghana Construction Industry Excellence Awards.
Future
Although she is impressed that more young ladies now look up to her, the AAG Ambassador said she would do more for herself and other young girls in the industry.
“I want to train more ladies in tiling and form an all women artisan group to encourage other women to tap the opportunities in the construction industry,” she said.
Doris says she now has many of the equipment required for the job but plans to get other mechanical ones to speed up her work.
Advice
The CEO maintains that there are opportunities in the construction sector, apart from tiling and that young people, especially females, should strive to make a mark in the sector.
She says that the initial hurdles are inevitable but the benefit would certainly come when ‘we put our minds to it.”
“Tiling is all about beautification so I am always proud of myself when people are satisfied with my work after completion,” she has said.
The graduate of Umabun Hatab Islamic School at Madina Zongo has urged artisans to remain committed to their task and allow their professionalism to “speak for them.”
Doris, the youngest of five siblings, has said that her progress is not by her might but by the “will of God,” and remains grateful to Mr. Agbotse who trained her at the initial stages at no cost.
By Ernest Nutsugah
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
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A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
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