Profile
Combing streets, ghettos for emotionally traumatised boys …the story of the ‘Woman King’ and Boy Child Supportive Care Foundation
In a society where conversations about the safety and wellbeing of people have always tilted to the side of women and the girl child, one often wonder who cares about the state of the young boys at the same age as the girls.
Boys have been usually considered emotionally and physically stronger vessels, able to go through tough and difficult challenges without the support often enjoyed by girls who go through less or similar trials.
Some of these boys have grown up knowing of a popular Ghanaian parlance ‘barima nsu’, which is literally translated to ‘men don’t cry.’
So, sometimes people don’t realise that behind this show of strength and swagger, lies a soft, emotionally traumatised boy that fears losing his masculinity by bringing out the other part of him.
This was what led to the establishment of the Boy Child Supportive Care Foundation, a little over a year ago, to provide that comforting shoulder for boys to share their concerns.
Even that thought to care for boys came from a woman, Edna Korama Yamoah, popularly known as ‘Woman King’ who stands for the plight of boys and men.
The story behind the Boy Child Supportive Care Foundation is quite fascinating, especially when both boys and men have failed to realise and accept their predicament.
But for the Woman King, boys and men must not see themselves in such struggles as a normal thing.
“You see, boys have been neglected for a long time. We always hear about the girl child. Everything in this society is about the girl child. We think the girls are vulnerable, but boys are more vulnerable.
In fact, most boys are more vulnerable than the girls. Boys get so emotional but they hide it because we always know them to be men and not expected to cry,” She explained.
After establishing the foundation, a lot of such boys have been brought together, especially those that are going through emotional problems.
Within this short space of time, the foundation has managed to put about 16 boys in basic school, almost 200 in technical and vocation through scholarship, and has over 150 engaged in sports activities, specifically football and basketball.
Without support from organisations, the foundation has struggled to send these boys to Senior High School (SHS) due to financial challenges, although the SHS is free but without some needed logistics.
According to the Woman King, the work of the foundation requires occasional visits to schools where they talk about issues on mental health and wellbeing.
“We also do charity works. We also do feeding on the streets and ghettos.
“The foundation currently don’t have a hub to house them. That is even not a major concern now since most of them have places to sleep. It’s just that they are poor. They don’t have what to eat, they don’t have what to wear.”
“They are not necessarily street children. These are boys with their families aged between 10-21 years. They are with the families but we see clearly they are going wayward.
“So, we help them with counselling. We do one-on-one counselling. We do interactive counselling. We do that a lot in secondary schools, especially in five schools.
The foundation’s operations are not always smooth as expected because of their backgrounds.
“They are from poor homes. Some are very stubborn as well, and proud. Sometimes you want to help a boy child and he’s like, I’m comfortable where I am. I want quick money. I want to carry goods to get money.
But I have a way of facing them. So, I’m always in kick; every day, I’m in kick. You hardly see me in flashy clothing.
“I go to the gated houses where people cannot go, where the police won’t go. Me, I go there. I go to the ghettos to speak to them.
“I make them feel I’m not against them. Rather, I want to understand them, so they should also understand me.
“Sometimes I cry. Sometimes I just get out of my car and walk along the streets just to look at these boys, how they behave, and their mannerisms,” she narrated.
Woman King has currently written proposals to churches, organisations and philanthropists to find ways to fund these activities that she believes will help a lot of boys realise their dreams.
“I didn’t have any grant. I didn’t even have the idea of writing to do this because we were not even a year old. So we contacted a few people and they started adopting some of the cases.
“So we have people who have adopted the education project. We have only individuals who are taking care of individual boys. They pay their school fees and most of them are in the private schools. Because they want the boys to be in the private schools.
“But after a year, we are collaborating with this big school with the Ghana Atomic Energy Commission.
We are also endorsed by the Ministry of Arts and Culture. We have the endorsement because there is this upcoming project; Arts and Craft. We wanted to do it in the secondary schools, but we realised that Ghana Education Service may delay us,” she stated.
At the sports level, the foundation requires training and remuneration for their coaches in charge of their 14, 16 and 18 football teams.
Woman King is a mother of two girls and believes it is for a purpose that she did not give birth to a boy because her passion has led her to take care of so many of them.
“I feel so good and proud when I see something good coming from my boys. When I see them so happy, it makes me so happy, it makes me feel I am on top of the world.
“I feel good that I have made an impact in somebody’s life, because I see progress. All these boys are transformed.
“And at the end of the day, they all come saying thank you. So it makes me very proud and emotional.”
Womans King’s next agenda is to have a “Books and Stationary Support Festival coming up in the first week of January when schools reopen. We are doing this because I went to some schools, about two or three schools in some villages and the teachers appealed to me to bring them books.”
In this regard, the foundation is calling for support to support these needy school children.
It is the belief of Woman King that the foundation would one day gain international recognition for the good works it is rendering to society.
By Cecelia Yada Lagba
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
Join our WhatsApp Channel now!
https://whatsapp.com/channel/0029VbBElzjInlqHhl1aTU27
A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
