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Autism Awareness Care & Training: Pioneering autism care, inclusion in Ghana
AUTISM Awareness Care and Training (AACT) is Ghana’s first autism-focused centre, playing a pioneering role in the care, education, and advocacy for children on the autism spectrum and their families.
Established in 1998, AACT began as a parent-support and training initiative at a time when autism was poorly understood in Ghana. Many families raising autistic children faced stigma, isolation, and limited access to information or professional assistance.
Over the years, the organisation has evolved into a full-fledged autism care and training centre, responding to the growing demand for specialised services and sustained nationwide awareness.
AACT is currently located in Haatso, Accra, where it operates a structured day programme serving about 25 learners daily. The centre provides a safe, inclusive, and supportive environment where children with autism are guided to develop essential life, social, and functional skills.
Programmes at the centre focus on independent living skills, vocational and pre-vocational training, functional academic skills, and therapeutic interventions. These activities are tailored to the individual needs of each learner, recognising that children on the autism spectrum learn and develop at different paces.
According to Abeiku Grant, Head of Programmes at AACT, the centre’s philosophy is centred on ability rather than limitation.
“Every autistic child is different,” he said. “Our work is to support them at their own pace and help them discover what they can do, not to focus on what they cannot do.”
Beyond centre-based services, AACT places strong emphasis on autism awareness and advocacy, particularly within schools and communities. Many children with autism in Ghana continue to face rejection and exclusion due to stigma, misinformation, and the lack of trained personnel in educational institutions.
In 2025, AACT reached over 20 schools across the country, providing autism education to teachers, students, and school administrators.
The organisation also runs free teacher training programmes, equipping educators with practical knowledge and basic tools to support autistic learners in inclusive classroom settings.
“Many schools tell us they are not resourced or trained to handle autistic learners,” Mr Grant explained. “Instead of waiting for change, we decided to go to them and train teachers for free.”
AACT also engages learners directly, addressing widespread misconceptions about autism, including the false belief that autism is contagious or caused by bad parenting. These outreach programmes aim to build empathy among students and promote peer support for autistic learners in mainstream schools.
Another major challenge confronting families is limited access to autism services, especially outside Accra. With most autism centres concentrated in the capital, many families from other regions are forced to travel long distances or keep their children at home due to cost, stigma, or lack of support.
“Education is not meant only for typical children,” Mr Grant stressed. “Children with autism also have the right to education and care. No child should be hidden because of lack of understanding or opportunity.”
As part of its outreach work, AACT supports parents to overcome stigma and encourages social interaction for children with autism, believing that community engagement is essential for development and confidence building.
In December 2025, the centre received what it described as its largest donation of the year, raised by children from the Unmasked Mentoring initiative. According to the organisation, the donation was particularly significant as it demonstrated empathy and social responsibility among young people.
As a non-governmental, non-profit organisation, AACT depends largely on donations, partnerships, and goodwill to sustain and expand its work. Current needs include a minibus for community-based social activities, expansion of its facility to accommodate more learners, sponsorship support for children from financially challenged families, and funding to scale autism awareness programmes nationwide.
Looking ahead, AACT envisions a Ghanaian society that is inclusive, informed, and supportive of persons with autism.
“Our goal is a Ghana where children with autism are accepted and supported,” Mr Grant said. “Every child has potential. All they need is understanding, opportunity, and care.”
By Esinam Jemima Kuatsinu
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If you found yourself in Tamale last weekend, you would have stepped into an atmosphere alive with colour, rhythm and memory. The maiden Northern Ghana FOTO Festival did not feel like a typical exhibition; it felt like a cultural awakening.
Between rows of tall white panels displaying hundreds of striking images, a cultural troupe danced their way through the space, their drumming rolling through the hall like a heartbeat. The dancers’ movements fluid, bold, traditional, created a living bridge between the past and the photographs surrounding them.
Not far from the performers, chiefs in their elegant traditional regalia paused thoughtfully before portraits capturing festivals, rituals and everyday life. This immersive scene set the tone for the Northern Ghana FOTO Festival, which opened in Tamale with a resounding call for cultural preservation through visual storytelling.
The event gathered photographers, cultural advocates, scholars and traditional leaders to celebrate the narratives, traditions and identities that shaped northern Ghana. Originally launched with a call for just 30 photographic entries, organisers were overwhelmed with more than 600 images submitted by over 60 contributors from across the five northern regions.
The range of submissions from seasoned photographers and emerging artists to passionate hobbyists formed a vivid collective portrait of the region’s past and present. The opening ceremony amplified the festival’s cultural spirit with traditional drumming, dancing and performances that reflected the rich heritage the exhibition sought to highlight.
Chairperson for the event, Prof. Elliot Haruna Alhassan, Pro Vice-Chancellor of the University for Development Studies (UDS), described photography as a crucial tool for documenting Ghana’s cultural evolution. He emphasised that visual storytelling is becoming indispensable in safeguarding customs, values and community memory.
The Guest of Honour and former Rector of Tamale Technical University, Prof. Salifu Asuro, praised the organisers for creating a platform that elevates the cultural identity of northern Ghana. He encouraged public and private institutions to support creative arts initiatives, noting their significant role in national development.
Traditional authorities played a central part in the ceremony. Representatives from the Gukpe Naa and Dakpemaa palaces including Naa Prof. Abdul-Rahaman Issahaku, Chief of Gbanyamle and senior faculty member at UDS, as well as the Chief of Bunbong, Uborr Wumbe Dawuni—commended the festival for fostering cultural continuity and encouraging younger generations to reconnect with their roots.
