Entertainment
The punches and emotions: Where is beef taking music industry?

Beef which is slang for friction between artistes in the music industry had been in existence for many years, and Ghana’s music scene had not been spared the phenomenon.
At times, these hard punches that are thrown about end up bruising emotions of the targets thus leading to a long standing animosity between them.
There had been many occasions where musicians in the country threw lyrical shots at their colleagues to express their disapproval at certain utterances made about them in a controversial manner.
Sometimes the feud is over after a couple of diss tracks and later resolved with a face to face meeting. Other times, they ended in violence, and sometimes, they don’t end at all.
An example in Ghana’s music circles is that beef that existed between Ex Doe and Chicago, Obrafour against Okyeame Kwame, Sarkodie versus Shatta Wale, Kwaw Kese against Shatta Wale, Medikal and Strongman among others.
One which had attracted many eyeballs was Shatta Wale and Stonebwoy’s beef, which resulted in marring the 2019 Vodafone Ghana Music Awards, after the latter pulled a gun, following a provocation by Shatta Wale.
After, it became a legal tussle, taken over by the police and the judicial system of the country, a businessman came into the scene to patch up the crevice between the two dancehall gems. This is to say, it ended peacefully, and since then, nothing scrappy has come from both camps.
An example of a beef which seemingly became violent in the United States of America and led to the loss of lives was the famous Notorious BIG and Tupac Shakur, a feud which was believed to have ended the lives of these artistes, even though no one had been prosecuted for either murder, and there’s no evidence that the beef directly led to the killings.
Both were on good terms until Tupac was shot five times in a Manhattan recording studio on 30 November 1994. He suspected Biggie and his mentor, Sean “Puffy” Combs, of arranging the shooting.
This blossomed into a more dangerous vendetta between the east and west coast factions, stoked by lyrical provocations from Biggie “Who Shot Ya?” and Tupac “Hit ‘Em Up.” Tupac was gunned down in 1996, and Biggie, six months later.
Mention can be made of Drake and Meek Mill, Kayne West and 50 Cent, Kylie Genner and Black Chyna, Nicki Minaj versus Azealia Banks, Khloe Kardashian against Amber Rose, Jay Z and Nas among others.
Currently in Ghana, there is some thunderous lyrical shots fired from the camps sultry singer, Sista Afia, rappers, Eno Barony and Freda Rhymz. They have expressed their disaffection at each other by showing their prowess in diss songs, even though some music lovers found some of the words to be unfortunate, as body shaming and wild sexual allegations took center stage.
The whole brouhaha started when Sista Afia, an afro-pop and highlife singer decided to exhibit her rap prowess, which she was not noted for, to stoke some controversy among the female musicians in Ghana.
Sista Afia released a diss song titled “WTM” (Women Must Talk), on April 22, where she made some derogatory remarks about her fellow female musicians and claimed to be ‘Queen Solomon’.
As though it was not enough, she released another diss song, “U Got Nerves”, this time, it really got to the nerves of Eno Barony and Freda Rhymz.
Following this, Freda Rhymz fired back by going hard on Sista Afia with a new track dubbed “KMT” (Komot For There), calling her (Sista Afia) an emotional singer.
Irked by Sista Afia’s jab, rapper, Eno Barony who released “Rap Goddess” to declare herself as the best in the rap game, and further came through to punch hard with “Argument Done”, which even roped in male rapper Medikal, referring to him as a ghost writer doing the dirty works for the singer (Sista Afia).
Not letting down her guard, Freda Rhyme has fired another diss song dubbed “Point of Correction” targeted at Eno Barony and Sista Afia, making wild accusations against these artistes, asserting that, they gave sex for collaboration with male artistes.
Sista Afia who was pained by this, twitted that “I hope all these insults, when you see me, you will get that confidence to say it to my face”, quickly, Freda Rhymz replied by saying, “Oh please, you can’t do sh*t”, abrewa, to wit, an old lady.
Male Rapper, Medikal, who was roped into the beef, in a tweet has stated that “Don’t ever think I will waste time recording a diss track for a female rapper, especially, when the person looks like a corpse. Is a dead thing.”
Gradually, emotions are beginning to take the best out of what could have been a mere war of words due to some of the derogatory punch lines, which could end up in an unfortunate situation.
Even though beef has many negative tendencies because who fought the hardest to destroy the other becomes the order of the day, some music lovers believe that an industry without beef exhibits less competition which renders it more boring.
With all these accounts, where is this beef taking us? The good, the bad, or the ugly?
By Edem Mesnah-Tsotorme
Entertainment
MUSIGA responds to criticisms from public