Speaking on behalf of the Northern Regional Director of the Ghana Tourism Authority, Mr Owusu-Boakye Frank, Senior Standard and quality assurance officer assured the Authority’s commitment to supporting cultural tourism. He stressed that visual storytelling, when harnessed effectively, has the potential to attract visitors, preserve cultural assets and strengthen community identity. He pledged the Authority’s collaboration in future editions to position northern Ghana as a vibrant hub for creativity and heritage.
One of the festival’s major highlights was a panel discussion on the theme: “Preserving Culture, History and Community through Visual Storytelling.” Chiefs, scholars and cultural experts explored the importance of visual documentation as a tool for intergenerational education, emphasising photography’s ability to create a timeless cultural archive.
Team Lead of Foto4Change and convener of the festival, Mr Geoffrey Buta, said the initiative seeks to strengthen cultural conservation efforts through photography. “Our forebears relied on oral tradition to preserve history,” he noted. “Today, visual storytelling enables us to continue that work in a more permanent and accessible form.”
Mr Buta announced plans to transform the festival into a rotational exhibition that will travel across northern Ghana, giving more communities access to the growing visual archive. He added that the event would be institutionalised as an annual celebration of culture, research and artistic dialogue.
The displayed photographs captured festivals, landscapes, portraits, rituals and everyday life offering a colourful, honest and layered view of northern Ghana’s cultural richness. Organisers expressed optimism that with sustained institutional support, the Northern Ghana FOTO Festival could evolve into a major cultural event capable of attracting both national and international attention, while preserving the heritage and stories that make the region unique.
By Spectator Reporter
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FEW miles from Damongo, in Ghana’s Savannah Region, is Nyange, a place which is divided by a busy major road from Tamale to Sawla, which looks abandoned because of the ruins of the buildings, but holds a history vast enough to have once anchored an entire kingdom.
Long before Damongo became the administrative heartbeat of Gonjaland, Nyange served as the spiritual and political centre of the Gonja Kingdom, the original seat of the Yagbonwura, home to ancestral palaces, ritual grounds, and the rituals that shaped kings.
For decades, Nyange drifted into silence, but after Yagbonwura Bii-Kunuto Jewu Soale I, the King and Overlord of the Gonja Kingdom, announced intentions to reconstruct elements of the old capital, I felt compelled to visit to see for myself what remained of this sacred landscape, and to understand why its revival matters now.
Walking through Nyange, I met a woman who we spent some time narrating briefly the unspoken chapters of Nyange history. The land according to her, still holds the outlines of what once defined a kingdom—the Gonja, the stone foundations of ancient palaces, sacred groves where rituals once echoed, and open courtyards where chiefs, land priests, and kingmakers shaped the affairs of the state—and the empty bricks and white dotted paint that host every late and Yagbonwura.
Nyange was the original home of the Ndewura Jakpa Palace, a towering symbol of power that stood until 1944, when Yagbonwura Awusi Ewuntomah of Daboya transferred the royal seat to Damongo. The administrative centre moved but Nyange’s spiritual authority never left.
Where Every King Begins and Ends His Journey
My visit revealed why no Gonja story is complete without Nyange. Its significance is anchored in traditions still observed today.
When a Yagbonwura passes, the first funerary rituals begin in Nyange before the body travels to the Royal Mausoleum in Mankuma. The journey follows an ancient path that deliberately avoids Sawla—a tradition safeguarded for generations.
Rites That Begin a Reign
In 2023, whiles covering the enskinment of the Yagbonwura, he first arrives in Nyange to begin his sacred initiation, where every Yagbonwura has to start the initiation.
These rites, performed only here, link the new king to the ancestry of Ndewura Jakpa. For centuries, Nyange was the permanent residence of successive Yagbonwuras, where its soil is layered with leadership, legacy, and the quiet footsteps of royalty.
A Heritage Landscape Waiting to Be Reimagined
As we moved through the community, it became clear that Nyange holds immense potential for cultural tourism, research, and documentation.
Still visible across the landscape are the ruins of palaces occupied by ancient Yagbonwuras, the tomb of Wasipewura Chinchanko of Daboya, remains of the stone palace of Yagbonwura Mahama Dagbonga of Bole, enskinment sites, sacred burial grounds, the Nyange Forest Reserve—long known for trees used in crafting royal coffins—and the homes of key custodians, including Nyangewura and Land Priest Vogu Jamani.
Nyange’s proximity to Mole National Park makes it ideal for an eco-cultural tourism circuit, weaving together wildlife, architecture, oral history, drumming, dance, and the lived memory of the Gonja people.
Local leaders are already discussing the creation of heritage trails, interpretive centres, and storytelling experiences led by community custodians.
Just beyond Nyange lies Larabanga, home to one of West Africa’s oldest Sudano-Sahelian mosques. Together, these two communities could anchor a cultural corridor capable of drawing visitors from across the world.
Larabanga offers architectural and religious significance, whiles Nyange offers political and spiritual heritage. Together, they tell a complete story of identity, power, belief, and continuity.
As I spoke with some people in Nyange, I could feel both urgency and hope, when they outlined a clear vision for the future by the efforts of the Yagbonwura to restore palace ruins, document sacred sites, establish cultural education and preservation programme, and develop sustainable tourism models that benefit residents.
But more than infrastructure, they spoke of identity—emphasising that, “our history is here.”
Leaving Nyange, I carried with me the feeling of a place on the brink of transformation, the past lingers in its broken walls and ancient pathways, but the future feels within reach—guided by royal leadership, community pride, and the quiet determination to revive a forgotten capital.
Nyange is not simply being restored, rather it is being reclaimed. And as the reconstruction efforts begin, the world may soon witness the rebirth of a capital that once shaped a kingdom and is ready to do so again.
From Geoffrey Buta, Nyange.
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