THE president of the Musicians Union of Ghana (MUSIGA) Mr Bessa Simon has described criticism against a donation made to the family of the legendary Yaw Sarpong as misleading and a means to tarnish their image.
According to him, GH¢500 donated to the family during one week observance wasn’t the final funeral contribution but a symbolic amount to help with refreshment during the one week observance.
• Yaw Sarpong
He told the Spectator Agoro that the Union will make a formal donation at the funeral to the icon in the gospel industry.
“Giving an amount at one week is a common practice and shouldn’t overshadow Yaw Sarpongs legacy” he added
Meanwhile others praised MUSIGA for showing solidarity, others condemned the amount, describing it as inadequate and disrespectful to the legacy of the veteran singer.
Yaw Sarpong, born in Accra, emerged as one of Ghana’s most influential gospel musicians and a defining voice in contemporary Christian music across West Africa.
Rising from humble beginnings and shaped by the political and social turbulence of post-independence Ghana, he transformed gospel music with a distinctive blend of spiritual depth, lyrical clarity, and disciplined musical arrangement.
By Linda Abrefi Wadie
Entertainment
Ghana’s Youngest GWR holder Ace-Liam to headline 69th Indece Celebration in China

Ace-Liam Nana Sam Ankrah, Ghana’s celebrated child prodigy and youngest achiever ever recorded in the Guinness World Records’ 70-year history is set to captivate audiences at the upcoming Ghana Independence Day celebrations in Beijing, China.
The Ghana Embassy in the People’s Republic of China will host series of events culminating on March 6, 2026, to mark Ghana’s 69th Independence Anniversary, with Ace Liam’s artwork prominently featured.
As part of the Embassy’s cultural initiatives, an art exhibition will showcase creative works by top Ghanaian artists including Ace Liam and renowned artist Ibrahim Mahama.
The exhibition aims to celebrate Ghana’s vibrant cultural heritage and foster closer cultural ties between Ghana and China.
At just 3 years old, Ace-Liam has earned acclaim for his innovative artistic talents. His participation in the Independence Day events highlights the role of young Ghanaian artists in promoting the country’s rich culture on a global stage.
Ambassador Kojo Bonsu, during a press soiree held on February 5, 2026, emphasised Ghana’s commitment to deepening its relationship with China through cultural exchange and economic collaboration.
The planned events will also include a business forum and a fashion show by Nineteen57, blending traditional and modern Ghanaian styles.
This will be Ace-Liam’s second international art exhibition after his debut in Barbados at the GUBA Awards.
In 2025, he received an award at the UK Parliament House of Commons as a Global Child Prodigy in Arts. He was also awarded the Kid Creator of the Year at the Creators Awards Ghana 2025.
In a related development, Ace-Liam Ankrah has been recognised as a Young Achiever in the Guinness World Records Book 2026 edition, becoming the youngest achiever in the organisation’s 70-year history.
Featured in the special anniversary edition marking seven decades of global excellence, Ace-Liam joins a distinguished group of record holders and global icons such as Simone Biles, Usain Bolt, and Dolly Parton. His achievements have made a lasting impact worldwide, capturing international attention through the extraordinary power of early childhood creativity.
This latest recognition by Guinness World Records marks a defining milestone not only for Ace-Liam, but also for Ghana and the African creative community. It highlights the importance of nurturing creativity from an early age and demonstrates the extraordinary possibilities that emerge when talent is supported and allowed to flourish.
Reacting to this news, Ace-Liam’s Mother/Manager Chantelle Kuukua Eghan remarked, ‘Ace-Liam being featured in the 2026 Guinness World Records Book as a Young Achiever is a dream come true. I feel blessed and super excited to be his mother. This is not just a win for him, but a win for all kids in the world.’’
Ace-Liam’s artistic journey began at just six months old when his mother, Ghanaian visual artist Chantelle Kuukua, laid out a canvas and paints to keep him engaged while she worked on a commissioned piece.
What began as a simple moment of curiosity quickly revealed something remarkable. Within minutes, he created his first artwork, later titled The Crawl, a vibrant expression that marked the beginning of an exceptional creative path.
Edem Mensah –Tsotorme



